Japanese Traditional Koto and Shakuhachi
Satomi Saeki & Alcvin Takegawa Ramos
© Copyright-Oliver Sudden Productions Inc.
(620953096129)
Record Label: Oliver Sudden Productions Inc.
SPECIAL: 10% discount if you buy more than one copy of it today!
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Song Name |
Time |
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1. Chidori no Kyoku (Song of the Plover) |
11:29 |
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2. Seki Setsu (Meditation on Rocks and Snow) |
7:36 |
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3. Aki no Koto no Ha |
4:45 |
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4. Rokudan (Etude in Six Movements) |
6:49 |
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5. Sagano |
3:32 |
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6. Shoganken Reibo (Yearning for the Bell of the Pine Boulder Templ |
11:51 |
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7. Midare |
9:51 |
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8. Fuyu Momiji (Winter Maple) |
5:45 |
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Satomi Saeki
Bio
Born in Miyazaki, Japan, Satomi Saeki was introduced to Japanese traditional music by her father, a shakuhachi-player and -maker. She studied koto (horizontal harp), sangen/shamisen (3-stringed Japanese lute) and juushichigen (17-stringed horizontal harp) with Shizu Watanabe, Namie Sano and Takeshi Nakai.
Saeki graduated from the Tokyo Geijutsu Daigaku (National Tokyo University of Fine Arts and Music) and the 37th Japanese Traditional Music School of NHK (Japan Broadcasting Cooperation).
Since moving to Victoria, British Columbia in 1994, Saeki has been teaching and performing koto music at various educational institutes and cultural events in North America.
Alcvin Takegawa Ramos
Bio
Alcvin Takegawa Ramos was born in Kanagawa-ken, Japan, in 1969. His interest in eastern religions, martial arts and meditation inspired him to study the shakuhachi (bamboo flute) and its various musical styles including honkyoku (sacred Zen music), sankyoku (secular ensemble music) and gendai kyoku (contemporary pieces).
Eventually Ramos received a shihan (master) license from Katsuya Yokoyama, a renowned master-teacher of the instrument and founder of the International Shakuhachi Training Centre in Bisei- cho, Japan.
The director of the Bamboo-In, a shakuhachi retreat centre on the Sunshine Coast of British Columbia, Canada, Ramos is also the founder of the Vancouver Shakuhachi Festival held at the University of British Columbia every four years in November.
Ramos has also studied and practiced Zen meditation for many years and defines honkyoku as the aural expression of Zen. The actual playing of the shakuhachi is said to bring the musician to a Zen state of self-knowledge.
Ramos plays with various musical ensembles from Canada and Japan, and maintains an active schedule of solo shakuhachi performances in Japan, Europe and North America.
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Japanese Traditional Koto and Shakuhachi
author: Carrie
This is a wonderful collection of pieces for koto and shakuhachi. The musicians demonstrate their talent and skill amazingly on this album.
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Japanese Traditional Koto
author: Leif S.
The perfect music to enjoy while relaxing in my brand new japanese garden. I very much enjoy the traditional tone of the music.
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I would love to take a bath listening to this luscious music
author: marisza
What a glorious sound. So peaceful..
Restful. Aesthetic.
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Mysterious world music!
author: Ian Kerry
The world of mystery, this is it.
I have discovered world music.
A world rediscovered after being hidden for sometime from the masses.
This unusual world takes me all over the world and into the hearts of many cultures. Wonderous.
Read more...