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Steve Goldberg : How I Remember Them
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Melodic, literate, quirky, guitar-based indie pop, informed by the likes of weezer, The Beatles, and The Decemberists.
Genre: Pop: Beatles-pop
Release Date: 2005
How I Remember Them
Steve Goldberg
Record Label: Steve Goldberg
  • Download Album (MP3) - $8.00

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Preview Song Name Time Buy
1. Preston the Penguin 3:14 + MP3 $0.99
2. To Jane Gallagher 2:26 + MP3 $0.99
3. Crestfallen 3:57 + MP3 $0.99
4. The Battle of Agincourt 5:09 + MP3 $0.99
5. Historiography 2:38 + MP3 $0.99
6. Hindsight 3:33 + MP3 $0.99
7. The Book of Love 2:59 + MP3 $0.99
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Album Notes

Born into a family of Chechnyan goat farmers and orphaned at an early age by a tragic encounter with a marauding pack of feral dogs, Steve Goldberg was soon taken in by a kind-hearted band of gypsies with an unabiding love for 60s guitar pop. Reared on a steady diet of The Beatles and Simon and Garfunkel, young Steve soon stowed away on a cargo freighter and braved the treacherous journey across the ocean to Philadelphia. He worked odd jobs at the docks there, biding his time until he could afford an instrument of his own. When that glorious day finally arrived, he bade farewell to manual labor and began making his bread as a travelling troubador, performing the songs of his youth for indifferent bar patrons. In a short while Steve began to spin yarns of his own creation: whimsical tales of lost love, frustrated penguins, and brave knights-errant. But after finding himself framed for murder as part of a nefarious plot hatched by a local bookie as payback for an old debt, Steve was forced to flee America or face capture. His travels have brought him to London, where he has begun a new musical odyssey.

Preston the Penguin | To Jane Gallagher | Historiography | Hindsight
Guitars, vocals: Steve Goldberg
Drums: Jordan Bross
Bass: Eric Eden
Engineered by Eric Eden
Produced by Eric Eden, Fumiya Yamamoto, and Steve Goldberg

Crestfallen
Acoustic guitar, vocals: Steve Goldberg
Electric guitar: Jon Kaufman
Drums: Travis Schermer
Bass: Jeff Saretsky
Trumpet: Russell Scharf
Engineered by Harold Walls
Produced by Harold Walls, Fumiya Yamamoto, and Steve Goldberg

The Battle of Agincourt
Guitars, vocals, glockenspiel: Steve Goldberg
Produced by Steve Goldberg and Fumiya Yamamoto

The Book of Love
Guitar, vocals: Steve Goldberg
Produced by Steve Goldberg

All words and music by Steve Goldberg, except The Book of Love by Stephen Merritt

Design by Andrew D. Babb

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REVIEWS

author: TLK
                            
I agree that this is not Weezer, but it does have what I love from Weezer with a maturity to it that makes me love it. Track #1 is my favorite!
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author: Micah
                            
Great tunes, great melodies, great production, great first album. Steve is going to be someone to watch as he continues his career in music. All of these tunes are well written pop songs at heart mixed with Steve's own unique twists added to them. Pick this one up for sure.
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Great First Album
author: everythingnotrelated.com
                            
This small collection of songs, including a cover of The Magnetic Fields' Book Of Love, is a fantastic, sometimes folky, foray into literate pop. The original songs prove quickly that young Steve has the talent and creativity to produce even more great music. Three cheers! I want a girlfriend with a record collection like that!
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well-oiled, deftly composed power pop
author: http://www.confabulators.com
                            
One gets the feeling that the almost exclusively minimalist approach to instrumentation used on this EP might seem out of place elsewhere—but throughout the course of its seven appetizing tracks, all but one of which ring in under four minutes, minimalism proves to be an approach that could not have been implemented more perfectly. Yes, even when the backing band kicks in with a solo or a second layer of noise, what the listener hears is more (or less?) than noise—this is the type of well-oiled, deftly composed power pop with which literary, geeky kids fell in love in the glory days of groups like Weezer. Without making the now obligatory snide remarks about the career arc of Weezer, I think it’s safe to say that many miss the honesty and angry innocence of the early days of that Weezer sound. Well, allow me to be the first reviewer to say that Steve Goldberg is not the solution to your Weezer craving. Did you think I was about to say that Steve Goldberg takes me back to those days? In truth, he does. But as in most cases, there’s a lot more to it than that, and I would be lax to send you off expecting Weezer. There are a few things I can guarantee you will take away from this album—and all of them are one hundred percent original Steve Goldberg.
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