god damned hell yeah
author: T-Claw
from chicago... whooda thought
Great tunes, Love, T-Claw
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I'm Telling Everyone
author: David Brooks
I bought this CD on a hunch, and it has taken over my car CD player and my iPod. I love the tunes, the instrumentation and the energy. I learned the banjo parts fo Squirrel Hunters, Leather Breeches and Five Miles Ellum, and I plan to learn more. I've been telling many of my oldtime internet buddies about this CD. It's great preparation for my contra dance band gigs as well. If the band revives, come to Louisville!
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A GREAT FIDDLER!
author: Jerry Rogers
David is able to project a sound that is very technical or what we " Ole Fiddlers" CALL "NOTEY" (noteworthy).His version of Redhaired Boy is the best I've ever heard. I play it, my cousin Jackie Burgess( Stanly County Boys) plays it and my grand-daddy Benny Rogers (1894 - 1961)played it too...Now, I've been Fiddlin' nearly 35 yrs here in the South and we've always called it Redheaded Irishman. But, it dont make no never mind! David Smith can call it whatever he likes. His respect for Old-Time Music, in my opinion, is primary in his quest to achieve his music goals...
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". . .(L)overs of good old-time music owe it to themselves to pay some attention
author: Sharon Graf, The Old Time Herald, Winter 2005
While banjo and fiddle solos on this album are excellent, the band's strength is how the instruments work together. (Steve) Noel and (David Algeo) Smith are so well synchronized it is hard to tell who is playing what. What I thought was a second fiddle was really Noel's banjo picking. This works because (Jim) Marks' guitar provides the matrix necessary for the banjo and fiddle melodic subtleties to flourish. . .(TBSB's) music sparkles technically yet at the same time is dancable and full of tasteful variation. . .
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