A WILD IMPROVISATIONAL RIDE!!!
author: Steve Siegel, The Morning Call (Allentown, PA)
Slap this disk into your CD player and you might think someone left the asylum door unlocked. Be prepared for a wild improvisational ride somewhere between the mental anguish of German expressionism and the anarchy of Dadaism at its peak, circa the 1920’s……Trombonist, composer, and vocalist Stanley Schumacher, who currently lives in Bethlehem, founded the Music Now Ensemble in 2003. Joining Schumacher on this angst-filled disk, the group’s third self-released recording, are violinist/vocalist Rosi Hertlein and acoustic bassist Evan Lipson. The collective specializes in highly improvisational contemporary art music, that at least in this case has a strong leaning toward the nihilism of Max Ernst and the minimalism of Anton Webern……Like Alban Berg’s opera “Wozzeck,” this is very bleak, stark stuff. The pieces often contain improvisational riffs identifiable as jazz, but are highly minimalistic, reduced to basic sounds both acoustic and electro acoustic. In “Brain Drain,” Schumacher’s trombone fires out rapid, staccato passages against a growling bass and vocals that run the gamut from soft sighs to tortured moans. The extremely chromatic “Hard to Say” includes the text of a poem, its lines alternating between German and English, composed and recited by Hertlein……The range of sonic color that Schumacher and Hertlein obtain from their instruments – and voices – is both remarkable and frightening. In “Slippage” the trombone mimics slurred human speech while the violin buzzes around it like an angry, murderous wasp. Many pieces are highly vocal, sometimes with lascivious whispers, heavy breathing, and gasps and that reach an undeniably erotic climax……There is an all-round creepiness to nearly every cut, akin to being trapped alone in a dark, haunted house with creaking doors, unearthly screams, and things that go bump in the night……….Welcome to the Bauhaus, but keep the lights on.
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SCHUMACHER IS UNQUESTIONABLY A NAME TO CONSIDER!
author: Massimo Ricci, bagatellen.com
....... my focus instantly fell upon the superlative technical eminence of the involved parties. The notes shine, growl, talk and exclaim, the listener inclined to fuse the distinct personalities into a sole entity to appreciate the consistency of the collective interrelationship, which generates several episodes that connote the model of a sophisticated chamber trio (case in point the excellent “Second Thoughts”)........ In particular, Schumacher’s playing sounds as modest as it does intelligent, privileging the highlight of selected nuances and connective fragments to the necessity of playing forcibly front and centre, his presence fundamental to furnish the music with a peculiar class of dissonance. The strings are a spectacle in themselves, vivid examples of authoritative idiosyncrasy in somewhat heretical talent. Hertlein makes us forget about the lenitive virtues of violin, depriving her charm of any residual saccharine in favour of a enviously irrefutable skill, whilst Lipson easily stands among the best bassists I’ve heard lately, his terrifically strapping tone epitomising the decision to “really” learn how an instrument works.……As far as technical deftness and transparency of intents are concerned, Stanley Schumacher is unquestionably a name to consider. Amidst an ever-growing number of posers, he is a craftsman who “plays” his instrument instead of disemboweling it, an artist who ceaselessly looks for new collaborative methods. I’m quite sure that fans of the late, great Paul Rutherford will be eager to give this disc a serious try.
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Eating ice cream with small spoons!
author: Gerald Plain, Composer, LaGrange, Kentucky
“. . . .Your ensemble is really great at performing improvised music. . . .I tell my ol’ buddy to visit me and we will listen to Robert Ashley’s ‘Wolfman’ and eat ice cream with small spoons. Now, I will tell him that we will listen to Stanley Schumacher’s ‘Don’t Abandon Your Baby’ and eat ice cream with small spoons.”
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Love your CD
author: Kenn Michael, WDIY Radio
love your cd have had occasion to play it several times on my sun night improv jazz show. . . . love it sounds great
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