CD and live show reveal St. John and davids as complete ass kickers
author: Armstrong
I heard all the songs at the cd release party in NYC. They are a solid, solid band and all the tunes are worthwhile. the CD is well put together and stands up to repeated listening. Great musicianship and dynamics.
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The more you listen, the more you listen.
author: Chris Barcley
BROWN is such a sad and powerful heartbreak tune. SSJ's like the thinking person's Alanis, who knows the meaning of the term "ironic". I love having the CD and being able to know the lyrics, sometimes you get caught up in the music at her live show and forget what beautful poetry she has in the songs. I would highly recommend owning this CD.
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atonal vocals of the riot grrls with enough daintiness to be at home among Lilit
author: Amanda Lee Anderson, Indie-Music.com
The frontwoman of New York’s Mimi Ferocious, Stephanie St. John, sounds like the kind of girl you don't want to mess with. She sidesteps around the gritty, atonal vocals of the riot grrls with enough daintiness to be at home among Lilith Fair enthusiasts. But don’t let that daintiness fool you. Behind it lies brass that betrays St. John as a spark-plugging, venturesome chica. You know the kind -- the pretty girl in a dress who smiles sweetly before kicking you in the shin.
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Best album since Beth Orton's "Trailer Park"
author: Largerego
They say the quality of music is inversely proportional to the economy, hence the eight-year void of good new artists during the Clinton era. If CINDERELLA'S DEAD is any indication, music is on an upswing.
There is much that is good about this album, the debut from East Village fixture Stephanie St. John, but what sticks out is the production. Gone is the usual compression, the layering, the sound effects and samples that many of today's "artists" hide behind. Stephanie relies on gorgeous virtuousity, a beautiful voice, otherwordly guitar licks, driving drums, and bass lines suggesting the mastery of Bruce Thomas and Geddy Lee. That the songs are deceptively simple, meaningful, and catchy is an added bonus.
This is the best album since Beth Orton's "Trailer Park."
--LARGEREGO.com
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