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Sarah Pierce : Cowboy' Daughter
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Sarah's new release, cowboy's daughter, is of the americana/country genre.
Genre: Country: Americana
Release Date: 2008
Cowboy' Daughter Record Label: Little Bear Records
  • Buy CD - $12.97
Preview Song Name Time Format Price Select
My Day in the Sun 4:18 Album Only
Radio 4:20 Album Only
What Would You Do 4:58 Album Only
Cowboy's Daughter 4:15 Album Only
Wish It Away 4:04 Album Only
Charlie 3:53 Album Only
Cruel Man 2:52 Album Only
Jacqueline 4:28 Album Only
I Thought I Knew You 4:27 Album Only
Sun Falling Down 4:35 Album Only
Last Real Cowboy 3:41 Album Only
Tumbleweed Dreams 6:33 Album Only
Three Cigarettes 2:49 Album Only
preview all songs

Album Notes

"Sarah Pierce has a wonderfully unique sound. Her music is a blend of both the old and the new. Her lyrics daze with elegant poetry that carries the listener over wide musical vistas on each soul-bearing turn of her incomparable voice. Sarah Pierce seems a likely candidate for contemporary music fame."

The Los Angeles Times

Sarah Pierce was born in Rockford, Illinois and raised in rural Texas and Colorado. The daughter of a cowboy raised in a family of cattlemen (4 members are in the Cattlemen's Hall of Fame), Sarah's dream was to be a singer, a dream that began to take shape when she was 12 years old. Her stepfather was a small town doctor by day and played bass in the local country band on the weekends. One day he asked her to come along and sing a few songs. After one song, Sarah had a gig. “The stage is like a big comfortable couch; I am so at home there.”

With a master's degree in medical science, Sarah moved to Denver, Colorado as a practicing physician's assistant. While there, she felt that she had been away from her music long enough and, after hearing about a serious music scene in Phoenix, Arizona, decided to move to the desert. “I was missing something crucial to my existence —my music.” In the fall of that year, Sarah began finding the players that would become her band. By the following spring, “Sarah Pierce and the Healers” had been born.

While performing at a local club, Sarah was seen by John McEuen (The Nitty Gritty Dirt Band). That evening he asked if she'd be willing to go on the road as his opening act. Thirteen weeks and thousands of miles later, Sarah had performed before tens of thousands of people, receiving standing ovations wherever she sang. Once back in Phoenix, she opened for many major touring acts. In 1991, Sarah regionally released her debut record, West Texas Wind, on Little Bear Records.

In the spring of 1992, Sarah moved to Santa Barbara, California to broaden her performance horizons in and around Southern California. With a new band, her reputation grew quickly and the cream of the local agencies soon saw her. Subsequently, she was booked an additional 70,000 miles performing at fairs, festivals, conventions, and opening act dates from South Dakota and Northern British Columbia to San Antonio, Texas. While living in California, she was seen in performance on MTV and was heard as the singing voice of Calamity Jane on the Emmy-nominated Time-Life television mini-series, The Wild West. While on a trip to Austin, Texas, in the fall of 1993, Sarah discovered a feeling of true belonging and decided to make Austin home.

In 1995, Sarah successfully completed her first European tour and in 1998 released her second album on Little Bear Records, No Place Like Home. This record solidified her popularity abroad. No Place Like Home was released domestically in the spring, 2001.

During 1998 and 1999, Sarah began preparing for her next record in the midst of touring. In the spring of 2000, she released Birdman, in Europe and stateside in May of 2001. In December of 2000, Sarah released her first children’s recording, The Buttercup Princess, with her proceeds donated to The Ronald McDonald House Charities worldwide. Sarah spent 2001 and most of 2002 on an international tour in support of Birdman, while working on her next project, Love’s The Only Way.

Once again recorded in Austin, Texas, Love’s The Only Way was the next step in the musical evolution of this incredible singer/songwriter. More up tempo, a bit funkier, always the same message of hope and love, this recording featured a total of thirteen songs, eleven of which were written by Sarah, including an amazing rendition of the powerful Kimmy Rhodes ballad, “I’m Not An Angel,” and Sarah’s deeply emotional version of the timeless ‘60s anthem, “Get Together." In the fall of 2004, two singles were released from this recording to Adult Contemporary Radio. Both achieved Top 20 status with "Get Together" climbing to number 13 domestically.

In 2005, Sarah recorded It Must Be Christmas Time. A collection of ten holiday classics...five of which were penned by Sarah...It Must be Christmas Time was played on Adult Contemporary and National Public Radio stations nationwide both in 2005, 2006, and again last year...rumor has it that she will be doing another and that it will be available for the 2008 Holiday Season.

2006 was spent rehearsing a new acoustic band, writing for a new project, and performing domestically and abroad.

In July, 2007, Sarah took three weeks away from writing and recording to go back to Italy for a tour of festivals. In seventeen days of headlining, the worst response was 'only' one encore. Upon returning she took the rest of 2007 to finish recording her newest project....Cowboy's Daughter.

So, it has definitely been a long, wondrous, and sometimes hard road for a girl raised on cattle ranches in Texas, Florida, and Colorado. Thankfully, since moving back to Texas, Sarah has spent her time developing her own, unique musical style. Although that style owes some to rock and roll, the daughter of a cowboy discovered that her musical soul ultimately was the music with which she had been raised. Appropriately, the new music of Sarah Pierce was presented for the first time on March 28, 2008 at the oldest dance hall in Texas - Gruene Hall. Opening for the Nitty Gritty Dirt Band, Sarah and her band played to the sold out crowd receiving ovations after every song. It is fairly safe to say that Sarah Pierce is back...and better than ever!


“Though I truly respect and love all styles of music, traditional country is held in a most special place in my heart.” "I trust this is where I am supposed to be."

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REVIEWS

Cowboy's Daughter.
author: davide frascella
Sarah Pierce: The Cowboy’s Daughter. There’s a new birth breaking into the country music scene, an album released at the end of the last 2008 summer, a gem which all the lovers of this genre should have in their own record-library: it is “COWBOY’S DAUGHTER “, the last work of the American artist Sarah Pierce. The Cowboy’s Daughter is a precious outline of classical harmonies in the American tradition when it faithfully traces most of the emotional standards of the last 50 years. Sarah Pierce was born in Illinois, but raised first in the west rural Texas and then in Colorado; since then, she has always deeply breathed the rustic air of a farm, surrounded by the love of her family of farmers. After a master’s degree in medical science, Sarah tried for a while to be wholly absorbed in her new career, but the call of the farm’s sounds and for the music as a whole contributed to change her mind, so that at around the end of 80’s she started up her first band “The Healers” and in 1991 she would record her first album “West Texas Wind”. Her last job bears the great name of Merel Bregante as its producer, drummer and percussionist as well as being Sarah’s husband, a man on the musical scene since more than 30 years, (firstly with Loggins & Messina, and then with The Nitty Gritty Dirt Band and so many others). Great musicians teamed up with Merel such as Cindy Cashdollar (Asleep At The Wheel) at the dobro, steel and lap steel guitar, who is nowadays considered one of the most requested artists between the American musicians (meanwhile she takes part to the last Van Morrison’s “Keep it Simple” and the newest album of Willie Nelson); among the musicians, John Mc Euen, the legendary banjoist and mandolinist of the Nitty Gritty Dirt Band, the brothers Cody and Willy Braun, the former at the fiddle and the latter as a perfect vocalist, coming directly from the Reckless Kelly, a country- rock band today in the American forefront of alt-country; Al Garth from the Eagles as solo violin; Riley Osbourne, at the acoustic piano; Rosie Flores, electric guitar; Eric Hanke, harmonica and the same Sarah with two famous Italian musicians such as Alex Adinolfi and Maurizio “Micio” Fassino at the acoustic guitars, capable of giving back really emotional harmonies by their floating touches. 13 tracks in which we can find the most distinctive moments in the American popular music, from “My Day in The Sun” to “Three Cigarettes”, passing to “Radio”, a fantastic folk ballad, where Sarah’s voice alternates the acoustic sounds of a playful and joyous run after, a really authentic and alive extent. The so vibrant “What Would You Do” and “Last Real Cowboy” are two classical country standards of the 50’s, the first a waltz tempo in which stand out with neatness the Cody Braun fiddle. So unique is “Cowboy’s Daughter”, the title truck, where the cowboy is the true prairie’s hero, an icon of the American past which has always gathered whole generations with the great passion for the “Far West”; listening to the tune, the acoustic sounds of John Mc Euen’s mandolin and banjo wonderfully emerge. In “Wish It Away” the Pierce’s vocal timber reminds me that of some other stars in the past history of country music: Lynn Anderson when conveyed all her love in an amazing “Sometimes when We Touch” or previously in “Rose Garden”. As much interesting as the others, “Charlie” is a softy piece written by a famous duo such as Bruce Robison and Lucinda Wlliams ( today “The First Lady” of progressive Americana or Alt-Country music) the bluegrass time in “Jacqueline”, highlighting the Riley Osbourne acoustic piano and the other Doug Hudson’s mandolin. “I Thought I Knew You” reveals great emotions, for a love story roughly ended, where Sarah repeat with sadness “I thought I Knew you better than that, I never dreamed our love wouldn’t last, I fell for you in our first kiss under a falling star we made a wish, to be together endlessly till today”. At last stands over “Tumbleweed Dreams” where Sarah highlights the true skill of a complete artist: writing songs, playing guitar and singing well. Personally speaking, Sarah Pierce’s most relevant artistic skill can be found in her lyrics, where she expresses the man’s ethics values through which she gives life to a story, sometimes evocative, sometimes imaginative, where the dreams become integral, if not essential part in that living path which feels mostly the centrality of our being. Now we are waiting for the next “Italian Tour” summer version of “Cowboy’s Daughter”. Davide Frascella
Read more...
Cowboy's Daughter
author: davide frascella
Sarah Pierce: The Cowboy’s Daughter. There’s a new birth breaking into the country music scene, an album released at the end of the last 2008 summer, a gem which all the lovers of this genre should have in their own record-library: it is “COWBOY’S DAUGHTER “, the last work of the American artist Sarah Pierce. The Cowboy’s Daughter is a precious outline of classical harmonies in the American tradition when it faithfully traces most of the emotional standards of the last 50 years. Sarah Pierce was born in Illinois, but raised first in the west rural Texas and then in Colorado; since then, she has always deeply breathed the rustic air of a farm, surrounded by the love of her family of farmers. After a master’s degree in medical science, Sarah tried for a while to be wholly absorbed in her new career, but the call of the farm’s sounds and for the music as a whole contributed to change her mind, so that at around the end of 80’s she started up her first band “The Healers” and in 1991 she would record her first album “West Texas Wind”. Her last job bears the great name of Merel Bregante as its producer, drummer and percussionist as well as being Sarah’s husband, a man on the musical scene since more than 30 years, (firstly with Loggins & Messina, and then with The Nitty Gritty Dirt Band and so many others). Great musicians teamed up with Merel such as Cindy Cashdollar (Asleep At The Wheel) at the dobro, steel and lap steel guitar, who is nowadays considered one of the most requested artists between the American musicians (meanwhile she takes part to the last Van Morrison’s “Keep it Simple” and the newest album of Willie Nelson); among the musicians, John Mc Euen, the legendary banjoist and mandolinist of the Nitty Gritty Dirt Band, the brothers Cody and Willy Braun, the former at the fiddle and the latter as a perfect vocalist, coming directly from the Reckless Kelly, a country- rock band today in the American forefront of alt-country; Al Garth from the Eagles as solo violin; Riley Osbourne, at the acoustic piano; Rosie Flores, electric guitar; Eric Hanke, harmonica and the same Sarah with two famous Italian musicians such as Alex Adinolfi and Maurizio “Micio” Fassino at the acoustic guitars, capable of giving back really emotional harmonies by their floating touches. 13 tracks in which we can find the most distinctive moments in the American popular music, from “My Day in The Sun” to “Three Cigarettes”, passing to “Radio”, a fantastic folk ballad, where Sarah’s voice alternates the acoustic sounds of a playful and joyous run after, a really authentic and alive extent. The so vibrant “What Would You Do” and “Last Real Cowboy” are two classical country standards of the 50’s, the first a waltz tempo in which stand out with neatness the Cody Braun fiddle. So unique is “Cowboy’s Daughter”, the title truck, where the cowboy is the true prairie’s hero, an icon of the American past which has always gathered whole generations with the great passion for the “Far West”; listening to the tune, the acoustic sounds of John Mc Euen’s mandolin and banjo wonderfully emerge. In “Wish It Away” the Pierce’s vocal timber reminds me that of some other stars in the past history of country music: Lynn Anderson when conveyed all her love in an amazing “Sometimes when We Touch” or previously in “Rose Garden”. As much interesting as the others, “Charlie” is a softy piece written by a famous duo such as Bruce Robison and Lucinda Wlliams ( today “The First Lady” of progressive Americana or Alt-Country music) the bluegrass time in “Jacqueline”, highlighting the Riley Osbourne acoustic piano and the other Doug Hudson’s mandolin. “I Thought I Knew You” reveals great emotions, for a love story roughly ended, where Sarah repeat with sadness “I thought I Knew you better than that, I never dreamed our love wouldn’t last, I fell for you in our first kiss under a falling star we made a wish, to be together endlessly till today”. At last stands over “Tumbleweed Dreams” where Sarah highlights the true skill of a complete artist: writing songs, playing guitar and singing well. Personally speaking, Sarah Pierce’s most relevant artistic skill can be found in her lyrics, where she expresses the man’s ethics values through which she gives life to a story, sometimes evocative, sometimes imaginative, where the dreams become integral, if not essential part in that living path which feels mostly the centrality of our being. Now we are waiting for the next “Italian Tour” summer version of “Cowboy’s Daughter”. Davide Frascella
Read more...
Cowboy's Daughter
author: John Crossett
Many artists start strong and fade as their careers near their end. Others begin well and continue to grow, producing better and stronger albums as time passes. Cowboy’s Daughter is Pierce’s sixth album and by far her most consistent. By taking her music back to its roots in the country, folk/rock, and singer/songwriter sounds that she grew up with she writes a list of songs that do justice to all facets of life – from the good to the less desirable. You’ll hear songs about love ("What Would You Do"), roads taken ("I Thought I Knew You"), roads not taken ("Wish It Away"), family (the title track) and trying to stay optimistic in a world gone crazy ("Radio"). Backed by a solid group of Austin session musicians -- and the occasional ringer (Niitty Gritty Dirt Band fiddle player Al Garth) -- Ms. Pierce, in partnership with producer/engineer/drummer Merle Bregante, weaves a finely crafted and choreographed album that bounces a listener’s emotions up and down like a yo-yo, all the while keeping attention riveted on the music. This album may very well represent Merle Bregante’s strongest engineering work yet. While I’ve had quibbles with his previous efforts, they have almost all been addressed here. Credit should go to not only Bregante's growth as an engineer but also to new studio goodies -- Dynaudio-powered studio speakers, Alessandro headphones and 24/96 mastering. The bass, which until now has been my main disagreement with Bregante’s mixing, is strong, detailed, tight, and easy to follow. Pierce’s voice is front and center with an excellent sense of realism. All of the instruments -- from the various guitars to drums to fiddle to bass -- are more clearly reproduced and defined. The soundstage is kept between the speakers, yet there’s adequate space allotted for allow each instrument to bloom in its own unique manner. This is an album to enjoy both musically and sonically, which means it’ll have you pinned to your listening seat awaiting the next track. Oh, and there’s a real possibility of being able to order one-off 24/96 DVD-As of the album in the future. I have one and it’s great. Now isn’t that a sweet notion to ponder?
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Cowboy's Daughter
author: Fabrizio Poggi
I met Sarah Pierce in Austin - Texas in 1998 during the recording of Chicken Mambo’s album ‘Nuther World’...a record produced by her husband Merel Bregante legendary drummer and producer (Loggins & Messina, Nitty Gritty Dirt Band and many others). I immediately liked the music of Miss Pierce and decided then and there to organize her first tour in Italy. Since then Sarah Pierce has become a musical favorite in Italy returning often to perform for her many fans. Cowboy’s Daughter is Pierce’s newest offering and as the name implies, this album returns her to her musical roots. That being traditional country and folk. An essential recording, Cowboy’s Daughter allows her incredible voice and songs to shine brightly. To help her in this, a group of great musicians joined in. Among others Cindy Cashdollar (Asleep At The Wheel) on steel guitar and dobro and John McEuen (Nitty Gritty Dirt Band) on banjo, mandolin, and acoustic guitar. This is an album filled with great songs and great performances. Among my favorites are Radio, a convincing, acoustic, country folk ballad, What Would You Do, an elegant waltz featuring the fiddle of Cody Braun (Reckless Kelly), and the title cut, Cowboy’s Daughter. Yet another splendid song reminiscent of Chris Hillman (Byrds) or The Nitty Gritty Dirt Band with effective banjo by John McEuen and an uproarious solo by Ms. Cashdollar. Other songs of interest include Charlie - a somber ballad written in the style of Bruce Robison and Lucinda Williams. Effective use of the harmonica and a deeply felt violin solo by Al Garth (Eagles) make this one of the very best songs on the album. Jacqueline is a notable country folk/bluegrass song featuring piano (Reilly Osborne), mandolin (Doug Hudson), and the perfect interplay between dobro and acoustic guitar. Very nice as well is track nine, I Thought I Knew You, a classic ballad driven by piano and violin. Last Real Cowboy, a roots country song, is a Johnny Cash train beat driven by the expressive electric guitar of Rosie Flores. The record concludes with an incredibly powerful vocal rendition of Three Cigarettes. This is Pierce paying homage to the unforgettable Patsy Cline. Three Cigarettes is preceded by the song that I consider the best on the album. Tumbleweed Dreams is a beautiful, minor chord ballad with a refrain that is memorable from the first listening. The violin (Garth) and the drums and percussion (Merel Bregante) are both excellent but for me the frosting on this beautiful cake is the intense acoustic guitar solo of Maurizio Fassino (Chicken Mambo). Along with Alessandro Adinolfi on acoustic and electric guitar, this song represents the Italian soul of the record. Tumbleweed Dreams is, by itself, worth the purchase of this beautiful album. Welcome back Sarah Pierc
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