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The Casualties of Jazz : Kind of Black
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The critically acclaimed funky, rare-groove salute to Black Sabbath. A must-have for Hammond B3 fans.
Genre: Jazz: Acid Jazz
Release Date: 2004
Kind of Black
The Casualties of Jazz
Record Label: Bel-Air Recordings
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Preview Song Name Time Buy
1. Fairies Wear Boots 7:22 + MP3 $0.99
2. Luke's Wall / War Pigs 7:32 + MP3 $0.99
3. Sweet Leaf 7:29 + MP3 $0.99
4. Wicked World 5:50 + MP3 $0.99
5. The Wizard 4:53 + MP3 $0.99
6. N.I.B. 7:01 + MP3 $0.99
7. Into the Void 6:16 + MP3 $0.99
8. Black Sabbath 8:25 + MP3 $0.99
9. Iron Man 6:13 + MP3 $0.99
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Album Notes

The Casualties of Jazz met up on the west coast while working with other touring and recording acts. The trio got their name from their two-year stint playing Monday night "casuals" at a beloved local bar in Burbank, California. The rhythm section, Chris Golden and Jimmy Paxson jr. , were performing on Rod Stewart's Great American Songbook Vol. II when they met J.J. Blair, who was engineering the session. It was during these sessions that the concept for this record was realized. The third member of their trio, Matt Rohde, was recruited to play Hammond organ for the project.

Matt Rohde (Hammond organ): Matt began playing piano at age seven, and his love for music and desire to perform was fueled by rockstars of the 1970s, such as Ted Nugent, Van Halen, Led Zeppelin, the Eagles and others. He is a graduate of Berklee College for Music. After spending time in Boston, Minneapolis and Atlanta, he eventually moved to Los Angeles in 1997. He has either recorded or performed live with a host of world famous artists, including Jane's Addiction, Maxwell, Alanis Morisette, J Lo, Kelly Clarkson, Isaac Hayes, Roger Daltrey, Gary Wright, Ricky Martin, Christina Aguilera, as well as dozens more well known artists.

Chris Golden (upright bass): Chris grew up in Eugene, Oregon where he began playing bass at age eleven. He later attended Berklee College of Music to study electric and acoustic bass performance as well as Jazz composition. Chris now lives in Los Angeles, California where he has had the pleasure of recording or performing with notable acts such as Rod Stewart, Brian Auger, Exzibit and Mick Fleetwood.

Jimmy Paxson jr. (drums): Jimmy has jazz in his blood; the son of two accomplished Philadelphia jazz musicians Jim R. and Sunnie Paxson. Even though he was accepted at Julliard by age eleven, it is his years studying in Los Angeles under the tutelage of the late, great Murray Spivack that best honed his skill and style. Jimmy's recording and touring credits include Alanis Morissette, Rod Stewart, Steve Vai, Ronnie Montrose, Robben Ford, Zohar(uk) and Glen Hughes.

J.J. Blair (producer): A native of Chicago, J.J. is a multi-instrumentalist, songwriter, record producer and engineer, who has been based in Los Angeles since 1990. His expertise in numerous genres of music combined with his extensive knowledge of recording techniques have allowed him to work as a producer and/or engineer with a diverse array of artists, including Weezer, Rod Stewart, Unwritten Law, Ryan Adams, Black Eyed Peas, Vonda Sheppard and others, as well as recording a #1 single for P. Diddy and producing a GRAMMY™ award winning CD for June Carter Cash. J.J. conceived the idea for Kind of Black, produced, engineered, mixed and co-arranged all the material at his studio, Fox Force Five Recorders in Hollywood.

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REVIEWS

What a great take on some great music by some great musicains
author: Eddie Cleland
                            
First of all what a great idea! The earliest heavy metal redone in a jazz vane. Second, how well created! If your a fan of music period. You should own this!
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I hadn't realized how great the tunes were
author: kerry gluckman
                            
When I was in high school I was into Chick Corea and Mahavishnu and looked down my nose at the likes of Black Sabbath. After listening to this CD about 10 times I have to admit I was off the mark. The tunes which I dismissed way back when, stand out as strong and compelling compositions and the playing is excellent,(not wimpy at all). In fact I like the tunes more without Ozzy wailing his incoherent gibberish. I highly recommend this cd for Sabbath fans and jazzers alike!
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A must have CD!!
author: theBabalini
                            
This is the most "Killer" cd/album I have come across in years. Slip it to the disc-jockey at your next possible opportunity, especially if the audience has some Metal -Heads in it. Their jaws will drop and you can die laughing as they realize what they are listening to! HAH!!!! Seriously though, there's some real fine music on this CD and the folks that did it are to be commended. We need more "FUN" music and baby, this is the most fun you can have for the price of a CD! theBabalini, Hammond XK-3 player and Ozzie fan for years
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Oh Yeah...
author: Blair
                            
Sabbath never sounded so sweet! This isn't your typical band covering classics with a twist, this is class A artists paying homage in most tasteful way. Rock solid!
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