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a hybrid swirl of rock/pop melody, gritty guitar, and electronic ambience
Genre:
Electronic: Industrial
Release Date:
2003
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Thylacine
© Copyright-Thylacine
(634479064012)
Record Label: Thylacine
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Thylacine began in early 2000 in the Boston, MA area as a project for Rob Mercier's Sound Recording classes. It was soon discovered that with Susan Cruickshank's lyrics/vocals, the two seemingly different musical souls were actually two sides of the same coin, and the project began to take on a life of it's own. Having 10 songs written, the duo decided to try to record an album's worth of material, and Thylacine, the album, was born.
The two tried to find drummers, bass players, and keyboardists to share their musical vision and to play Rob's deceptively tricky arrangements, but after 6 months of fruitless searching, decided they needed to start playing their music for the masses. They took their trusty Mac laptop with them, and began playing shows around the Boston area. Soon they began playing to wider audiences, as their catchy, hook-laden electronica-rock seemed to be a breath of fresh air for so many in the local music scene. They began reaching out to Providence and NYC, as well, but their home base (and their performing hearts) remained in the city that spawned them.
Currently, the group is writing and recording a follow-up effort, to be released in late 2007-early 2008. With 8 songs currently in production, the group is uncertain of how many tracks will be released, but the direction of the music seems to be a bit more focused, and just a tad tighter than their first effort. With louder guitars, more electronic elements, and a more confident-sounding Susan Cruickshank on vocals, this new material is bound to have audiences near and far tapping their feet, bobbing their heads, and wondering "How do they make so much noise for just two people?"
In a live setting, Thylacine continue to draw listeners in with their hooks, melodies, and musical acrobatics, but they have proven themselves to be equally at home in a stripped-down acoustic setting. Their acoustic shows at The Abbey Lounge in Cambridge, MA, remain among their most well-attended shows, as they draw on original material and unexpected cover songs throughout their set.
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The future of rock music is here...
author: Steve from Boston
be honest; I know the members of this band personally. But even if I didn't I would love this CD. I have had the good fortune to see Thylacine perform several times, both with an electronic setup and in a guitar/voice format. This disc represents them well, showing off the versatility of Susan's angelic voice and Rob's zen-like guitar playing. While many computer musicians choose to create dance music or abstract electronic beats, Thylacine bucks the trend by generating a sound that's more like a live band and less like a machine. The overall compositions support the duo quite well and create a solid rock groove throughout. The melodies are infectious (especially Pale Angel) and despite the upbeat feel of some of the songs (Cold, Horribly Wrong), the overall mood is quite dark. The only issues I have with this album are that some of the drum sounds could have been thicker, the album could've benefited from a little more stereo imaging and the distorted vocals on Hit Me hurt an otherwise cool song. However, these things would more annoy a listener who demands that every track they hear sound like a pristine pop record, than those of us who feel that part of the character of a record is its personalized recording style. Overall, I think this is an impressive debut, and I'm anxiously awaiting the follow up from this highly talented duo.
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