author: Kaitlyn Baldwin
The cd is enjoyable to listen to, and has amazing talented young adault musicians. Being a singer myself and in a professional rock band named "For No Apparent Reason", I highly suggest this wonderfully talented group for any gig!Defiantly the best band I've heard, and seen live. Very talented.
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Solo CD showcases Sam Gillam’s many talents
author: The Buffalo News, Galia Binder, May 9th, 2007
Sam Gillam’s new solo CD, “Measure of Doubt,” is an indie tour-de-force that displays his abilities as a song-writer, arranger and musician. Its 10 polished tracks, mostly piano- and guitar-driven, combine different musical genres with influences from the past and present.
“The World Has Moved On” is a fitting opener to the album, introducing its coming-of-age theme. “Time has come” blends folk, blues, and rock to create an effortless unity of sound, accented by warm strains of harmonica and saxophone. As explained by Sam, “It’s a two-sided look at a situation. It is about a friend with an inflating ego who is caught up in the world and moving too fast. The speaker is reminding the friend to remember who they are and where they have come from.”
“As a good place” also presents a dual-sided take on a conflict. A battle between the generations is represented by angry electric guitars that mimic the opposing points of view. The bass is an understated but resilient narrator that transcends the argument and encourages the dueling sides to “see the world all at once ... escape the boundaries of your mind.”
“Side by side” is the most tender song on the album. It has a beautifully simple melody, and economically communicates a surprising amount of raw feeling. Sam’s vocals, breathy and emotive, need only the sparse accompaniment of an acoustic guitar. “Dreamworld” is a dark, textured song that sounds like something you would hear haunting the grounds of an abandoned carnival. It paints a twisted portrait of someone trapped within his own mind, unable to distinguish himself from imaginary characters, while distorting reality: “They’re stealing your time/You’re letting it drift until it’s gone.”
“Whatever it takes” is well-articulated punk with a funky edge; a song that makes a strong political statement without sounding overbearing. Spiky bursts of guitar and primitive percussion sound appropriately angry, while remaining catchy. The commentary is biting: “Hey billionaire I got your back, just buy me an election/I don’t need to say nothing real just a 9/11 interjection.”
“When all is lost” provides a rousing conclusion to the album. The song uses powerful bursts of guitar and piano in a testament to the healing power of music: “When all is lost/Just play it again.”
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