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Sila and The Afrofunk Experience blend traditional African rhythms, Afrobeat, Afro-Latin, reggae and funk, resulting in an upbeat, multiculti celebration that's guaranteed to keep you glued to the dance floor.
Genre:
World: World Fusion
Release Date:
2006
Albums you will love
Victor Sila
Waiting
Urban/R&B: R&B Pop Crossover
Sila and the Afrofunk Experience
Black President
World: Afro-Beat
Funkiest Man in Africa
© Copyright-Visila Records
(803241000248)
Record Label: Visila Records
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Sila's Afrofunk gets down, feels good
by Christina Troup, The San Francisco Examiner
On Sunday, the Grammys enlisted a high-octave pop princess to pay tribute to the late James Brown, but had the Recording Academy considered doing the Godfather of Soul justice, Victor Sila would have been called upon instead.
Let’s just say the “hardest working man in show business” and Sila, the Kenyan-born frontman of the San Francisco-based outfit Sila and the Afrofunk Experience, have a lot more in common than the “Genie in the Bottle” balladeer.
On Saturday, Sila and his fellow funkateers pay tribute to James Brown and afrobeat pioneer Fela Kuti at the Independent in San Francisco.
As a child growing up in a small village in Kenya, Sila remembers tuning in to a shortwave radio for the latest pop offerings from the West. By way of a faint, crackling radio signal, Sila first became acquainted with the guttural howls and shrieks of the Minister of Funk.
“One of the first James Brown songs I remember hearing on shortwave radio was ‘I Feel Good.’ Growing up very poor in my village and having a song like that play on the radio was very inspiring,” Sila, 36, says.
His exposure to James Brown, along with such artists as the Beatles, Jimi Hendrix and Bob Marley, inspired Sila to pursue music, which he says was far from a well-respected profession in Africa.
Despite his career choice, his parents supported his decision and sold cows and goats to raise money for his send-off to the U.S.
Sila’s pursuit of musical stardom was met with the heartbreak of rejection and he eventually found himself lost, an imposter of sorts, singing pedestrian pop tunes while trying to mask a heavy Kenyan accent.
It wasn’t until he stumbled upon a sold-out show by African artist Baaba Maal at the Fillmore that he realized he needed to change course.
“This was the first African artist I saw in concert singing in his own language. He was so full of life. This was the most touching experience for me and I was almost in tears. I had really forgotten who I was,” he says.
Embracing his African roots and his love of funk, Sila channeled James Brown for inspiration and six years later, with the help of his renowned cast of bandmates, he’s achieved success without having to compromise his heritage (he sings in both Swahili and English) or his musical tastes.
“James Brown has always been someone who’s influenced me quite a bit. From his perseverance to his political life and his very poor background, it’s all been an inspiration to me. … His determination and the fact that he never gave up — I see that in me,” Sila says.
“When I came here I never imagined I would sell out venues and entertain people in a way that James Brown entertained me. Believe me, I’m not saying I’m the next James Brown, but I do feel he’s in the soul of music.”
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Smartly produced and fun set
author: Chris Heim -Global Rhythm
Kenyan-born, San Francisco-based singer, songwriter and leader of the eight-piece Afrofunk Experience band Victor Sila originally wanted to be an R&B singer. Hints of that remain in his appealingly light and breathy vocals and the shades of Marvin Gaye or even Sade on this new CD. But African styles and rhythms are the heart here, most obviously in the sweet, lilting King Sunny Ade-styled “Dancing Shoes”; a soukous-flavored “Wanibamba,” which borrows from Kanda Bongo Man; and “Ambush,” with its Fela-like Afrobeat sound and social commentary. “Get Up” and “Cry” are rooted in reggae, while “Mandingo” showcases gritty funk. The punchy horn section gives the disc a strong contemporary jazz feel. But if the sources of inspiration are many, the sound is consistent and cohesive. This smartly produced and fun set documents one of a growing number of American-based bands using African styles to create music that is all their own.
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Sila and the Afrofunk Experience - Funkiest Man in Africa
author: Pop Culture Press
Native Kenyan and current resident of San Francisco, Victor Sila brings together his deep Afrobeat influences with a band of slick Bay Area jazz/funk musicians on Funkiest Man in Africa, which has been described as a direct musical tribute to Afrobeat king, Fela Kuti. It isn't quite up to the level of the legendary Nigerian's recordings and the band is grittier and less grovvy than Fela's band, but Sila is a charismatic vocalist who sings in both English and Swahili while the band holds its own. Listening to this makes visions of hibiscus margaritas at the fabulous Bissop Baobab (Senegalese restaurant in San Francisco's Mission District) go dancing through my head. Sigh…
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Vibrant, exciting soukous and Afro-beat sounds
author: Aidin Vaziri, San Francisco Chronicle
The band reflects the vibrant, exciting soukous and Afro-beat sounds of the musician's homeland in its new, dance-floor-friendly album, "Funkiest Man in Africa."
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Bay Area Dance Kings
author: J. POET (East Bay Express)
Bay Area dance kings Sila and the Afrofunk Experience combine an international vision with dazzling musicianship. Frontman Victor Sila rivets audiences with a combination of James Brown's punchy grooves and Fela Kuti's relentless West African swing. Their debut The Funkiest Man in Africa blows away listeners with its relentless rhythm and sharp songcraft, but can't prepare you for the band's potent onstage energy.
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