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Round Mountain : Round Mountain
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Songwriting through a lens of world music, featuring instrumental and compositional influences from Africa, Asia, Europe, and the Balkans.
Genre: World: World Traditions
Release Date: 2004
Round Mountain
Round Mountain
Record Label: Round Mountain
  • Download Album (MP3) - $15.00
  • Buy CD - $15.00
Preview Song Name Time Format Price Select
Unknowing 5:48 $0.99
Raised Eyes 3:13 $0.99
You Cannot Wait 4:29 $0.99
The First Fire 4:07 $0.99
The Dam 4:17 $0.99
The Burning Braid 3:38 $0.99
The Queen 3:35 $0.99
Judy 5:18 $0.99
The Fiery Light 4:50 $0.99
Shine More Light on the Trees 4:32 $0.99
Don't Let it End 3:45 $0.99
St. Anthony's Garden 3:46 $0.99
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Album Notes

Round Mountain's Char and Robby Rothschild have been playing music together for most of their lives. Based in Santa Fe, New Mexico, their background ranges from Balkan and West African styles to traditional Appalachian music, from classical to funk. While they have played extensively together and separately in many ensembles and projects, including Prince Diabate, Panjea, the Selkies, and Lizard House, this configuration marks the crystallization of their own music using the traditions that have inspired them. Expect many extremes - beautiful acoustic numbers, wild bagpipes, trumpet and accordion played by one person at the same time, Bulgarian zydeco, klezmer, and Malian rhythms, to name a few. But while their music is varied, it is far from random. There is a solvent behind all these different dry ingredients that allows them to blend seamlessly – original songwriting with respect and love for the music. And, of course, the peculiar breed of madness the Rothschild brothers possess.

Char Rothschild, the elder of the two brothers, gives new life to the word multi-instrumentalist. In the course of a live performance, he plays trumpet, guitar, banjo, dobro, accordion, Irish whistle, gaida (Bulgarian bagpipes) and saz (a type of Turkish lute). In recordings he will often add ney (Turkish flute), clarinet, trombone, percussion, and more. Behind each of these instruments is a story and often a journey. He has played in Tokyo with the Old Moscow Circus, toured Australia with the Afro-funk band Panjea, recorded with Latif Bolat, and performed with countless other projects regionally. He is also a gifted songwriter and accompanist who has written music for many theatrical productions. Char graduated with a BFA in Contemporary Music from the College of Santa Fe.

Robby Rothschild, the younger of the two, plays cajon (Peruvian/flamenco box drum), djembe, bouzouki, mandolin, kora (West African harp), as well as singing. He began playing piano and drums at an age of eight, and has never been the same since. As a percussionist, he has been deeply influenced by the rhythms of West Africa. He has studied djembe in Mali and the United States, and has toured and recorded internationally with Kip Winger, Panjea, and Ottmar Liebert. Robby is a talented composer - his places of study include the New England Conservatory of Music, the College of Santa Fe's Contemporary Music Program, and the University of New Mexico, where he is completing a Master's in Composition.

Char and Robby are joined by renowned bassist Jon Gagan on upright and electric bass. Known for his work with Liebert, Jon brings his immaculate musicianship to the band and creates a powerful chemistry with the two brothers. Round Mountain is a lively mixture of ceremony and irreverence, of exuberance and reflection. Beneath all of these unlikely marriages, a certain warmth remains to unify their sound and their message. In a time when most music has become so brightly polished that no one can see inside, Round Mountain presents a rare rough gem of humanity that glows from within.

"This music is a shrine to our mythology, as brothers and as people," says Robby. And although the combination of cultures is unusual, they don't consider themselves the first to attempt such alchemy.

"Traditions have always come together. But it's never been done in a laboratory, throwing a bunch of dry ingredients together and measuring what happens. It's always been done around a fire, and the solvent that makes the ingredients react is right there in the hearts and hands of the people who play it," says Char Rothschild.

"I think we have work to do here. We love music from all over the globe. Our job is to bring what we've found home and share it with our people, and at the same time to represent our home and La Querencia of New Mexico to the rest of the world," says Robby.

"We're people who live in the world, and we're trying to continue the stories of our ancestors, following the tracks of those old roads into the future," Char concludes. "If two cultures can come together in a song, then there's hope."

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REVIEWS

author: Hansi Lebrecht
This music comes from the heart and that's where it goes, directly, when you listen to it. I get very romantic and inspired when I listen to it. and i make a deep bow to the unique musicianship & songwriting of the brothers from Santa Fe. having been there (in Santa Fe) I can imagine where the inspiration fot music like this is coming from ;)
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author: Lambert Elisabeth Philippe
Nous...on aime! Le son musique du monde, la douce poésie des mots, les voix sensibles. C'est de la tendresse de l'autre côté de la montagne. A quand le prochain album en FRANCE ? Bon courage ! YES !!! we love it !!!The world music touch, the soft poetical words, sensitive voices. Everything is tender around the mountain. When the next album ? We can't wait !!!
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A living river of stories
author: Borya
American folk music at its best ("a living river of stories"). Round Mountain are the brothers Robby and Char Rothschild from Santa Fe, NM, accompanied by a bass player which on this recording is Paul Brown and nowadays on concerts seems to be Jon Gagan of Ottmar Liebert's Luna Negra fame. One of the remarkable facts about this independently produced album is the instrumentation. Robby uses bouzouki, kora, djembe, tuppan and mandola among other instruments and Char plays a 5-string banjo, gaida, bombards, accordion, clarinet, trombone, ney and the turkish saz. It comes with this instrumentation that influences from so different regions as Bulgaria, Macedonia, Turkey, Tuva, West Africa or Zimbabwe made their way on this New Mexican folk music album. A blend certainly topping the single malt in this particular case. Round Mountain music is not instrumental music. The brothers sing. The red line of the themes they write about lies in nature and land, the seasons they focus on are summer and fall, I'd say. The "mountain" is not described any further but when having noticed that it is an important place for them, a mountainuous landscape is around there somewhere in the imagination. While Char to me seems to be the more upbeat (confer his compositions "Judy" and "Raised Eyes"), optimistic part who tends more towards love, focusing on a woman, Robby appears to be more introspective, faithful, with a touch of melancholy, but also more political. A "lamp", "lantern", "light" "shining" in the "night / darkness" is also a repeated picture used. The direct political statements are limited, the brothers only get political in "You cannot wait". As I said before, the instrumental skills of Robby and Char are impressive. On a song like "Shine more light on the trees" they only make the song with a guitar and a bouzouki. Best fireplace qualities. "The dam" is underlined by a percussion part that strongly reminds you of flowing water. My all time favourite will certainly be the opening track "Unknowing", an intimate and calm song that yet has the rhythm of seconds ticking away, with Robby singing lead vocals with a soft and high voice, instrumentation: only ashiko and bouzouki. You find yourself somewhere in nature and realise the passing of time, but you have pleasantly accepted your fate. It's like this, no further answer needed. Round Mountain is an intimate album. I'm not really feeling to share the listening with others. I need to be alone for that, watching out, looking at the meadows, trees or mountains nearby, smelling the earth, letting go down on me what happened and happens in the world and in my life, trying to find my perspective, my point, what I think about it, how I feel about it. It makes me wanting to settle down. I need to let the songs go down on me, switch out the telly and go out to lean against a tree, feeling its bark, making myself aware that this tree doesn't know any politician or popular soap opera. Of course I could share the listening with others, but I couldn't talk whilst. Or I needed to be able to play it myself for others. The album is for standing alone at the window looking out. Being calmed down and optimistic - consoled.
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risk pays off for Rothschild brothers!
author: gabe
The first thing that hits me when I listen to 'Round Mountain' is the elegance and honesty of the songwriting . It has the direct emotional appeal of a songwriter laying it on the line at the local coffee shop. There are more layers though. As I allow myself to turn on the left side of my brain, I notice the quirky turnarounds, surprising rhythms and maybe most astonishingly the large scope of the orchestration that surround these 'simple' songs. Like Tom Waits, Round Mountain has the rare ability to transcend their eclectic influences and let the song shine the brightest. Beautiful work gentlemen!
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