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Bean Hoy : Boys Can't Be Trusted
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The award-winning debut CD. Wry lyrics with a topical bent and a cool blues/folk/rock groove. "Kinda like Dave Barry backed by the Violent Femmes," says LAX Magazine.
Genre: Rock: Roots Rock
Release Date: 1998
Boys Can't Be Trusted
Bean Hoy
Record Label: Bean Hoy
  • Buy CD - $9.99
  • Download Album (MP3) - $6.99
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Preview Song Name Time Buy
1. Mighty Dread 1:37 + MP3 $0.99
2. Road Construction 3:41 + MP3 $0.99
3. Sorry 3:53 + MP3 $0.99
4. Rain In My Heart 3:18 + MP3 $0.99
5. Broken Things 2:46 + MP3 $0.99
6. Milky Way 3:04 + MP3 $0.99
7. Crazy Little Fingers 3:36 + MP3 $0.99
8. Faux Life 4:19 + MP3 $0.99
9. Boys Can't Be Trusted 3:57 + MP3 $0.99
10. Short Term Memory (I Lost My) 3:04 + MP3 $0.99
11. Da Vinci Drives A Cherokee 2:34 + MP3 $0.99
12. A Little Bit Confused 2:49 + MP3 $0.99
13. My 19-Inch Teacher 3:36 + MP3 $0.99
14. Heileman's 5:19 + MP3 $0.99
15. Last Generation of Rock 'n' Roll 3:01 + MP3 $0.99
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Album Notes

Why can't boys be trusted? Do cows really make holes in the ozone? Were the '70s cool or just dumb? And are we the last generation of rock and roll? Bean Hoy ponders dilemmas big and small on a 15-song collection that Amazon.com rated five stars.


FIVE-AND-A-HALF FUN FACTS...

1. A Plymouth Horizon horn is one of the "instruments" used on "Road Construction."

2. "Heileman's" was first written in 1984 as a tribute (of sorts) to a La Crosse, Wis. brewery by Mike and his first band, Your Missing Socks. The song has now outlasted both that band (broke up in 1985) and the brewery (closed in 1999).

3. Number of guitar solos on this album: 0.

3.5. Number of kazoo solos: 1 ("Last Generation of Rock & Roll").

4. "Faux Life" was selected for the soundtrack of the indie feature film "Coffee Refills Are Free" (the heartfelt, driving-at-night, what-the-f*ck-am-I gonna-do-with-my-life scene).

5. Named Best Local Recording of the Year in the La Crosse Area Music Awards.


BY THE WAY, WHICH ONE'S BEAN?

Formed by journalist-musician Mike Starling as an outlet for his wry, topical songs, Bean Hoy has taken the stage in everything from an acoustic duo on up to an eight-piece rock band with a brass section called the Horns of Vengeance. Three albums so far: "Boys Can't Be Trusted," "Get Lost: The Studio J Sessions" and "Cool Music For A Big Dumb World."


INSIDER MUSICIAN INFO...

• Mastered by Grammy Award-winning engineer Brett Huus.

• Recorded with two different versions of the Bean Hoy band live in the studio.

• First band features Casey Virock on acoustic guitar and Jim Vogt (now gigging with a jazz band in Fairbanks, Alaska) on drums. Both add backing vocal too.

• The second features Seattle recording artist Hans Mayer on guitar and bass and New York session player David Purcell on drums.

• Mike Starling sang and played acoustic guitar, bass and harmonica on both sessions.

• OK, we lied. The recordings are not TOTALLY live. There are also some very cool overdubs, like...

• Mark Lakmann's cool trombone work on the title track and "Rain In My Heart," Lonnie Oines' drivin' bass on "Broken Things," and Jason Knox's jammin' piano on "Heileman's" and "My 19-Inch Teacher."

• Gretchen Henchen's outrageous tuba parts on "Road Construction" and Pete Vogt's veering-out-of-control clarinet solo on "Milky Way."

• Jeff Halko's lap steel and Hans Mayer's slide bass (really!) on "Rain In My Heart."

• All of which makes for an amazing and must-have CD. Really... trust me...

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REVIEWS

Topical, folky and tasty
author: Ted Johnson, LaX Magazine
                            
Topical, folky, extremely tasty, with flourishes of jazz, new wave and blues... kinda like Dave Barry backed by the Violent Femmes. The songs are a laundry list of local and national maladies, often depicted with a dark sense of humor. And, as often as not, the music is as playful as the words. Starling talk-sings clever lyrics about everything from fake lives to Heileman's (brewery) to road construction. All in all, the album is a reflection of inane pop culture, where one no longer condemns the plastic world around us but instead videotapes it for later when there's nothing else on.
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The album really grows on you, each song a story in itself.
author: Parker Forsell, Dandelion Whine
                            
Definitely La Crosse’s best folk/rock/blues act. My favorite part of the album is Mike Starling’s songwriting. The album really grows on you, each song a story in itself.... A fully produced release with great liner notes. Impressive.
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Songs full of grit, irony and sophisticated humor
author: Music fan from Albany NY, posted to Amazon.com
                            
Utterly fun. Starling exhibits grit, irony and sophisticated humor in his songs. The music surprises you at every curve and corner as it traverses through your head. A truly undervalued and underplayed recording.
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Clever lyrics beautiful counterbalance raw musical energy
author: Music fan from Milwaukee WI, as posted to Amazon.com
                            
Mike Starling's exceptionally clever lyrics beautifully counterbalance the raw energy of his musical delivery. Starling is no vapid pretty boy competing for the attention of pre-teens. His music reflects the maturity of someone who has experienced life and learned from it. He employs sophisticated wry humour to tell the tales of a wild dog with an intellect. Open the jaws of your CD player and feed it "Boys Can't Be Trusted" and toss the jewel case out -- 'cause you won't want to listen to anything else.
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