Creative CD by a talented musician. Pick up a copy today.
author: Xavier P. for RadioIndy
“Greatest Hits” by stanleylucasrevolution is an innovative and compelling assembly of tracks that cross a number of genres. Ranging in tempo and style, every song on this collection has its own vibrant personality, defined by unprecedented creativity. “Gods Don’t Worry” and “So Sorry Now,” two of the more upbeat tracks on the CD, stand out as fun, high-energy adult rock anthems with a catchy beat. Perhaps the most noteworthy element of this assembly is the strategic use of vocal reverb and delay effects, which adds a hypnotic, trace-like feel. Moreover, each song is crafted with solid lyrics that leave a lasting literary and emotional impression. Completing the pack is top-quality production that allows the merit of these tunes to shine through. “Greatest Hits” by stanleylucasrevolution is sure to entice fans of both adult rock and electronica, leaving an unquenchable thirst for more.
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Lo-fi glam rock bohemia of dislocated Americana
author: Keith Haworth
STANLEYLUCASREVOLUTION haunt the twilight world of bohemia, myth and enigma. 'Greatest Hits' (ironic title alert!) is the first 'official' release on Stroboscopic records, curated from an intermittent output of SLR releases. 'Baby Baby Come On' is like a distorted out take from Momus's Stars Forever, whilst 'Dreaming's All You Have' ends in a My Bloody Valentine like guitar mutation. 'Gods Don't Worry' is more conventional fare, but contains enough nifty lyrical wordplay and electronic eclecticism to elevate it to something quite wonderful indeed. 'Easy' is Stanley goes Bowie. Strings cascade and guitars distort over a piano vibrato and affected vocal delivery, Stanley goes all glam rock, before the song morphs Flaming Lips like into something else altogether. 'So Sorry Now' and 'She's Leaving' continue in a similar vein, hinting at a Mick Ronson solo album fixation and underpinned by a skittering drum loop. This is glam melancholia without the glamour, as sleaze is the order of the day in Stanley's world. 'Yo No Soy La' is annoy your parents music, which the kids will doubtless proceed to do with this track. 'I Will' glides along on a cool bass line, the elusive Stanley in schizophrenic menace mode before launching into a spazz guitar outro. On 'Your Radio Is Soothing' and 'Not For A Minute' SLR sound bizarrely like outtakes from some as yet released Blur album, as does 'Brainstorm'. These are feedback-drenched songs that fans of Julian Cope will dig. '30-Something And Tired' is self-explanatory. It is also the best track on the album, featuring swathes of strings and spacey sound fx with a great falsetto which sounds peculiarly like ELO and ‘I'm not in love’ period 10cc! The final track 'Stand By Me So-Some Song' starts up like a cover version of Bowie's five years, all piano and strings with just a hint of vibes. Stanley once again sounds like a weird hybrid of Damon Albarn and David Bowie. This then is STANLEYLUCASREVOLUTION, lo-fi glam rock bohemia of dislocated Americana.
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