In NYC, transplanted Bostonian Sianna Lyons has released a great trip-hop CD, her ethereal debut. Hers is a five-octave voice
layered impressively from track to track ("11th Hour," the title track). The songs are very good, too -- I’ve hummed "Lover" for
days, and the best track is "Susan." But I go back to Sianna’s voice, the real star here, unadorned by studio tricks and deserving
of attention -- she takes Pearl Jam’s "Black" and makes it more than her own. 


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Sianna Lyons makes music that seems infused with an inner glow. Her soft voice shines as she sings of love and loss. She makes Pearl Jam's "Black" her own. The devotion in the love song "We" is deeply touching. "You and I can conquer anything" she sings. 

In times like these songs like that warm the heart. This album is a lovely thing indeed. 
  
  

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Sianna Lyons, a talented singer and songwriter from Boston 
is one artist who can tell everyone that likable music  is not all about the mainstream thing we know. It is surprising to think that a different song, yes, a different music too,  can be voted to enter the mainstream. 

The 11-track album "Songland" features eclectic, elegantly dark and provocative tracks.The mixture of the sexy voice of Sianna with the contemporary assortment of sounds and beats produce a musical unity that is good sounding.

You would be surprised with the involvement of almost
tiny bits of different genres of music. Call this a new sounding collection of rhythms and lyrical emotions posing not for an experiment but for amusement and freedom of expression.
"Come" is an inviting track that can give you a quick
preview of the Lyons style. I am so amused with the guitars 
for the song "Disappear", a collaboration between Sianna 
and Federico Gonzales. It rocks and still, favorable to the ears. 
The album houses some unexpected surprises.

It can be told that Sianna's voice is a mixture of Madonna's mischief, Bjork's mystery and Tori Amos's artistry. But also it is elegantly dark, fresh and promising. 

Summing up' "Songland" is an album of exploring rhythms. 
It again surprised me with the disc-scratching that is heard somewhere in the "Lover" track. The musical face is totally different

If I could get back to the past albums I've reviewed before, it's hard to categorize (basing only in the rhythms) for it can be alternative goth, and can be a mere alternative music or new-wave disco like Europop.  But I hate to brand Sianna's music in those ways.
It is totally different.

The accompaniments played (guitars, violins, cellos, keyboard,etc) are excellent.Highlights of this album include tracks like "Come, "Disappear","Lover", "Stealing Flowers", "Otherwise" and the "Lover" (bubble mix).

For special mention, the "Lover" (bubble mix) is totally 
dramatic and the a capella rendition in the end of the song
is a mover. 

You might call the music as the music of the night for its
soft-pounding beats and emotional themes. You can
also call it  dark and kind of fretro-ish but its uniqueness from the others can make it  as a powerful entry to mainstream market.  The deep, adventurous and sentimental writing of Sianna names the album as another non-trivial music we should know. 

No Stolen Music. No Stolen Thoughts. Different and original. This is good. 




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Sianna Lyons is a precious rarity. She's one of the few performers today whose work is both truly 
progressive and commercially viable-that she will be a worldwide superstar and still unable to crack U.S. 
radio at this point is a travesty. Though "Songland" can be darker, moodier and more esoteric than 
anything you have heard by say Tori Amos or the superb Kate Bush, the album kicks off with her best 
shot at chart-breaking yet; "Come" is a mystical, sinuous single with Sianna's sultry voice gliding 
over warm synths and the soft pounding of a track, a rich song that becomes more compelling with each 
listen. On "Disappear," she experiments with the story of a little girl who is too scared to shed her tears 
with intriguing results. Also check "Lover" and the ballad "We" with some of her purest vocals. 
"We" rides to the tune of a wonderfully infectious chorus refrain. Sianna's residence on music's fringes 
won't be lasting much longer. One hopes MTV-ever on the lookout for video stars-won't be solely 
responsible for bringing one of the world's most talented (and beautiful) recording artists to the masses. 

In the boldly experimental, ominously lovely "Disappear," the dreamy, fretless arrangement weds an 
uncanny feeling of dread and fear with verbal directness while displaying a melodic sense that's in peak 
form....This experiment is a Masterpiece. 

Few female vocalists are as instantly memorable as Sianna Lyons. Whether following an ebullient pop 
rhythm or leading a sparse line, Sianna's girlish, sultry voice is capable of changing the texture and mood 
of a song with a single breathy cry. On "Songland", her debut album is silky, sexy and totally wonderful 
in every context. Sianna (and her producer Federico Gonzalez) rearranges pop convention to suit her 
artistic vision, exploring an intimate range of emotional expression along the way. I feel that the album 
has been centered on eroticism and seduction, but in a more romantic setting, feeling its way through an 
adventurous series of rhythms and melodies like a young couple meeting for the first time. There are no 
set rules, and Sianna enthusiastically mixes schmaltz with chutzpah, as on "Lover," where dissonant 
guitar squalls and an ominous bassline merge with weepy strings, murky keyboards and emotive vocals. 
Even on touching cuts Sianna can't resist mingling background harmonies and naive yearings with 
heart-tugging vocals, atmospheric keyboards and slow, tribal beats. "Songland" is quite simply a bold, 
sizzling triumph. 

The lyrics are painfully personal and the way in which Sianna delivers them is heart wrenching. Her voice
ranges from breathy secrets to almost incensed shouts, expressing words the way you would whisper to a
lover -- or shout at an enemy. The instrumentation reverberates with the loneliness and universality of the
words themselves. Her vox is feminine and provocative. 
Each song tells a familiar story of the woman and her journey. They all meant something special to 
me..... 
I can honestly say that I have never heard a more haunting and poignant song than "Susan". It still brings 
tears to my eyes. You must buy the album to witness the power of this haunted track. 
"before I trap you in my lair, take my lion's share, you better hope this feeling subsides, otherwise...." 
These are some lyrics from the wonderful "Otherwise" that is full of passion and lust for Mr. Right! 
Of course, I can try to describe a million songs with one sentence but it would do none of them justice. 
The only way to express the essence of Sianna Lyons is by listening to her own words. 
Pearl Jam’s "Black", (the only cover on the album) rips your heart out, not by the words but by the vox 
and pure heartbreak in Sianna's voice. 
"Songland" to me has been the most powerful debut album I have heard in years! The songs have 
become a part of me, as her voice sings with yearings of sadness and joys to the little boy down the 
street, broken and alone......not even Tori Amos or Kate Bush can do that to this degree! 
Sianna will thrive as one of music's most enduring, valuable and cherished artists. 
You MUST get this album, you MUST play this album till you know every lyric on every song! 
It is virtually impossible for me to comprehend anyone not liking...not LOVING, this artist! 
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