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Jazz instrumentals with an emphasis on nice melodies, and a variety of grooves.
Genre:
Jazz: Traditional Jazz Combo
Release Date:
2005
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Ability
© Copyright-Tim Solook
(666449418822)
Record Label: Sol Time Records
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Tim Solook is a working drummer whose talent to adapt to a variety of musical styles is always in demand.
Born and raised in New Jersey, Tim studied music in Philadelphia and New York City, receiving his BM degree from the Manhattan School of Music.
While studying at MSM, Tim took private instruction from jazz drumming great Joe Morello and vibist David Friedman.
Upon graduating, Tim studied vibes with Caribbean Jazz Project's Dave Samuels. Collectively these associations have molded a solid musical foundation for Tim's style.
Over the last 25 years, Tim has performed everywhere from the Newport Jazz Festival, Saratoga, NY, the Roxy in Los Angeles, Continental Arena, East Rutherford, NJ to the Jazz Keller in Frankfurt, Germany. He has recorded five nationally distributed CD's with Houston jazz pianist Joe LoCascio. While living in Houston, Tim performed with celebrated jazz musicians Freddie Hubbard, Kirk Whalum, Herb Ellis, Charlie Byrd, Emily Remler, Dave Leibman, Roseanna Vitro, Monty Alexander, Tim Hagans and Randy Brecker.
Currently residing in San Jose, CA, Tim continues to teach, compose, record and perform extensively throughout the Bay Area. This is his first CD as leader performing all his original compositions.
The musicians performing on this project are some of the very best "first call" players in the San Francisco Bay Area.
John Worley - Trumpet and Flugelhorn
Scott Barnhill - Soprano and Tenor Sax
Jeff Buenz - Acoustic and Electric Guitar
Adam Shulman - Piano
Rich Kuhns - Organ
Doug Pohorski - Acoustic and Electric Bass
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Be the first on your block to own it. Should be coming to your favorite Starbuck
author: Don G.
This is an outstanding CD! It has a constant and flowing groove to it. I was surprised to find the quality of the recording and the craftsmanship.
The tracks pass through a jazz time warp of sorts, but all keeping a current sound. My ear hears 50’s be-bop in some (Homecoming), great funky playing on sirens (love the bass and Hammond sound) and almost a torch song in slow season. I could see Diana Krall recording it. And Baker’s Blues kicks it up a notch.
I am not a musician and do not play one on TV. But I do have a very analytical ear for recordings. That being said I did not hear the same imperfections that the other reviewer left. Again, that’s probably my no-chops side talking.
The playing is all first rate. I feel the artists attacking the parts when called for, yet artfully laying back when they should be. Tim’s drumming on Ability shows that. He’s always there on a razors edge, and the other players come in and out with effortlessness. That to me is great chops.
Be the first on your block to own it. Should be coming to your favorite Starbucks soon!
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Very listenable and non-fatiguing
author: Ronnie Corb
I enjoyed this record as it is very listenable from start to finish...non fatiguing, considering the songs are six minutes long with lots of solos. This requires the skillful art of keeping the listener's ear with without going too long or too outside with your solo chops. In my opinion this was nicely accomplished. Musicianship on all instruments is quite good, and I was equally impressed from a compositional standpoint. Tim's drumming is tight and tasteful as usual. And unlike many albums that put the best foot forward and then gradually start to bore you, Tim Solook's Ability seemed to work in the opposite. Each song gives way to the next that pulls you in even more.
If I had to inject criticism, it would be strictly technical: Horn parts occasionally sounded out of tune (mostly sax being sharp). This, combined with a recording technique that gave the album an almost "live at the club" type of sound left me wanting to hear a cleaner, more modern mix. Bass instruments (including kick drum) were not well defined, and guitar sounding harsh at times. Drums were a little "roomy" as well, but the piano was recorded clearly.
In conclusion, this was a good effort with nice compositions and skilled players. It was worth the price I paid, even though it lacked a bit of technical sparkle.
I will recommend it to those who enjoy this type of jazz.
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