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Rube Waddell : Bound for the Gates of Hell
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Raw, backyard country-blues with an Irish-Indie-Punk drinking feel. The Rubes reach deep down into the roots of music, capturing the pureness and honesty of history, allowing breathing room for the modern-ness to live. Dark and swampy.
Genre: Rock: Roots Rock
Release Date: 2001
Bound for the Gates of Hell Record Label: Vaccination Records
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Preview Song Name Time Format Price Select
I've a Lovely Piece of Crumpet in My Pocket 2:26 $0.99
Jezebel 3:43 $0.99
Assoi 2:26 $0.99
Non Compus Mentis 0:42 $0.99
Skippy Said 2:51 $0.99
Stink Bait 0:58 $0.99
The Ballad of Little Billy Barnes 3:49 $0.99
Wish I Had Answered 3:37 $0.99
Nadie Va Al Cielo 2:29 $0.99
Mannix 4:48 $0.99
Born to Suffer 6:30 $0.99
A Stink Bait Reprise 1:58 $0.99
Bukka's Bullshit Millenarian Blues 4:16 $0.99
The Cosmic Integral 15:50 $0.99
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Album Notes

The great George Edward "Rube" Waddell (1876-1914) was a fire engine chasing, hard drinking, alligator wrestling,baton twirling eccentric pitcher for the Philadelphia Athletics from 1901 to 1910.
RUBE WADDELL the band is a quartet from the Mission District of San Francisco CA that has taken him as their patron saint and lives to honor his name by causing bizzare,confounding, and sinfully fun ruckuses in bars, concert halls, city street corners, and home stereos everywhere they can.

Performing their own breed of modern Americana music, they mix Blues, Gospel, American and Irish Folk, Country, Rock, Punk, comic Vaudeville, German theater, South-East Asian ditties, a little funk, and a lot of raw power into their sets. Reviewers have compared Rube Waddell at times to Captain Beefheart, the Fugs, Ween, Doo-Rag, Tom Waits, Jon Spencer and other lo-fi giants.
The Rubes got their start performing in the streets of San Francisco and became known for their monthly performances, "Live at Leeds," in front of a well known shoe store in the Mission district, and from there their popularity took them into bars and clubs around the city, America and Europe.

The instrumentation of the band varies widely including slide guitar, mandolin, trumpet, sousaphone, tabla, ukulele, marimba, pots and pans, kazoo, harmonica, electric guitar, toy keyboard, accordion, banjo, tin whistle, and various home-made instruments from one-string guitars to junkyard percussion ensembles.

"Bound For the Gates Of Hell" is the band's third album released in 2001 on the now defunct Oakland-based collective record company Vaccination Records. They mix swamp blues, various ethinic influences, and eccentric wit into one hella of a good time.

Here is what reviewers have said about Bound for the Gates of Hell:

"Backyard country-blues with an Irish drinking feel, Rube Waddell (a band, not a guy) reaches deep down into the roots of music, capturing the pureness and honesty of history, allowing breathing room for the modern-ness to live. Dark and swampy, Rube Waddell creates engaging songs you don't just hear. You react to them. Whether you move and shake, sing along, or just feel the music consume you, Rube Waddell will give you a feel. A band capable of creating records so very different, yet rooted in their own sense and style, they have established themselves as one of the most versatile indie bands out there."
-IN MUSIC WE TRUST

"The new 14 song, 56 minute set careens among raw electric blues, oom-pah music, Kurt-Weill theatricality, string-band thump, rockabilly, warped Americana, and Residents-esque surrealism-all spawned into zombie life on a mix of store-issue and handmade instruments. As you listen, don't bother wondering if they're fucking with your head because they most certainly are."
-ROCKBITES ALTERNATIVE DAILY

Look out for the Rubes coming to your town and their new album due out in February 2006. Their second album, "Stink Bait," is also available through CDBABY.(http://cdbaby.com/cd/rubewaddell1)

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REVIEWS

"The Rube Waddell sound is a unique and very wonderful thing..."
author: Nail (music publication)
The Rube Waddell sound is a unique and very wonderful thing. You get the feeling they’re tying their instruments together with duct tape, bailing wire and shoestrings, playing to the point that everything is just about to fall apart. Tubas, junkyard mandolins, harmonica, 2 string electric basses, tin whistles, pots and pans all have equal importance in the Rube sound. Most of the recordings here needed a rock, a chair and more duct tape placed on the record "button" to keep it in the "record" position. Rube Waddell falls somewhere into the great American-Folk songwriting tradition, with influences as diverse as Muddy Waters, Indian film music, Weimar cabaret and jug bands. They are a low-fi, junkyard blues, garage street band.
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"...goofy fun junk from this local trio..."
author: Studebaker Hawk (KFJC FM Radio)
Much more Rube Waddell from various recent live & studio recordings. Mutant Sea Chanteys, Jug Band Classics, Stompin’ One String Guitar, Sousaphone Squonk, Beat-up Pie Tins, Tom Waitsish Vocals, A Tribute to “Mannix” and other goofy fun junk from this local trio - they have toured all over the place but now reside in the Mission District. Track 14 fades into a long ambient wash but comes back for a thrilling conclusion - wait for it! (BTW, the actual R.W. was a famous screwball pitcher from the early 1900s - quite a character on and off the field…)
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"If you're hankering for fat possums and bone machines, yearning for that phony
author: Mark Desrosiers (PopMatters Features Editor )
My own two favorite tunes are two of their best genre exercises. Their fake theme to the TV series "Mannix" is a hoot. Complete with wah-wah guitar learned from Isaac Hayes and grumbling bass learned from Curtis Mayfield, they really do evoke something. Not Mannix, of course. But something, even though the Mannix sound samples ("you gonna get outta my way, or do I walk right through ya?") try real hard to echo the source. The mewling harmonica sounds more like the theme to Roseanne, and the melodic hook is straight out of Sanford and Son. And the fake-preacher call-and-response ("Mannix is the man!") takes the tune into a whole new plane. I love it. Similarly, fans of Javanese dangdut will not recognize "Assoi", supposedly a dangdut melody with English lyrics ("Baby let me walk your dog / Baby let me fetch your log"). It's really just a beautiful, funny take-me-back love song, fast and plaintive. Great stuff.
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"Captivating"
author: Rockbites Alternative Daily
San Francisco eclectic, low-fi DIY trio Rube Waddell (Larry, aka Reverend Wupass; Kirk, aka Captain Feedback; and Freddie, aka Mahatma Boom Boom) inhabit a mental & musical space several klicks outside of any mainstream you can imagine—commercial, college, whatever. In November they released their second album, Bound For The Gates Of Hell, on Oakland, California indie Vaccination Records. The 14 song, 56 minute set careens among raw electric blues, oom-pah music, Kurt-Weill theatricality, string-band thump, rockabilly, warped Americana, and Residents-esque surrealism—all spawned into zombie life on a mix of store-issue and handmade instruments. As you listen, don’t bother wondering if they’re f#@&ing with your head because they most certainly are.
Read more...
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