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The Bramblemen : Fast Train to Memphis
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Fresh Americana with a real Rock and Roll,Country flavor.
Genre: Rock: Rock & Roll
Release Date: 2008
Fast Train to Memphis
The Bramblemen
Record Label: SonicTonic
  • Buy CD - $13.99
  • Download Album (MP3) - $9.98
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Preview Song Name Time Buy
1. Fast Train to Memphis 3:39 + MP3 $0.99
2. Real Gone Man (From Alabam') 4:10 + MP3 $0.99
3. Cold Beer & Red Hot Women 3:11 + MP3 $0.99
4. Dreamworld 4:17 + MP3 $0.99
5. Drag Strip Rally 3:20 + MP3 $0.99
6. Crazy Little Be-bop Girl 3:24 + MP3 $0.99
7. Tijuana Flower 3:04 + MP3 $0.99
8. Weekend Fever 4:01 + MP3 $0.99
9. Long Road Back 4:26 + MP3 $0.99
10. Your Good Man's Gone 7:23 + MP3 $0.99
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Album Notes

The Bramblemen started as a project to record a soundtrack for a movie treatment that Rich Bloom was writing. This album represents my true passion for Real Rock and Roll and film, with many of the songs offering tribute to various classic genres that influenced me. \"Fast Train to Memphis\" is a noir type story that utilizes the musical flavor of southern R&B. \"Tijuana Flower\" is a Tex-Mex tribute to musicians like The Sir Douglas Quintet (Doug Sahm) and the story line incorporates imagry from the James Dean film \"Giant.\" \"Drag Strip Rally\" tries to evoke the early sounds of the Beach Boys, Ronny & the Daytonas California car/surf culture. \"DreamWorld\" tries for a Roy Orbison flavor (big note finish), \"Weekend Fever\" is an Elvis Presley type \"Follow that Dream\" narrative, with a Johnny Cash type of twang. \"Real Gone Man (from Alabam\'), \"Cold Beer & Red Hot Women,\" and \"Crazy Little Be-Bop Girl\" were all songs I wrote for the film project I had started and they all have an early Country, Rockabilly feel. \"Long Road Back,\" was described as Roy Orbison meets Creedence, a swampy southern style rocker with a film like story narrative. \"Your Good Man\'s Gone\" was meant to evoke a Rolling Stones \"Exile on Main Street\" type of vibe, combining horn driven rock and roll with some country twang. Physical CD package includes two videos.

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REVIEWS

Last Train to Memphis
author: Zoe Morsette
                            
I brought this CD with me on a recent trip out west. Besides the radio, it was the only music we had on the long drive from Flagstaff, AZ to Vegas. It was the ultimate driving music!
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Fast Train to Memphis
author: Steve Peer
                            
I have avoided listening to this album because I knew it deserved my full attention and more than a casual listen as I washed the dishes. I also wanted to listen to it in the car....alone! My ride along the rocky coast of Maine one sunny day, made a solid sounding album a "great" sounding album. This record is filled with a variety of musical influences which makes it a fun and easy listen, but the story telling lyrics and memorable melodies make it a successful rock'n'roll record. Richard Bloom with the help of The Bramblemen and a supporting cast of other "who's who" from the rock underground, have created a critty country rock record. Bloom does a loving job paying tribute to Elvis Presley, Elvis Costello, Brian Wilson, Neil Sedaka, Buddy Holly and Pee Wee Herman. Each song immediatly gets where it needs to go. Bloom does not waste time getting to the vocals and the stories he wants to tell. The musicianship is clever, sparse and extremely dynamic. There are no wanking solos, no overplaying and every note is important. The same can be said for the overall production of the album. It is clean and smart. Bloom may reference the popular music of the 50's, 60's and 70's, however his concise songwriting style is very modern and has taken into consideration the limited attention span of today's listeners. This is not to suggest that the material is superficial. The opposite is true as Bloom writes more like a book author or screen writer. His songs are short stories, and when strung together create the soundtrack for a yet to be filmed black and white bio pic of a 21st century American drifter. "Fast Train to Memphis" does include two enhanced video 'nuggets' and supports the fact that this band and production team is more than a good rock'n'roll band with uncanny pop sensibilities.
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