Taylor Mills | Lullagoodbye

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Rock: Adult Alternative Pop/Rock Pop: Pop/Rock Moods: Solo Female Artist
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by Taylor Mills

Alternative melodic modern rock. Special guests - Brian Wilson and Tommy Shaw. Produced by Todd Sucherman (Styx/Brian Wilson) and Scott Bennett (Brian Wilson)
Genre: Rock: Adult Alternative Pop/Rock
Release Date: 

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  Song Share Time Download
1. Center Of Your Heart
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3:41 $0.99
2. Anything
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4:11 $0.99
3. Hello Sun
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5:10 $0.99
4. Genie In A Bottle
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4:06 $0.99
5. Raven
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3:05 $0.99
6. Consolation Prize
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4:23 $0.99
7. Disappear
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3:17 $0.99
8. Cradle Me
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3:40 $0.99
9. Keep The Saints From Leaving
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4:06 $0.99
10. New Year's Eve
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3:59 $0.99
11. Wish Me Well
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4:17 $0.99
Available as MP3, MP3 320, and FLAC files.


Album Notes
“Taylor Mills sings like an angel.” – Brian Wilson

“Taylor Mills is a gorgeous girl with a gorgeous voice.” – Roger Daltrey

"Taylor sings so tenderly and effortlessly, yet there is an all knowing
quality in her voice that tells you there's a back story behind every lyric". - Tommy Shaw

You’ve probably already heard the unforgettable voice of Taylor Mills. You might have seen her too: a striking blonde not easily overlooked, even among celebrities and superstars.

And now, with her solo debut Lullagoodbye, you’ll be able at last to attach her name to her sound and charisma.

For the past few years, Mills has traveled with Brian Wilson, recording on his Grammy-winning epic SMiLE project and performing with him at venues that have ranged from Buckingham Palace to Glastonbury Festival to the Berlin stage for Live Aid 2. No matter where they’ve gone, she has been easy to pick out, as the only female member of his ensemble.

She’s performed as well with Billy Joel and shared the stage with the likes of Elton John, John Legend, Neil Young, Eric Clapton, Jeff Beck, and Sir Paul McCartney. In this heady company she is no stranger, known for her powerful yet disciplined vocals and pulse-quickening presence.

Yet her moment has come to rise beyond these starry circles and shine in the wider world. Lullagoodbye is her ticket to the kind of fame she has long deserved – and your introduction to an artist whose music makes a difference.

The liquid, silvery imagery of “Raven” (sweetened by harmonies from Brian Wilson, one of his two appearances on the album), the irresistible chorus hook on “Genie in the Bottle” (featuring another all-star guest shot, from Tommy Shaw of Styx), the intriguing arrangement and imagery of “Keep the Saints from Leaving,” showcasing Taylor’s ability to cover every corner of vocal dynamics and lyrical imagery …

On every track, in fact, Lullagoodbye is a triumph for a seasoned newcomer and a stunning introduction to one of the best-kept secrets in music today.

It’s also not what you would expect at all to hear from a Midwestern girl with cheerleading, dance, clear-minded ambition, and a golden voice mingling among her roots.

Raised in Des Moines, the daughter of loving but strict Baptist parents, Taylor developed her taste for melody as a child. Her listening leaned toward pop and R&B, from the Carpenters to Roberta Flack – singers who tempered technique with personal shades of soul.

Taylor knew from the start that she wanted to pursue just one goal: to bring her talent for singing to its fullest possible flower. And so, as quickly as possible after high school, she packed up and headed to the nearest big city that seemed to offer a way to chase that dream.

She arrived in Chicago, knowing no one but made connections quickly. Fresh from Iowa, she took her place in a 17 piece band among four more experienced backup singers, all of them grounded in black gospel and R&B. "I listened like crazy and stole everything I heard from them," Taylor remembers, laughing. This lead to gigs around the city with other bands including the award-winning jazz saxophonist, Steve Cole, whose Atlantic Records debut was number one on the jazz charts.

What Taylor learned set her up for the biggest break of her career. When Cole’s drummer, Todd Sucherman, heard that Brian Wilson was looking to hire a female singer for his touring band – specifically, Sucherman remembers, “someone who was pretty and could singer her butt off” – he knew that Taylor was the perfect fit.

That’s all it took to bring her to Wilson’s home outside of Chicago for an audition. “I didn’t know what to expect,” she says. “Even though I knew the ‘beachier’ stuff he’d done with the Beach Boys, I wasn’t at all aware of Pet Sounds, SMiLE, or any of the really great stuff that he’d created over the years.”

And so, while she might have expected to hear “Surfer Girl” coming over her headphones, she was asked instead to sing along to “Surf’s Up,” one of the most enigmatic, difficult, and gorgeous works in Wilson’s repertoire. “I’d never heard the song in my life,” she says, “but they let me take a few minutes to listen to it. I memorized what I heard and sang my part, and the music director was like, ‘Yeah, I think we want you.’”

Her professional association with Wilson endures to this day. So do her personal ties to Sucherman, now her husband. Eventually, once she had established herself with Wilson, they began working together on her solo album. Progress was admittedly slow, as they began their lives together, moved first to Los Angeles and more recently to Austin, and juggled their schedules, with Taylor often on the road with Wilson and Sucherman behind the drums with Styx.

Over time, though, they assembled the material, most of it written or co-written by Scott Bennett, also a member of Wilson’s band. (Three tracks were written or co-written by Nicholas Markos, a childhood friend of Sucherman’s and a member of the group Bee; the last one, the wistfully romantic “Wish Me Well,” is a rarity from the Blue Nile’s catalog.) Sucherman recorded the drum parts; Bennett handled everything else. The results, then, are a true labor of love, professionally executed yet intimate – a perfect complement to Taylor’s strengths as a singer.

“All of these songs have great melodies and touch something inside of me,” she explains. “But maybe the most amazing thing about them is how they fit together to describe an arc of relationships, from beginning to end. Lullagoodbye isn’t exactly a story album, but it does tell a story about honesty, finding yourself, finding and losing love – things we can all relate to.”

Beginning, appropriately, with a visit to the “Center of Your Heart,” visiting moments of doubt and indecision (“Anything”), loss and reaffirmation (“Hello Sun”), proclaiming independence with power and passion (“Consolation Prize”) yet confessing to the wisdom that comes with being wounded in love (“Disappear”) and admitting to ambiguities that may never find resolution (“cradle me with arms of weakness,” the plea to “Cradle Me”), Lullagoodbye takes us through the highs and lows of life, with one exceptional singer as our guide.

You’ll see Taylor again, to be sure, with Brian Wilson and other headliners in years to come. But from the first strains of Lullagoodbye she steps as well into the spotlight on her own. Take a good, long look. Open your ears to an exceptional talent.

Say hello to Lullagoodbye … and let the secret out: Taylor Mills is here to stay.

4 out of 5 stars--The Daily Mirror, UK
3 out of 5 stars--Manchester Evening News, Manchester UK
3 out of 5 stars--RothnRoll
3 out of 4 stars--Stoke Sentinal, UK
7 out of 10 stars--ETLife, UK

"Lullagoodbye" is far from being the generic offal proliferated by so many celebrities-cum-pop princess wannabes. Don't ever lump Mills with them." 3.5 stars--Wade Coggeshall, Nuvo

"Her debut album is a luscious blend of superior sunshine pop/rock with occasional catch-in-the-throat country inflections, sung with real conviction and a bell like clarity. A class act for sure." --The Dorset Echo, UK

"She Brings back raw talent many are convinced is gone for good"--The Aquarian, NJ

"Taylor knows a thing or two about holding her own--blessed with one of those big booming voices"
---The Daily Snack, UK

"...Mills is the best female singer that I’ve reviewed so far. LullaGoodbye is a breath of fresh air in a stagnant music scene."
– Rich McCracken II, The Metro Spirit

"Boy can she sing"--The Guardian, UK

“…on Lullagoodbye, center stage belongs to Mills, who gets a chance to show off her strong but silky voice…From the soulful “Anything” through the off-beat “Raven” to the power of “Cradle Me”, Mills stretches her exceptional pipes and takes listeners on a journey through the highs and lows of life.”
– Ward Lowe, Austin Monthly

“…her sensual vocal style is a thrilling pleasure…A singer this good can’t help but assert a compelling identity and she does…”
– Rev Hammer, U.K.’s Daily Mirror

"Lullagoodbye is a wonderfully diverse collection of songs that serves as a perfect showcase for Mills to demonstrate the full extent of her fabulous vocal range and her ability to effortlessly adapt to any given song style. Picking out the stand-out moments on Lullagoodbye is not an easy task as each successive listen seems to throw up a different favorite, but if pushed, the album's opener Center Of Your Heart, the exquisite Hello Sun, Anything and the richly textured Keep The Saints From Leaving raise the bar pretty high."---Anthony Loman, Stockport Times UK

"Confident and powerful she dominates.......listen out for this lady for future reference." -John Murray, Fife Free Press UK

"The choice of material is infallible, combining both pop and adult-oriented rock aspects that showcase Taylor’s impressive vocals and emotional commitment to the music and lyrics.
Unobtrusive, intimate, and avoiding the sterilizing mainstream-gloss that no doubt would have been applied by a major label, the arrangements, while radio-friendly, steer clear of triteness or cliché.
‘Lullagoodbye’ is a remarkably accomplished, self-assured debut, and rightfully so. Hopefully through exploration and word-of-mouth, it will find the audience that it deserves."
--Insomnia Cafe

"It’s the richness of that voice. Taylor Mills is like chocolate cake with chocolate icing. If you like chocolate, it’s all good." ----Bradley Mason Hamlin, Mystery Island


to write a review

Ed Miller

I love this cd. What a voice!
I bought this CD as a long time Brian Wilson fan not really knowing what to expect. WOW! I cant take it off my cd player. Taylors voice is incredible and the songs are killer. Current favorite tracks are Raven and Genie. Buy it. Youll love it!


Great CD, a "must have" for your music library
This Cd was recommended to me and I am so glad I bought it. The songs are beautiful and Taylor's voice is outstanding. If you like soft rock, easy listening and country you will enjoy this cd. Some of the songs remind me of Faith Hills "cross over to pop tunes." They have great thoughtful lyrics and pleasant melodies. I have played the cd for alot of people, and this is the cd you pop in when you have all ages with you. Everyone loved it, from age 16-71. My favorite songs are Hello Sun, Disappear, and Wish me Well.... but it was hard to chose. I hope to hear more from this artist in the future.

Alan Miner

President for the Corporation
Joni Mitchell, Shawn Colvin, Brandi Carlile; lookout; HELLO Taylor Mills.

She is as mystical as Joni Mitchell; a voice that is as velvet as Shawn Colvin; and a style that is as introspective as Brandi Carlile. I also love the drums on this CD. I am already anxious to buy the second CD...can\'t wait.

Nige Foster

Surprisingly good
Bought this just by Taylors association with Brian Wilson. Must say it is really quite good. Hell of a voice and quite a looker. I am sure she can go far if thats what she wants.


For fans of Alanis and Sheryl with much more to it than only that
Taylor Mills has the artistic credibility of Alanis Morrisette with the commercial pop/rock side of Sheryl Crow. This album offer excellent pop/rock music with a wide appeal. The songs are fairly varied as are the different moods. Taylor has a really great voice with a bit of a rock edge that will please the "casual fans" of modern rock like myself. The production is excellent and Todd Sucherman's drumming is tasteful throughout. A very strong first solo album. When is the next one coming?:-)

Rob Dick

Great voice, weak song choices.
I'd give it 5 Stars for the design and artwork and 5 Stars for the song "Disappear". The rest so-so.

Russell Reed

Great CD
From the first time I saw Brian Wilson in concert in 1999, I always wanted to meet Taylor. I finally got that opportunity in 2006 at a concert and thru myspace. It is an honor to call her a friend, and I think this cd is great. It's always amazing to hear the Brian Wilson Band members display their talents on solo projects.


This album strikes me as a story, that encompasses a little bit of everything from everyone's life...But never loses it's intention from start to finish: To highlight Taylor Mills.

Superb musicianship coupled with her powerfully feminine, but gentle voice...Make this a must listen. There is something here for everyone. This album crosses into ballads to pop, etc.., Given the delivery...The lyrics jump out at you in moments and remind you of what is going on with you-Past & Present. Not many artists have that ability to get to you like that-Taylor Mills does.

This is something your Mother would love-As well as your teenager, and would be perfect in any setting from a club to a quiet private dinner.

From the Performances all the way to The Packaging.......5 Stars++++++++++++

Gerard Poort from the Netherlands

IBeing a fan of Brian Wilson I saw 2 shows in which she performed:Great
The songs are poppy but certainly not vague. They allow Taylor's voice to be heard quite well. I am very satisfied with this purchase and it is worth every minute of my trouble getting it (and they were many).

frank w hopkins

Not since Eva Cassidy have I enjoyed as pure a voice. Truly deserving of my vote as the best female vocalist in the past 10 years, thanks for your contribution to my musical collection.