You Don't Know Me
© Copyright-Midnight Sun Music Production
Record Label: Midnight Sun Music Production
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In an age of cookie-cutter jazz singers, Sofia Laiti is utterly distinctive. Her voice - at once husky and silken, intimate and exotic - has won her the praise of critics, the affection of audiences, and the collaboration of such musicians as John Hicks, Craig Handy, John Stubblefield, James Weidman, Ray Drummond, and Houston Person. Her return to the stage in 2002 after a six years of full-time motherhood has been welcomed by fans eager to hear the next turn in this extraordinary jazz odyssey.
Sofia has traveled far to reach this point in her career. Born and raised in Lapland, the unique society in the northernmost arctic area in Finland., Laiti retains traces of her distinctive heritage. She pursued more formal studies of classical music in the Kuopio Music Conservatory in eastern Finland.
With this solid foundation, Laiti proceeded to jazz singing, and moved to Helsinki, the sophisticated capital of Finland. Throughout the 1980's, she made a significant impact there, winning major prizes and grants, and making triumphant appearances at top clubs and festivals, such as Pori Jazz International,
In 1991 - reversing the trend of Scandinavian-bound jazzmen like Dexter Gordon - Sofia moved to New York, aided by a grant from the State Music Council of Finland. She has since led ensembles at such venues as Birdland, The Village Gate, Visiones, The Squire, The West End Café, Tavern on the Green, and the Cornelia Street Café, as well as at Trumpets in New Jersey, Blues Alley in Washington, D.C.
Her debut album, "Manhattan Memories", was recorded in New York in 1989 for Finnish Columbia Records. Saxophonist Scott Robinson, pianist Larry Ham, bassist Ray Drummond and drummer Klaus Suonsaari join her in a program divided between compositions by Kivikataja and standards on which Sofia puts her inimitable stamp.
In 1994 she released her U.S.deput recording "Inspira", on the Midnight Sun Music label. Backed by John Hicks on piano, Craig Handy on tenor sax, Essiet Essiet on bass and Cecil Brooks III on drums, her vocalism was praised as "powerful" by Cadence and "charismatic" by Jazziz.
Sofia's 1996 album "The Midnight Sun Will Never Set" produced by Houston Person, featured Person on sax, James Weidman on piano, Essiet Essiet on bass and Mark Johnson on drums. Praising the "deep lilt of her voice" and her "dark, exotic sound" Cadence declared: "Sofia Laiti is maturing into a classic jazzpop chanteuse."
Now married with a young daughter, Sofia is comfortably New York centric. Asked what took so long between recordings (The Midnight Sun Will Never Set 1996 and You Don't Know Me 2004) saying: Sometimes it's good to be quiet. Even when I wasn't performing I was singing and playing piano at home. I knew I would come back when the timing was right." The call came and she's back in the game.
While critics cite the "smokiness", "lushness," and sultry glow" of her voice and the "smoothness" and "elasticity" of her phrasing. Sofia herself has best captured the secret of her appeal: "I naturally use my whole heart and soul when I sing. I think an audience loves to hear it - the communication of feeling through song."
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You Don't Know Me
author: Sylvi Koso
My husband likes jazz so when I heard this album I thought I'd give it to him for Christmas. But I wasn't sure so I had our 25 year old daughter listen to it also. She liked it so much that she wanted her own CD! And my husband loves this CD as much as I do. Sofia Laiti's voice is so full of feeling that you can't help but experience the emotion yourself.
In case you are wondering about the Finnish song Ranskalaiset Korot:
The words mean "French Heels" and the song is about a boy who often hears the sound of a girl's steps outside his window and is intrigued. Each time he rushes to the window but she is always gone before he gets a glimpse of her. But the song has a happy ending: Once, near a park, he hears the sound of those French heels and recognizes the girl by the sound of her steps. At the end of the song they are walking together and he is whistling the tune for her.
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author: Jazz Improv Magazine New York Jazz Guide
Sometimes, all you have to do is take a look at the personnel and you know that the music has to be right. That’s the case on vocalist Sofia Laiti’s latest release, You Don’t Know Me. Larry Ham is a master accompanist, and together with bassist Leon Lee Dorsey and drummer Ector, the foundation is set for Laiti to feel comfortable. Indeed comfortable she is. From the opening lyrics to the closing of the last of the twelve tracks, “What A Little Moonlight Can Do,” the feeling I experience is that Laiti is singing from the deepest place inside, fully sharing her emotions.
The set opens with a sensuous rendition of the ballad Frank Sinatra wrote and made famous performing “I’m A Fool To Want You.” Laiti squeezes this one for all the juice she can get out it. Houston Person gently fills in the spaces she leaves, and solos delicately, as we get to savor a certain simplicity expressed in his magnificent tone. It’s difficult to create anything but a quality recording with a supporting cast led by the prolific Houston Person.
Laiti hails from Finland, and her vocal style bears the inflections and accents of her native tongue. At first, I found this to draw my attention away from the music and performance itself. Once I felt how sensitively, and sensually she feels and expresses this set of standards, I was drawn in to this labyrinth of passion that her music is about.
In the sense that Laiti, creates intensity at slow tempos, on ballads and down tempo bossa novas, she has the energy and expressiveness of Shirley Horn. Just about the fastest tempo on this album is nothing if not relaxed, and that’s on Jobim’s classic Bossa “Desafinado” and another even slower Bossa on “I’m In The Mood Of Love” – which is a memorable performance. Among the other standout ballads are “You Don’t Know Me,” and Ellington’s “Solitude.” One thing that stood out for me, was the way that Laiti might enter a phrase with a note that is apparently off pitch, and how she bends to center it. Is it intentional? I enjoy her most when she explores the lower registers of her potential. Her voice is raspy, smoky and deep there. With these relaxed tempos and Houston Person’s lush sound and expressive ideas, this is definitely after midnight listen.
By Winthrop Bedford
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author: Le Grand Jazz JazzNews
To a very large extent, "You Don't Know Me" (Midnight Sun
Record) is an apt title for Sofia Laiti's fourth record. Sofia was raised in Finland, but settled in New York in the early nineties. Her vocal approach is fiercely original, both rooted in, and departing from, the tradition. In an aesthetic approach recalling both Billie Holiday and Betty Carter's, Sofia Laiti finds some new ways of bending the notes in crucialparts of standard. Plus, her voice, at times recalling a jazz version of Bjork, makes for an interesting combination of sophistication and "primitiveness". The inclusion of two songs from the Jacques Brel and Edith Piaf repertoire is perfectly
suited to her approach.
By Philippe Baron - Le Grand Jazz JazzNews
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author: jazzreviw.com
Review: Originally from Finland, this singer knows her jazz and does some fine vocals in the nice collection, YOU DON'T KNOW ME. Sofia Laiti has a sultry, sensual voice that has a fine, solid range, and her phrasing is perfect for the songs she performs.
There are twelve songs in the collection. Among them are such songs as "Desafinado," "The Way We Were," "Ranskalaiset Korot," "I'm In the Mood For Love," and "You Don't Know Me."
Topnotch performances backed by the many stylistic piano talents of pianist Larry Ham and other musicians, this CD will bring the listening audience many hours of enjoyment. A nice entertainment!
Reviewed by: Lee Prosser
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