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Susan Evans : Yesterday, Today, Tommorrow
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Get ready for goose bumps...songs written by award winners come to life through the vocal power and emotion of this talented female artist. Every song will leave you wanting to hear more.
Genre: Country: Modern Country
Release Date: 2003
Yesterday, Today, Tommorrow Record Label: Susan Evans
  • Buy CD - $12.00
Preview Song Name Time Format Price Select
The Fine Line Between 3:09 Album Only
Too Many Tears Too Late 3:43 Album Only
He's Your Problem Now 2:44 Album Only
Middle of Nowhere 3:57 Album Only
In Love 4:11 Album Only
You Don't Know My Mind 2:56 Album Only
She's Written All Over Your Face 3:24 Album Only
You Don't Know The Meaning Of The Word 3:19 Album Only
I'm Gonna Get You Back 3:00 Album Only
Yesterday, Today, Tommorrow 4:20 Album Only
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Album Notes

SUSAN EVANS / YESTERDAY, TODAY, TOMORROW

A distant cousin to Loretta Lynn, Patty Loveless, and Dwight Yoakam, Susan Evans was born in Chicago, Illinois, to a Kentucky raised mother, Pauline Ramey, and Mississippi raised father, William Taylor Kirk. At the age of eight, she and her family moved to her father's hometown of Louisville, Mississippi where she grew up in the small country community, Nanih Waiya. It was there she developed her love of singing.

"I can remember in grade school, the whole class would stand up and recite the pledge of allegiance and sing "My Country Tis of Thee". I sang as loud as I could with lots of enthusiasm and always ad-libbed a few notes here and there. As I recall, I got some funny looks and a few sniggers from my classmates."

"I was probably twelve years old when Nanih Waiya acquired a new music teacher, her name was Barbra Palmeri. She was wonderful. I knew the first day we saw her, long auburn hair, mini skirt and all, our music recitals would never be the same. She took a special interest in me and had me singing in everything I could possibly sing in at school. She was a very passionate person who always told me to sing with lots of power and feeling".

At sixteen, Susan began performing with a band. "We played mostly Rock 'n' Roll, whatever was danceable. The big songs back then were "Cocaine" and "Sweet Home Alabama". They always packed the dance floor. Out of all the songs I sang, the one I loved to sing the most was "Long, Long, Time" by Linda Ronstadt. At this time in my life, I had no real aspirations of pursuing a career in music. We were just having fun, and making money doing it."

Susan spent her twenties first as a country music deejay and later became an advertising rep for K-105, a 100,000 watt radio station in Kosciusko, Mississippi, where she sold, wrote, and voiced commercials and jingles. Her weekends were spent performing in clubs and various musical events in Mississippi. She also became a sought after judge for beauty pageants and talent competitions. "Being affiliated with a large radio station allowed me many opportunities to be involved with the entertainment industry. I hosted many talent shows and events for the station and really had a great time. During the late 80's, I did do some recording in Nashville and released a record. It was a wonderful experience. However, I still did not have that drive and determination to really pursue a singing career."

It wasn't until 1991 that Susan decided it was time to make the move to Nashville and see what the music business was all about. "Wow! What a dose of reality! I met and heard so many truly talented people who were much more talented than what the big record companies call "marketable". I've personally known individuals and groups we've heard on radio and seen on television who were supposedly living "the dream" and they will tell you it was a nightmare. Sure, there's money made on record sales and tours but who gets most of it? The record companies and the rest is eaten up by tour expenses. The hard working artists, unless he, she or they reach super stardom, are left with very little. For some, a little fame is worth the struggle. It was not the life I wished to live. I high-tailed it out of Nashville, got married and had two kids with no regrets."

Why did Susan Evans choose to do a CD now? "I did it for my mother, who has always been so proud of me. I did it for all the folks who believed in me and encouraged me to pursue a career in music and for my two boys, Taylor and Joah, so they'll always be able to hear their Mommy sing to them. Last but not least, I did it for the thousands of people out there hungry for some really good music."

Susan Evans / Yesterday, Today, Tomorrow is a well written, well produced album in which every song will leave you wanting to hear more. It's about relationships and broken hearts and hope for a better tomorrow, sung from the heart of a talented woman who's lived through forty years of life's ups and downs and still finds the will to keep on singing.

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REVIEWS

amazing!!!!
author: steve
This is what feel good music is all about, there is nothing better than hearing a singer who you could never get tired of hearing, too bad American Idol wasnt around when Susan's interest in music began.
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Fantastic cd.
author: Jim Gracie
Yesterday,Today,Tomorrow.This is one cd that will be well played in my house and car.It is one of the best cd's i have found in a long time.
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Tomorrow Is Much Brighter With Evans' Present Release
author: Timothy Yap
Looks can be deceiving. With its amateurish CD sleeve artwork and the far from the recherché Vogue-worthy Faith-Hill million-dollar pose, it is easy to dismiss Sara Evans’ debut CD. However, the shoddy-looking album encases a superb collection of songs rich in character detail drawn from mining the deep recesses of the heart. Traditional purists have much to holler about as Susan Evans is a torch singer of the Tammy Wynette persuasion where she nurses the broken heart in the sonic cradle of fiddle, guitar and mandolin. What makes these songs so compelling is the import of songwriter Carl Jackson whose scribal portfolio include Trisha Yearwood’s “Lonesome Dove,” Patty Loveless’ “You Don’t Know How Lucky You Are,” Diamond Rio’s “Closer to the Edge” among others. Here, Jackson dips his pen for 7 whooping cuts most of which are co-writes with other luminaries such as Suzy Bogguss, Jim Weatherly, Curtis Wright and Irene Kelley. As aforementioned, “Yesterday, Today, Tomorrow” is leaven with forlorn and lacerating songs. Among those that bear Jackson’s fingerprints, “Too Many Tears too Late,” is a mournful ballad with Evans giving her paramour the brush off after numerous disappointments and false hopes. Continuing the theme of despair though with a more assertive beat, “You Don’t the Meaning of the Word,” a co-write of Jackson with Curtis Wright, finds a despondent Evans lamenting over her man’s distorted view of romance. Finding solace in the mournful sounds of the fiddle, “In Love” has a bittersweet bite as the protagonist wallows in self-pity at her hubby’s departure. While “Yesterday, Today, Tomorrow,” the title cut is a gorgeous piano ballad in the Lorrie-Morgan tradition. Here Evans longs for brighter days ahead in the aftermath of a doleful past. Of the non-Jackson cuts, Bobbie Cryner, the writer of Trisha Yearwood’s “Real Live Woman” has two entries. First of which is the melancholic ballad “Middle of Nowhere” which brilliantly coaxes the broken heart to confide its deepest pain. While the other Cryner input is the rollicking “I’m Gonna Get You Back” that bolsters an evocative Cajun tinge set at a bullet-speed pace. While Kostas’ “He’s Your Problem Now” with its irresistible hook is the album most commercial track. Overall, these songs cut through the carapace of those non-descript love songs that never get pass beyond the obvious. Rather, thanks in part to Evans’ seasoned nuances, these paeans address the issues of the heart with verve, reality and sensitivity. If there is any quibble, one would wish that with her sophomore effort Evans would treat us to a love gone right ballad or two. Nevertheless, Evans’ veneration for country past manifest through this present CD ought to pave a sturdy road of success for tomorrow.
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I think this CD is cool.
author: Sara
The CD Yesterday,Today,Tomorrow is a great CD, and I would give it 15 stars if I could.
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