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Sue Pasquale and Friends : Girltalk
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A collection of some of the best tunes ever written, sung and played the way they were meant to be. From Gershwin to Quincy Jones to Charlie Parker, Sue Pasquale and the guys nail it.
Genre: Jazz: Jazz Vocals
Release Date: 2004
Girltalk Record Label: Sue Pasquale and Friends
  • Download Album (MP3) - $9.99
  • Buy CD - $14.00
SPECIAL: 10% discount if you buy more than one copy of it today!
Preview Song Name Time Format Price Select
Bluesette 3:33 $0.99
I Can't Get Started 5:47 $0.99
One Note Samba 2:33 $0.99
Doxy 4:09 $0.99
Girltalk 3:32 $0.99
Grooveyard 3:25 $0.99
Skylark 3:50 $0.99
I've Got the World on a String 3:38 $0.99
When Sunny Gets Blue 4:12 $0.99
Georgia On My Mind 3:58 $0.99
Summertime 3:29 $0.99
Stockholm Sweetnin' 3:29 $0.99
Yardbird Suite 2:36 $0.99
S'Wonderful 2:02 $0.99
preview all songs

Album Notes

This is Sue Pasquale's first CD. She, and her husband, guitarist and musical director, Bill Pasquale, have put together a collection of standards by some of the greatest composers in history, along with some not-so-often sung jazz works that reflect the diversity of their live performances. The musicians are friends that they have developed in Chicago over the past two years since their move from Los Angeles. The only exception is Rusty Jones, who goes back some 40 years with Bill. They played together in the Quad-City area in the early 1960's, at the same time that Al Jarreau and David Sanborn were developing their talents in that area. Now, from various parts of the country, all of these musicians have landed in Chicago and are doing their part to keep this kind of music alive. Although this is not the "popular music of the day" any longer, this is music that can relate to people of all ages - whether they listened to it when it was popular, or learned to appreciate it through their parents, or just gravitated to it instinctively the first time they heard it. Whoever you are at whatever age, listen and enjoy - and don't forget to support live entertainment in your area.

ABOUT THE MUSICIANS:

SUE PASQUALE
Sue is from Indianapolis, IN, the daughter of two musicians, she was singing by the time she was 5 years old. She attended Butler University on a music scholarship on clarinet, and began arranging for small and mid-size vocals groups while still in high school. In her early 20's she sang with dance bands in the Indianapolis area, but stopped singing and directed her energies towards the business world when she was 27. Now, at 46, she has picked up her love affair with music again and is singing better than ever. Her high energy interpretations and silky smooth ballads are a culmination of listening to the great vocalists of the 20th century - Carmen MaCrae, Ella Fitzgerald, Anita O'Day and the list goes on and on.

BILL PASQUALE
Bill was raised in Boston, MA and was a student at the Berkley School of Music while still in high school. He was a professional guitarist for many years, backing up name acts from Johnny Hartman to Connie Francis, and playing with the likes of Dodo Marmarosa (Charlie Parker's piano player) and Corky Corcoran (of Harry James Band fame). He was the house guitarist at the Sahara Hotel in Las Vegas when he was only 19 years old, and took over for Joe Pass when he had to leave The Woodsen Family when they were appearing there. He recorded with J.R. Montrose on an album with Sue Childs, which has now become a collectors' item. He later played with the Indianapolis Symphony Orchestra and did two concert tours with Johnny Mathis. Bill also stopped playing for about 18 years, and now has come back to work with Sue in the Chicago area. His style of playing has an orchestral concept, influenced by Barney Kessel and George VanEpps. He has also been influenced by the rhythms and orchestrations of the Count Basie Orchestra. His abilities as a catalyst and his organizational skills have been the core of this CD project.

RUSTY (ISHAM) JONES
Rusty is a well-known jazz drummer who moved to Chicago in 1968, when he joined Judy Roberts' trio. He spent six years touring the world with George Shearing from 1972- 1978, and worked extensively on and off with Marian McPartland and Adam Makowicz. In 1977, he recorded with the late, great Stephane Grappelli. Among other credits he can include Buddy DeFranco, Lee Konitz, Ira Sullivan, Monty Alexander, Mose Allison, as well as such singers as Anita O'Day and Mark Murphy. He has recorded and traveled extensively in both the United States and Europe and is currently active on the Chicago jazz scene. He is also the great nephew of the song leader/band leader of the 1920's and 1930's, Isham Jones.

STEVEN HART
Steve has been performing in the Chicago area for almost 20 years. He has worked with a variety of groups ranging from classical to hard rock. His credits include the City Symphony, Kimberly Gordon, Mike Finnerty, Guy Fricano, Andy Goodrich, and Ron Surace. Steve has worked in pit orchestras for Pegasus Players as well as in show bands for Carnival and Dolphin Cruise Lines. He has a bachelors degree in tuba performance (which he still plays), but these days is mostly playing acoustic and electric bass.

ROCKY (HAROLD) GOINS
Rocky grew up on farms in Minnesota and Indiana, and worked with combos and big bands in central Indiana with Keith Sylvester, Benny Patterson, Trotty Heck and others. He was a soloist in the Air Force Special Services band, and played for many celebrity shows and movie premiers. He moved to Southern California, where he performed in Dixieland Festivals including the L.A. Jazz Classic, Sacramento Jubilee and the Hot and Sweet Festivals. He was featured with the Ray Bush BBC Band (which included a tour in England), Night Blooming Jazz Men, and the Coyote Hills Jazz Band. Floyd Levin, an internationally known writer and jazz critic reviewed a BBC Jazzology CD saying Rocky's "strong lead, tasty solos, and ensemble gusto add impressive voices to BBC Jazz's polished format.

DAVE POE
Dave is from the east coast where he studied with Phil Woods and Eddie Xiques. He has recorded with John Simon and Sapo, among others, and his greatest influences have been Charlie Parker and Pepper Adams. Dave has a style of playing that takes your mind back to 1959 - very laid back, but with an energy that drives the music creatively forward. He has a harmonic concept that reflects the great players like Charlie Parker, Gerry Mulligan and Serge Chaloff, and the lyricism of Paul Desmond and Chet Baker. We'll let his playing on this CD say the rest.

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REVIEWS

GIRLTALK is talkin' greatness
author: Aaron Arnold
Whether you are new to the genre, or think you've heard all there is of these wonderfully melodic songs, this cd will blow you away. A fabulous debut for Sue Pasquale, who is a natural. You can feel her love for the material in every word. What's more, she has world class musicians accompanying her that know how to make their moments count without hogging the spotlight. Right from the start, it comes on powerfully with Sue's husband, guitarist/musical director Bill Pasquale injecting some serious musical adrenaline with the intro to Toots Thielmans beloved "Bluesette," which is immediately matched by some soulful singing that embraces the swing potential of the song. So you thought Bunny Berigan's version of "I Can't Started" was so perfect that no one need touch it again? (I did), wait until you hear this version, which redefines the song's combination of sorrow and humor as Sue Pasquale expresses an array of emotions, complimented by a knockout trumpet solo by Rocky Goins that does the same. Sue shows off her scat potential on Sonny Rollins' "Doxy," and saxophonist Dave Poe has a field day as well. The title track is presented at a slow tempo that celebrates the melody. The standout track features Sue Pasquale's lyrics that are poetically on par with the words of the bebop era to the beautifully bawdy "Grooveyard" by Carl Perkins, not the "Blue Suede Shoes" guy, a same named gifted blues and jazz pianist who only lived to be 29, making a brief but strong mark in the 1950s. The perfect light and breezy arrangement to "I've Got The World On A String" allows Sue to make the song all her own. She does an unlikely slightly uptempo, bossa nova tinged version of "When Sunny Gets Blue" that I wouldn't have thought would work, but does! Quincy Jones's "Stockholm Sweetin" is a gem of a song, and the high demands are met by all, especially bassist Steven Hart. Keeping it all together with a creative beat that can roll or just keep time is Rusty Jones. Yes, this is grade A material that should have more light shed on it (I discovered it by a fortunate accident), so hear for yourself, and be ready to be impressed,big time.
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A wonderful straight-ahead CD that has great variety and top-notch performances
author: Michael Fitzgerald
Although not household names, the musicians on this recording are exceptional and deserve much wider recognition. There is a wide variety of music presented and the musicality and taste is always at the highest level. There are no low points here. Both this and the later "Mostly Bop" CD are must-haves for fans of the kind of jazz made by classic vocalists like Annie Ross. The fresh lyrics to well-known bebop tunes (Doxy and Groove Yard, for example) need to be heard! The instrumentalists do not get short shrift either - there are marvelous jazz solos on every track and the thoughtful and original arrangements hold things together making for an appealing presentation.
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a pleasing CD
author: jimmy james
Very pleasant singing on a very pleasant album of well known standards plus a few not so frequently heard songs. Sue is accompanied by accomplished musicians, producing an easy to listen to CD.
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