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Thornton/Murray : Liquify
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Free flowing yet tonally based and organized improvistional Jazz with thoughtful interplay. As the title suggests, the music ebbs and flows with swirls and eddies.
Genre: Jazz: Free Jazz
Release Date: 2002
Liquify Record Label: Thornton/Murray
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Preview Song Name Time Format Price Select
Improvisation I 6:16 Album Only
Improvisation II 7:34 Album Only
Improvisation III 4:19 Album Only
Points 8:48 Album Only
Excerpt #4 5:43 Album Only
Improvisation IV 7:18 Album Only
Soliloquy 5:05 Album Only
Improvisation V 6:39 Album Only
Improvisation VI 3:27 Album Only
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Album Notes

Guitarist Mike Murray and bassist Scott Thornton engage in a thoughtful set of duos that consist of six improvisations, two compositions by Murray ("Points" and "Excerpt #4") and an adaptation of Charles Ives' "Soliloquy". Murray plays both acoustic and electric guitars and he uses electronics to augment his guitar work. Murray doesn't just use them to wow the listner with whiz-bang effects, but mainly to vary his tone from a brittle staccato attack to lush reverberating string work (particularly noticeable is the way he lets chords linger toward the end of the first improvisation). Thornton's bass has a big, woody tone and he plays his instrument with a forceful intensity. His arco work really stands out. On "Points" his low, dolorous lines complement Murray nicely from the arpeggiated opening to the harmonics that conclude the piece. The general tenor of these duets is one of thoughtful interplay. They're two players who seem to know each other well and are listening intently to each other. As the title suggests, the music ebbs and flows with swirls and eddies. Liquify is an engaging listen.

Robert Iannapollo - Cadence Magazine

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REVIEWS

An adventurous, deep listening experience
author: jon randall
Obviously these guys know each other well. They listen deeply but not the kind where one waits for the other and just reacts but instead there is an underlying intensity that continually builds, swirls, rolls around in any direction. Sometimes melodic and flowing, other times jagged and abstract this recording holds up (and even gets better) with each listen.
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