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A "World Flow" sound design of sparse spiritual piano improvisations with an intriguing organic background. A sound track for life. Work - Rest - Meditation.
Genre:
Electronic: Down Tempo
Release Date:
2004
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No Sleep for Dreamers
Robert Windfield
© Copyright-River3 Digital Press
(634479782626)
Record Label: River3 Digital Press
SPECIAL: 10% discount if you buy more than one copy of it today!
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Music to dream by.
Music to sleep by.
Music to bring you into the calm and relaxation and revelation.
No Sleep for Dreamers is a collection of compositions designed to enhance the time you spend soaking, resting or praying.
There are no vocals, no percussion, and no noticeable rhythm.
There is nothing to interrupt the peaceful flow of worship, and meditation. It is an ambient tapestry woven into a backdrop of sound for reflection and relaxation, like soaking in warm water. You can even turn the volume down low and sleep through the night.
I hope you will be pleased with the effect, This is the first of three albums in a series.
Album 2 of this work is 'Finish of the Vanishing' located here: http://cdbaby.com/cd/rwindfield2
Robert Windfield was born in the Berkeley / San Francisco area in California. Later moving to Los Angeles to play and produce music, as well as experiment in film, and recording. It was during this time he was exposed to Environmental and Ambient soundscapes while playing in a local pop/punk band (The Vidiots) in Chinatown - Hollywood.
It wasn’t long before he escaped LA back to Northern California were Ambient music started to play a larger role in the music and video he was creating. Now living in Spokane WA as the executive director of River3 Digital he has continued this interest with two new CD releases. No Sleep for Dreamers and Finish of the Vanishing.
The music is concerned with the sheer feel of sound, rather than with the linear (horizontal) growth of the melodies. Along with these metaphorical sketches of sound is an added dimension of vertical color that brings the music closer. In fact most of the music on these albums are constructed on a vertical basis. The soundscapes present certain tone colors or timbres, and the interest lies in the relationships between these colors, instead of the evolution of thematic material, common in Western art music.
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