Sweet Baby J'ai is a phenomena!
author: Anna Fisher
Sweet Baby runs the full gamut on this album of the magical sensitivities her artistry possesses. Yesssss, you must run to get this one before you must await a next pressing. Sweet Baby J'ai is a best kept secret, her lusciously rich and delicious vocalizations penetrate this entire album which is sure to make your top shelf.
Having performed numerous times with her I can tell you this soulful sister is GENUINE! Nothing but love and heart through and through and appropriate for all audiences. Hey, I didn't even mention the living legends who backed her on this one. You will LOVE it! Guaranteed! Anna 'Oboelady' Fisher
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"gumbo" probably would have been a more appropriate album title, because all the
author: Steve Fullwood
What do you do with a sister who possesses a voice of honey, an ear for the blues and jazz, and can play a washboard like nobody's business? You drop everything and run out to purchase her music, of course! (Wait. Finish this review first!)
I'm referring to the one and only Sweet Baby J'ai, and the CD is The Art of Blue. Now run out and get it! (Need to know more? Read on.)
The Art of Blue is exquisite, and by using such an overused word, I am bound to explain. Exquisite in that traditional blues and jazz seamlessly blend into a sound uniquely J'ai's. On the sublime, "I Don't Want the Neighbors to Know" she carefully drips her voice onto the sparse, silky muscular arrangements, and your ears eagerly lick it up. If that wasn't enough, she has the nerve to follow it up with "Louisiana Stomp," a down home romp through Cajun country that'll leave you longing for a nice bowl of gumbo!
In fact, "gumbo" probably would have been a more appropriate album title, because all the songs make for one mesmerizing treat. She honors the legendary Carmen McCrae on "Carmen's Blues," explaining that it was McRae who taught her the value of precise pronunciation. Other notable cuts, many of them J'ai originals, include the charming "There Was a Time," the heartfelt "Soldiers of Love," and the raunchy "Hop on the Pony."
End of story, now go, get outta here and buy it!
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author: Elisa Kermody
Yes, Sweet Baby J’ai plays the washboard,and occasionally the spoons. But this ain’t no backyard hoedown. With an amazing voice—fresh and classic—this woman could be a diva. She performs with known jazz talents, including pianist NateMorgan, bassist Nedra Wheeler, drummer Fritz Wise and saxophonist Louis Taylor Jr. She writes many of the songs she performs, a talent she’s honed since writing her first blues song at 5. On her new album, The Art of Blue, she also acts as producer, composer and arranger. And she turns the washboard into a “jazzboard,” adding rhythmic accents and even solos using spoons, sticks and brushes, depending on the mood of the song.
Beyond entertaining, Sweet baby J’ai also informs, giving lessons in musical geography and history, as she takes you from LA to Kansas City to Texas to Louisiana, and tips her hat to jazz legends like Billie Holiday, Ray Charles and Carmen McRae (“Carmen’s Blues”) sounds like a familiar jazz stand while at the same time contemporary). Sweet Baby J’ai grooves, and her infectious personality and realness come through as she shares her love of jazz and blues in all its forms: “It’s all good; it’s the art of blue.
--OC Weekly
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