author: gazeta
Not purely ambient and not purely dance-oriented, guitarist Tim Motzer's latest effort, Tilomo is a project that speaks volumes by stating things subtly. Released on his own 1K imprint [a name that may or may not be paying homage to the undisputable kings of subtle click'n'pop, 12K], "Soft Lunch" sees the man turn it down a notch and still come out miles ahead of the competition. For a man who's been involved with projects such as Nine Horses, Ursula Rucker, Burnt Friedman, Jaki Liebezeit and King Britt, Motzer is one busy individual. Here, he shows off a more docile approach to music, where the details make all the difference in the world. Halfway through "Spellbound", he uses what could pass for pan-flutes to induce moments of tranquil glory, while "Gelid" is heavy on percussion - real and manipulated - that moves the piece along in some interesting directions. When they make an appearance, beats are hushed and delicately strung out. "Chi Moto" features just a tinkering beat that is on high-end of the spectrum and features the mandatory soothing triangle. Closing number "After They've Gone" is a droopy, drooling and float-in-space concoction which features the sounds of slide guitar being tuned in and out. Sounds perfects to keep your mind occupied for the voyage into the nether regions of your own consciousness. (Gazeta)
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author: djfix
Tilomo's "Soft Lunch" is both jagged and soft, smooth and abrasive. And the sum total is greater than its parts. With the touch of the play button on your CD machine, you are launched into realms beyond moral thought. In this CD, mankind symbolically achieves transcendence. Dark and light, sharp and blunt, smooth and rough - dichotomies merge in a mind-soothing sort of rapture experienced by minds on the fringe. Intelligent and informed by dadaism (at the same time that it seems to be couched in meaning), "Soft Lunch" is an exploration of the beyond, transcendence for the brave.
Four stars-(djfix.com)
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