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Stephen Jay : Chaos, Clouds and Tongue
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Metaphorical and subtle yet tied together by intricate instrumentation and rhythms - takes the listener on an innovative journey carried by music as lucid as an Irishman’s definition of a net – “a lot of holes tied together with string.”
Genre: Pop: Pop Underground
Release Date: 2011
Chaos, Clouds and Tongue
Stephen Jay
Record Label: Ayarou Music
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Preview Song Name Time Buy
1. So Do I Sadie 4:10 + MP3 $0.99
2. Arrow of Time 4:42 + MP3 $0.99
3. Half Step 4:37 + MP3 $0.00
4. Now You Know 3:13 + MP3 $0.99
5. Whipoorwill 3:58 + MP3 $0.99
6. Here You Are 4:32 + MP3 $0.99
7. The Bottom of Heaven 3:02 + MP3 $0.99
8. Cold in the Sun 4:56 + MP3 $0.99
9. Along One Line 4:05 + MP3 $0.99
10. Cool Run 4:34 + MP3 $0.99
11. What I Want to Do 5:54 + MP3 $0.99
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Album Notes

In Chaos, Clouds and Tongue there are many elements working together -
but nothing clutters up the view. It's no simple feat to have music so
full of content and not have it feel muddied. Clear like a Haydn string
quartet: lots going on but with no musical baggage. Or stained glass
windows: plenty of colors, patterns and a big picture, but it lets the
light through --- or more simply: like a fisherman's net.

Stephen Jay has taken all of his unique approaches to musical cultures,
contrasting textures and lyrics and woven them together into views out
windows, looking up at skies, dancing over the ground, contemplations
and musings which will be unique for every listener –a spacious and
complex experience which can vary over time just as the clouds in the
sky – same view above yet never the same. Taking part in this inventive
tour of sounds are Pete Gallagher on drums and additional drumming and
percussion by Ian and Miles Jay.Miles provides driving yet gentle force
on upright bass on a few tracks with Stephen Jay’s electric bass which
supports every track on the album.

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REVIEWS

Listen.. Do you want to know a secret?
author: Louise Hunter
                            
Stephen Jay is one of contemporary music's best kept secrets. Elsewhere on this page this music is described as "A lot of holes tied together with string" Well perhaps not quite. To call this music full of holes implies incompleteness. "Chaos Clouds and Tongue" is far from that. Once again, this consummately talented poet and musician has created something wonderfully different; a flight of intellect and maturing philosophy framed in music so natural you can hear it breathe. Stephen Jay’s music is an exotic blend of cultural influences drawn together under the unstoppable heartbeat of his compelling bass mastery. When the focus shifts and the path meanders, the warmth of the bass provides the direction back, maintaining an unpredictable but tight structure, yet allowing for interesting diversions along the way. There is always something new to be discovered here. "So Do I Sadie" sets the direction of the musical flow like a personal manifesto, a slow, sexy dance of temptation offered but resisted. “Arrow Of Time” is characterized by a discomfortingly insistent melody which bubbles up through the boiling magma of satisfying bass beneath. “Half Step” is a gentle, slightly mournful and elegiac song, which provides a moment of reflection “Now You Know” takes us on a march towards transformation within a tight cocoon of structured rhythm and melody. “Whipoorwill” is like a cool well-spring, mid album, a little mysterious, a little intriguing, and very magical “Here You Are” has a tentative intriguing quality of carefully balanced uncertainty “The Bottom Of Heaven” never ceases to delight. There is nothing predictable here and yet it is easy just to enjoy listening as the intricate rhythms resolve themselves into pleasingly kaleidoscopic patterns “Cold In The Sun” This is great! With its cool urban reggae feel, this song conveys a conspiratorial moment, like a whispered secret. “Along One Line” is sparse and tight, and needs to be listened to at sternum thrumming levels for full eye-popping effect. This is a great piece of “world-music” influenced rock “Cool Run” This is so laid back, but there is a lot going on in there. In this, as in all the songs there are so many rich layers of sounds and silences that you can’t help but be drawn into the rich sonic landscape. “What I Want To Do” closes the album with characteristic cool spacey funk, Overall this album flows very evenly. There are no odd juxtapositions or jarring moments as the music provides a gentle and logical progression. I hesitate to draw any comparisons to this unique artist, but if I must I would say that anyone who enjoys "World Music" as a genre, or, to name artistes, Peter Gabriel or some of Sting’s solo work would be advised to give Stephen Jay a listen.
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