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Soul Phuziomati : Serpents in Graffiti
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Soul Phuziomati is a band comprised of writer/poet Aaron Philip Clark and poet/musician C.J. Pizarro. Their debut album "Serpents in Graffiti" is an eclectic experimental jazz album set on fire by potent poetics.
Genre: Blues: Jazzy Blues
Release Date: 2008
Serpents in Graffiti
Soul Phuziomati
Record Label: Domanda Media
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Preview Song Name Time Buy
1. Serpents in Graffiti part 1 2:39 Album Only
2. Serpepents in Graffit part 2 2:06 Album Only
3. Invisible Man Blues 4:31 Album Only
4. Paul on Jazz and Poetry 1:42 Album Only
5. Back to Being an artist feat. Ragtop 3:56 Album Only
6. Girls of Sunset 3:37 Album Only
7. Angels feat. the Philistines and Stevie Ranks 3:18 Album Only
8. After Hours feat. Ryan Riddle 1:17 Album Only
9. Paul on Dead Poetry 1:53 Album Only
10. Alleyways feat. Paul Vangelisti 2:46 Album Only
11. Serpents in Graffiti part 3 1:42 Album Only
12. Serpents in Graffiti part 4 5:04 Album Only
13. Ballad of a Dead Filmmaker feat. Danielle Barzilai 3:39 Album Only
14. A Love Cool Down feat. Rev. Jerry M. Grimes 2:41 Album Only
15. Paul on the State of Jazz 1:25 Album Only
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Album Notes

We are pleased to present you with Domanda Media’s first release Soul Phuziomati: Serpents in Graffiti, a spoken-word/Jazz album.

The creative blaze of two young and promising writers/musicians C.J. Pizarro and Aaron Philip Clark. This collaboration brought forth a cornucopia of talents including Los Angeles poet and pioneer Paul Vangelisti and the underground Hip Hop artist Ragtop of the Philistines. Each track is a sojourn into the dark corners and obsidian shadows of man’s existence in the twilight of Los Angeles.

As you listen to each track, you are hearing the cry from the concrete wilderness that demands to be heard. Know that this album has been forged in the fire. And the creators have come out unscathed.

Thank you,

REVIEWS:

"A kind of contemporary interpretation of what the beat poets in the 60s were. Think of raps set to a background of jazz and Electronica and experimental beats. But rap without the overdose of testosterone. It gives us some moments to think what the 'Buckshot Lefonque project’ of Brandford Marsalis' was in it’s time, something really interesting." --Duke J of Rootstime.be

"It's smart and soulful and covers the bases: elegant music, articulate language, funky and funny and rooted in the roots. It gets up and it gets down. Well done and rare."
--Lewis MacAdams, NPR and "Birth of the Cool: Beat, Bebop and the American Avant-Garde".

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REVIEWS

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