doesn't get better than this
author: Alex Counts
Bottom line -- an incredible album. The quality and variety of instrumentalism is astounding. An improved version of 'Cracks in the Floor' (which was previously available in the Carter Brothers excellent album of the same name) starts off this CD, and then it goes into 'I Can't Settle Down' and 'Chronicle' -- the latter of which I was fortunate enough to hear Tim play in Key West earlier this year. This is one of my favorite instrumental cuts of all time. 'I'm King of the Hill' is super, with a slightly odd and surprising ending. Tim has a way with memorable lyrics that stick with you for months. My wife and I often talk about phrases he turns in his songs over dinner -- things like: "I've got memories of places I've never seen and never known. I look for signs in faces and try to find where I belong." Tim's song 'Second Son' about his father who died in 2004 (as mine did) is a very moving tribute and the perfect way to close out this gem of a CD that I am sure I will still be playing 30 years from now.
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... and 1/2...Innovative acoustic instrumentation bound to fresh & creative orig
author: Joe Ross
Playing Time – 38:29 -- New acoustic musician Tim Carter is neither a conformist nor nonconformist. With music that is very agreeable to bluegrass enthusiasts, it also offers distinctive variations and surprises. The multi-instrumentalist, songwriter and singer can cover many musical moods from playful (“I Can’t Settle Down”) to reflective (“Chronicle”). Carter’s individuality is certainly enhanced by his collaboration with other talents known to have similar approaches to following their own muses -- Alison Brown (banjo), Tim O'Brien (mandolin, vocal), Casey Driessen (fiddle), Tim Stafford (guitar), Jim Hurst (guitar), Matt Flinner (mandolin), Rob Ickes (Dobro), Tim Lorsch (fiddle), and Ross Sermons (bass). Four cuts incorporate well-rendered percussion (Cracks in the Floor, Chronical, The Signs, Into Carrowkeel) courtesy of Mickey Grimm or Dann Sherrill.
While “Bang Bang” clearly has an instrumental emphasis and showcases Carter’s banjo, guitar and mandolin work, five of the original songs have vocals and may garnish more airtime from those deejays who downplay instrumental selections even though the project offers some explosive tunes like “Dogpatch.” There’s also a beautifully contemplative banjo/Dobro farewell song, “Vassillie’s Lullaby,” named for deceased fiddler Vassar Clements and his wife, Millie. Written in cooperation with Roberta Gordon, “I Can’t Settle Down” displays the up-tempo electric exuberance of a Carter/O’Brien vocal partnership. Another duet (written with Tim Stafford) was inspired by Carter’s first trip to Ireland and called “Where I Belong.”
Tim and his brother, Danny, sing about trading songs with locals at four in the morning, downing a few pints, and being recognized as the heart of an Irish band. Danny’s guitar work appears in their co-written knocked-down-and-busted blues number, “I’m King of the Hill.” Tim and Danny tour as part of The Carter Brothers Band. Tim’s vocals don’t seem to sit quite as comfortably in “The Signs,” an edgy piece inspired by snakehandling by certain Pentecostal sects in Appalachian churches. Like other Christian fundamentalists, serpent handlers' beliefs are rooted in a literal interpretation of the Bible found in Mark 16:18. The signs refer to those that follow believers and lead to individual salvation. The advice given exclaims, “Listen people to the chosen ones / cast out demons and speak in tongues / cleansed by the fire when the Father comes / that’s what the good book says.” Closing the album with a tribute to his father, “Second Son” is given a sparer setting with only Carter’s guitar, mandolin and vocalizing.
This is an impressive debut album from the young man who grew up in North Carolina enjoying both bluegrass banjo and British blues and rock. The CD participants’ teamwork is commendable, and the innovative acoustic instrumentation is all bound to fresh and creative originals. The tie that really binds “Bang Bang” is Tim Carter’s presence and confidence as someone who will definitely make a significant impact on the scene. (Joe Ross, staff writer, Bluegrass Now)
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Wow... I'm super impressed!!!
author: Sarah Burgess
I've been listening to the Carter Brothers for a long time and this show's exactly why they have such a unique sound. Tim's approach to music is all his own.. beautiful tunes and musicianship..
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Totally awesome.. well crafted and incredibly played!!!
author: Sam Upchurch
Every tune on this cd is a jewel.. the tones are clean, warm, and wrap around you like an old quilt. The musicianship is top notch with a bunch of GRAMMY pickers on it. This is a must have cd... Thanks Tim for sharing this work with the world.
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