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Thom Jayne : The Forgotten Conquest
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John Lennon Songwriters Award for "Moroccan Blues." Received the WYCE Jammie Award for "Best Local WorldBeat CD of 2002." Ranked #13 on national playlist by New Age Recorder, February 2003. Evocative mix of world, new age, and jazz.
Genre: World: World Fusion
Release Date: 2002
The Forgotten Conquest Record Label: Zamas K
  • Download Album (MP3) - $15.00
  • Buy CD - $15.00
Preview Song Name Time Format Price Select
Moroccan Blues 2:43 $0.99
The Forgotten Conquest 8:47 $0.99
Saharan Caravan 8:06 $0.99
Trail of Tears 7:05 $0.99
The Magician 6:08 $0.99
A Moment in Time 5:20 $0.99
Coronado's Dream 7:04 $0.99
A Night in Addis 3:42 $0.99
View from a Hammock 5:31 $0.99
Convergence (Saharan Reprise) 4:30 $0.99
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Album Notes

"No longer can the seemingly eccentric styles of jazz be dismissed as mere caprice, for its practitioners have succeeded in realizing their own unique and magnetic presence...Thom Jayne and the Unusual Suspects, aptly titled, are poster children for this form of jazz fusion. Not only does this award-winning group employ such unorthodox instruments as the didgeridoo and Native American flute, but with the help of African percussion as well, MSU professor Thom Jayne fashions a fascinating blend of flamenco, Latin Jazz, and Celtic musical traditions" -- Jonas Greenberg, host of the Jazz Spectrum, The Impact 88.9 FM, Lansing, Michigan.

"A fabulous album" -- Dan Bayer, Music for a New Age, WKAR FM, East Lansing.

"Thom Jayne qualifies as a local artist for us but, honestly, I'd play 'The Forgotten Conquest' if it came from Bosnia. Simply, a disc with bite in an often sleepy genre" -- Matt Jerrells, Music Director, WYCE, Grand Rapids

"Very fresh, and fabulous instrumentation" -- Kathleen Monahan, KDM Promotion

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Thom Jayne and the Nomads have emerged on the alternative music scene with a hard-to-categorize blend of world music, flamenco, Latin classical, and jazz. His first release, The Forgotten Conquest, has received award-winning recognition in the John Lennon Songwriters Contest, won the 2002 Jammie Award/World Beat category, and was featured on Dan Bayer's "Music for a New Age." Jayne, who plays guitar and digeridoo -- sometimes at the same time -- is part of the Nomads (formerly the 'Free Radicals' until a band in Houston that trademarked the name threatened to sue) featuring:

Rich Illman - trumpet and percussion
Jon Weber - percussion and mbira (thumb piano)
Heather Kulaga - bass
Greg Howe - guitar
Kelly Pond - violin
Greg Sauceda - drums

Their live acts are noted for their upbeat, foot-stomping originals, and their primal renditions of popular tunes like "2001 Space Odyssey" and Miles Davis' "So what".

After performing and recording with the band 'Pariah' on the east coast in the late 1970s, Jayne sold everything, joined the Peace Corps, and moved to the savannah of Ghana in West Africa at 24. Several of the compositions on "The Forgotten Conquest" were conceived during his two-year stay in a small village there. Now a professor at Michigan State University, Jayne travels four times a year to places such as Ethiopia, Kenya, and Zambia, and is currently collaborating with the Zambian pop star, Ballard Zulu, in a compilation of African beat-flamenco inspired compositions.

More information? email: jayne@msu.edu

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REVIEWS

The music is a great mix of instrumentation, both common and uncommon.
author: Rhonda Sebert
I would seriously recommend this CD to any one. Thom Jayne did a great job in arranging and playing on this CD. The more I listen to this the farther away I am taken each time. It really is a gem!!
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beyond awesome!!
author: Kim Alexander
I saw Thom Jayne live. He and his band are amazing! I love driving to this CD -- it takes me away to remote vistas and distant lands. We want more!!!
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WOW
author: Kim Dyer
Some of the best, most interesting work I've heard in years. This is a highly innovative combinataion of international influences. It's not only one of the best "independent" albums I've heard in a long time, it's one of the best albums PERIOD.
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Inspired Arangements
author: Packer Jon
Defines world music-not just for the internationality of sound but for the expansive imagery it evokes for me. Has obviously been inspired by early live work with Tappan Zee playing to keen, discerning audiences. From the immediacy of the strings to the haunting horns, it is a sound which cannot be relegated to simple backround music. It calls to the immagination.
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