A blistering, sun-drenched terrain of muscular, meat and potatoes rock
author: Georgia Music Mag
GEORGIA MUSIC MAGAZINE
Spring Issue #8 2007
The Sundogs
Instrument of Change
Self-Released
After a casual listen to the new album from Atlanta’s Sundogs , an uninformed listener might think the band has landed square into Black Crowes country. But dig deeper, past the writhing snake-oil scam’n’jam of the Crowes’ bogus boogie and find a rich, layered history of real rock and roll.
Sure, “Modern Day Miracle,” the opening track, does feature Faces-like swagger and the wheezy punctuation of Ike Stubblefield’s B-3 organ, echoing an Anglo-view of the British tinged early ‘70s blues-rock. But unlike the Robinsons, The Sundogs’ Haraway brothers don’t linger in their humble (Steve) Marriott suite too long past check out time. By the second track, Sunboys Lee and Will have tailored the throbbing baseline of Talking Heads’ “Psycho Killer” into the foundation of their southern rock opus title track with a boisterous bristle that recalls The Georgia Satellites’ best moments.
Along with the rough-hewn Haraway harmonies, guitarist Matt Ulmer also takes a few guttural lead vocals on the collection, neatly dividing the duties and pushing the general focus of the band’s identity into a pleasingly shifting triptych of characters. Ulmer’s three songs add a raw edge to the preceedings, punctuating the sweeter Haraway compositions with his achingly organic vocals and slide-guitar detours.
Toward the end, a rockin’ rewading of Gram Parsons’ “Las Vegas,” adapted by Will Haraway, is the only cover, fittingly delivered with the same general scarred-but-smarter skew of the album. To seal the deal, the ‘Dogs slam the collection home with “Bitter Tears,” taking yet another page from the Satellites’ beer-stained handbook of raucous bar-band rock, this time echoing the good-time vibe of Dan Baird’s Yahoos project.
It’s all been done before, but by donning the frayed costumes of a myriad of familiar influences, the Sundogs have successfully maneuvered their former, easy- going alt-country sound into a blistering, sun-drenched terrain of muscular, meat and potatoes rock.
-Lee Valentine Smith
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@ S.U.P.E.R @
author: JunkyMan
...Crowes Style First Cd, But Sound From Sundogs ;-) !!! Very Very Good Cd!!
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Four Stars... a good start-to-finish release
author: Creative Loafing
Like a chicken-fried side of Stonesy country-rawk, the Sundogs dip their high-voltage twang in a batter of Southern rock. While the alt-country roster is now full of DBT-wannabes, this Atlanta quartet is actually worthy of such comparisons. Opener "Modern Day Miracle" blazes barroom boogie reminiscent of the Black Crowes, and the strut of the Georgia Satellites energizes "Continuing Adventures of Elvis, Vol. 1." Haraway brothers Lee and Will trade vocals and occasionally harmonize in crisply recorded drawls, while Matt Ulmer holds down nicely understated lead guitar.
The album also offers a handful of enjoyable late-album curveballs – the soulful rave-up "Teach It," and "Las Vegas," which combines War's "Low Rider" bassline with blaring horns (courtesy the Dirty Dozen Brass Band's Kevin Harris and Efrem Towns) and a competing country two-step vibe that echoes the "country boy in the city" theme. A good start-to-finish release, Instrument of Change's sonic moxie and occasional change-ups help it avoid alt-country homogeneity. 4 stars
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