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Shannon Curtis : Boomerangs & Seesaws
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Piano-based pop songs about love, steeped in 40s standards and 60s girl-group influences.
Genre: Pop: Piano
Release Date: 2007
Boomerangs & Seesaws Record Label: Saint Cloud Records
  • Buy CD - $6.99
Preview Song Name Time Format Price Select
Boomerangs & Seesaws 3:16 Album Only
Wasted 4:07 Album Only
Rainy Day Lover 3:41 Album Only
Can't Remember You 3:49 Album Only
Before the Sun 3:49 Album Only
Waking Up With You 2:14 Album Only
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Album Notes

When Shannon Curtis was 5, she danced and sang along to her dad playing 40’s-era standards on her family’s baby grand.

When she was 7, her classical piano teacher told her she played like a boy.

When she was 9, she sang into her hairbrush pretending to be Amy Grant.

Just out of college, she shirked her pre-med Biology degree and made an earnest effort as the lead singer in a guitar-based rock band.

Two years ago she found her piano again, started writing love songs, and quit the band. Since then she says it’s been like walking around in an old, comfortable pair of shoes – playing the piano and singing songs about love.

The Los Angeles Times describes Shannon as "... a beautiful piano player who sounds like the love child of Fiona Apple and Norah Jones."

Shannon’s debut EP, Boomerangs & Seesaws, was released in July 2007 on the tiny Saint Cloud Records label, and the follow up, Paris Can’t Have You, was released in March 2008. Constant touring has been building Shannon a devoted following across the country.

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REVIEWS

Boomerangs & Seesaws
author: peggy
This whole album is fantastic. I only wish there were more songs on it. Shannon's voice lifts my spirit whenever I listen to the album and I luv,luv,luv the drummer...but then I am prejudice cuz Nick Bearden is my nephew!!
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"...A beautiful piano player who sounds like the love child of Fiona Apple and N
author: Los Angeles Times
Sultry, poppy, jazzy, like a younger Tori Amos...
author: Eugene Weekly
Sultry, poppy, jazzy, like a younger Tori Amos with less focus on sex and more on words, Shannon Curtis inspires more adjectives and adverbs than good writing manuals allow us to put in the paper. The L.A. Times apparently called her "the love child of Fiona Apple and Norah Jones," which seems a bit over the top yet close to the target. Curtis' piano playing and her torchy voice make songs like "Wasted" a risky proposition during the workday (much less during a workout): One listen, and you'll want to be lounging at Luna or Davis', shot glass in hand and air of sophisticated desperation emanating from your too, too realistic dissipation. "My good sense is wasted when it comes to you," she sings. OK, perhaps a hotel bar after an assignation comes to mind more than a Eugene jazz club. Now to go out and find someone to waste good sense on … wait, snap out of it! It's just a song. A compelling song. Curtis, like so many of us, started playing the piano as a youngster. Her teacher told her she played like a boy, which doesn't seem like the best way to start a career in the piano — 7-year-old boys aren't exactly known for their finesse at the keyboard. But Curtis persisted and developed polish and the kind of lyrical touch that comes from perhaps a bit too much Norton anthology reading. (Note to Shannon: It's not a crime to capitalize words in your lyrics, really.) She started writing these languidly anguished songs after the breakup of her marriage (to a pastor, no less — one wonders what he thinks of the results of all that pain) and, sorry Shannon, but listeners are all the better for your dark days. Clearly talented, Curtis is a warm-voiced young woman whose musical hooks sit pleasantly with her words of regret and longing. "Watch your step as you cross this threshhold / cause I recall last april had you sold on goodbye," she writes in "Boomerangs and Seasaws," the title song of her debut album, released this month. Snag the album or listen to a few songs online. — Suzi Steffen
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