Back To Artist
Ned Rorem / Eugene Istomin, piano : War Scenes / 5 Songs
Log in to add to your wishlist
Contemporary music for soprano, tenor and piano: War Scenes & 5 Songs to Poems (Walt Whitman)
Genre: Classical: Contemporary
Release Date: 2006
War Scenes / 5 Songs
Ned Rorem / Eugene Istomin, piano
Record Label: Phoenix
  • Buy CD - $15.99

Share This Album

| Share
Preview Song Name Time Buy
1. Ned Rorem: War Scenes - Texts by Walt Whitman - A Night battle 4:18 Album Only
2. A Specimen Case 2:21 Album Only
3. An Incident 1:41 Album Only
4. Inauguration Ball 1:33 Album Only
5. The Real War Will Never Get in the Books 2:25 Album Only
6. 5 Songs to Poems - Texts by Walt Whitman - Early in the Morning 1:17 Album Only
7. You Whom I Often and Silently Come 0:25 Album Only
8. To You 0:35 Album Only
9. Look Down, Fair Moon 2:07 Album Only
10. Gliding O'er All 0:46 Album Only
11. Four Dialogues for 2 Voices and 2 Pianos - Frank Ohara - The Sub 3:15 Album Only
12. The Airport 4:11 Album Only
13. The Apartment 5:23 Album Only
14. In New York and Spain 5:22 Album Only
preview all songs

Album Notes

Ned Rorem (vol.2) WAR SCENES/FIVE SONGS/FOUR DIALOGUES

Ned Rorem War Scenes
Five Songs to Poems of Walt Whitman
Four Dialogues

Donald Gramm, bass-baritone War Scenes
Eugene Istomin, piano Five Songs to Poems of Walt Whitman
Anita Darian, soprano Four Dialogues (For Two Voices and Two Pianos)
John Stewart, tenor
Richard Cumming, piano
Ned Rorem, piano

The texts for the cycle, WAR SCENES, were very freely excised from Walt Whitman's diary of the Civil War titled "Specimen Days." The music was designed for Gerard Souzay who first performed it, with pianist Dalton Baldwin, in Constitution Hall, Washington, D.C., October 19, 1969. The published score contains the following dedication: "To those who died in Vietnam, both sides, during the composition: 20-30 June 1969."
The "Five Songs to Poems by Walt Whitman" were all composed in the summer of 1957 in Hyeres, France. they were commissioned by Walder Luke Burnap who premiered them, self-accompanied at the viginals, in New York the following spring.

The late Frank O'Hara conceived the words to "The Quarrel Sonata" (as he first called the FOUR DIALOGUES) expressly to be set by me for the unique combination of two voices and two pianos. This was accomplished early in 1954, mostly in London and Paris. The premiere took place on March 23rd of the following year at a private concert in the Contessa Pecci Blunt's Roman palazzo. This lavishly somnolent old-world decor seemed gorgeously anachronistic to our glib non-poetry and vulgar music which, in their comic-strip tightness, pre-dated Pop Art by a decade.

Notes by Ned Rorem

Read more...

REVIEWS

Sell your music on CD Baby and iTunes! Minimize this Tab Open this Tab