Back To Artist
Squeeze Bayou : Steppin' Fast
Log in to add to your wishlist
Traditional Cajun dance music, driving two steps and haunting waltzes with vocals in Cajun French.
Genre: Folk: Traditional Folk
Release Date: 1997
Steppin' Fast Record Label: Azalea City Recordings
  • Buy CD - $14.99
SPECIAL: 10% discount if you buy more than one copy of it today!
Preview Song Name Time Format Price Select
Midnight Playboy Special 3:39 Album Only
Calcasieu Waltz 4:05 Album Only
Tes Parent Veulent Plus me Voir 2:43 Album Only
Chere Bebe Creole 3:07 Album Only
Les Veuves de la Coulee 2:48 Album Only
Jamerais te Pardonner 3:54 Album Only
La Pointe aux Pins 3:36 Album Only
Bon Soir Moreau 2:52 Album Only
Steppin' Fast 2:44 Album Only
Grandma's Waltz 3:59 Album Only
Jolie Bassette 2:26 Album Only
Valse de Tout le Monde 3:25 Album Only
Cajun Hot Foot 3:34 Album Only
La Malhereuse 3:22 Album Only
preview all songs

Album Notes

Squeeze Bayou is one of the Washington D.C area's prime suppliers of Cajun music.

In 1998 the Cajun French Music Association of Lafayette, La. awarded Squeeze Bayou the prestigous "Prix Dehors de Nous" award for Steppin' Fast. The "Prix Dehors de Nous" award is awarded each year for the best recording of the year by a Cajun band outside of Louisiana.

Washington Post Review :

LIKE THE GREAT Cajun band Beausoleil, Squeeze Bayou knows good thing when it hears it. Both bands draw inspiration from the tradition wellsprings of Cajun music and the classic repertoires of Dennis McGee, Dewey Balfa and Canray Fontenot.
As a result, Squeeze Bayou's new album, "Steppin' Fast," has its share of rhythmically engaging tunes that were, oddly enough, inspired by heartache and hard times. Fortunately, Karen Collins is wonderfully adept at conjuring up both the soiree and the sorrow implicit in the music, evoking the former with her lively fiddle and the latter with her lovely, poignant soprano.
The quartet and its guests occasionally expand on acoustic Cajun music, even briefly adding a pedal steel guitar to Balfa's romantic waltz "Jaimerais te Pardonner." But the album' s focus is tight enough to please most folks who prefer to hear two-steps and waltzes the old-fashioned way. Besides Collins, by far the band's most distinctive asset, the album highlights a fine accordionist, Kevin Bell. His playing on the infectious title track exemplifies the ensemble's dance hall appeal, and during the more quaint performances, such as "Grandma's Waltz," he sensitively complements Collins's striking voice.

Read more...

REVIEWS