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Tim'm West : Blakkboy Blue(s)
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Alternative Hip Hop, Neo Soul, House, Trip Hop, Electronica
Genre: Hip-Hop/Rap: Alternative Hip Hop
Release Date: 2007
Blakkboy Blue(s) Record Label: Family Ties
  • Download Album (MP3) - $9.99
  • Buy CD - $12.97
SPECIAL: 30% discount if you buy more than one copy of it today!
Preview Song Name Time Format Price Select
Asphalt (with Baraka Noel) 3:15 $0.99
Sleepless 4:08 $0.99
Interloop: The Message 0:23 $0.99
Man Up (with Tori Fixx) 3:03 $0.99
Tears of Grief 3:19 $0.99
Irony 3:17 $0.99
The Running Man (More) (with Baraka Noel) 3:08 $0.99
Unloc'd 3:01 $0.99
No Change 1:26 $0.99
Get Free 4:48 $0.99
25 ways (to keep peace in the ghetto) 3:23 $0.99
Gone 4:10 $0.99
Positive 3:03 $0.99
Loose (with Sonny Lewis) 2:51 $0.99
Blakkboy Blue(s) 4:49 $0.99
Outro: The Truth 0:45 $0.99
Househeadz Bonus: Deeper (with Strat1K) 3:21 $0.99
Househeadz Bonus: Soul Mate 5:28 $0.99
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Album Notes

Red Dirt Biz (DC) & Family Ties Records (BKLYN) are excited to announce the release of “Blakkboy Blue(s),” the highly anticipated follow up project to Tim’m West’s critically
acclaimed “Songs from Red Dirt: (Cellular Records).

Tim’m West is a Cincinnati born, Arkansas raised author, poet, and Hip Hop-activist who has been artistically nurtured in North Carolina, New York City, the Bay Area, and
most recently Washington, DC. West complements the release of Blakkboy Blue(s) with the literary follow up to his first book, “Red Dirt Revival”, entitled “Flirting”. While
“Red Dirt Revival” and “Songs from Red Dirt were both autobiographical projects that traced his roots as a young child in rural Arkansas to his adult years in New York City
and the Bay Area, “Blakkboy Blue(s) and “Flirting” offer a resolved, hopeful, and polished voice responding the state of the Hip Hop Nation. In Blakkboy Blue(s), West
moves from memories of finding Hip Hop down south to a sound that beautifully blends his gospel and blues roots with the sounds that largely define his movement through various urban settings. Significant, is his decision to move to Atlanta in July of 2007. It is a move that has been considered a “prodigal son” return to the South. West brings
Red Dirt to the heart of Red Dirt-- a move about which the artist is hopeful and excited.

Says West, “If leaving home leads to nostalgia for your Red Dirt, you gotta someday realize that you can never fully return home. Blakkboy Blue(s) is not just about accepting that home is where the heart is but also accepting that remembering isn’t enough-- that life as an activist calls for, not just thinking, but acting in the service of
social change.” Blakkboy Blue(s), following Tim’m’s feature in two critically acclaimed Hip Hop documentaries: Alex Hinton’s “Pick Up the Mic” (LOGO) and Byron Hurt’s “Hip
Hop: Beyond Beats and Rhymes”, presents him as one of the critical voices in Hip Hop today. As the mantra of the Grand Royal produced “Irony” states: “O say can you see/What Hip Hop Is supposed to be/All I see is Irony/Hip Hop ain’t dead/He just needs to get free”. Tim’m offers a curative for a Hip Hop gone bling. An unapologetic “old school” emcee, he is one who has matured with Hip Hop; and questions an industry that doesn’t support that evolution.

Unlike, “Songs from Red Dirt” -- an amalgamation of Hip Hop, House, R&B, and Spoken Word-- West, wanted to more deliberately produce a Hip Hop project, while compartmentalizing his interest in House and electronica to Bonus Tracks. Blakkboy Blue(s) includes principal production by Grand Royal (Bklyn), Eddy J. Free (Cincinnati), and Tori Fixx (Minneapolis), among others spanning from Oakland to Atlanta.

The 18 track album, written entirely by West, gives the listener a look into the politics of not just himself, but an entire generation of voices whose more progressive and
conscious Hip Hop music has been drowned out by an industry for whom politics = death. The richness of the project is West’s ability to speak so poignantly about redefining manhood. West best captures this in Interview interludes where he reflects on the intersection of his work as an accomplished educator and activist, and the growing body of music and literature that define a style unique to him.

Blakkboy Blue(s) became available on CD baby, as well as at West’s artist site: www.reddirt.biz in June 2007 and at select stores upon request. Family Ties, an independent label in Brooklyn founded in 2007 by Grand Royal, will be promoting the project widely in 2007 and into ‘08.

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REVIEWS

What Hip Hop Is Supposed to Be
author: James A Allio
From the opening one-two punch of "Assault" and flat-out brilliant "Sleepless," this is hip hop at its most joyful, exuberant and unflinchingly honest. A worthy successor to Tim'm West's debut, "Songs from Red Dirt" (hands down the best album of 2004, don't let anybody tell you different), "Blakkboy Blue(s)" turns the focus musically to updated old school hip hop beats reminiscent of Guru and the conscious rap movement. No surprise that the lyrics here are incisive, penetrating and revealing: West is a poet of reknown, and he drops mad science on this disc. Plus the boi can blow! His vocals are gorgeous, multi-colored and full of wit. There's not a bad track on this disc, and Tim'm continues to confront issues like homophobia and self-determination within the context of irresistible beats, rhymes and melodies. "Oh say can you see, what hip hop is supposed to be" goes one sung chorus that will find a permanent home in your psyche, and the question is rhetorical: it's supposed to be all the things that "Blakkboy Blue(s)" is, honest, compassionate and envelope-pushing. Not to be missed.
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No Joke
author: Dwayne Jenkins
Another great CD from an artist that has helped to document the lives of many who simply has to pick up a mic or a pen to make history.
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“Blakkboy Blue(s"
author: A.C.
Hip-Hop isn’t dead,” and thanks to Tim’m West (and his collaborators) it’s about to “Get Free!” As an MC, Mr. West can hang with the best of them. His delivery and timing on each rhyme is a throw back to the Hip Hop of Rakim, and Big Daddy Kane. “The amazing thing is that West is responsible for writing this entire eighteen track disc.” Brutally honest, “Blakkboy Blue(s) gives you an autobiographical look in to the life and times of Tim’m West. He doesn’t hold back, revealing his ups, downs, heartaches, and pains. “The baffling thing about West is that even when he’s rapping about the bad or hard times, his delivery of each verse seems uplifting, or positive .” “ If “Blakkboy Blue(s)” is the prelude to the forthcoming CD “In Security: The Golden Error,” Then, for sure “In Security” will be the Hip-Hop CD of 2009.” In a day and age where current MC’s abuse computer software to produce perfect pitch vocals, West is bold enough to sing his hooks. . . Stand Out tracks: “Asphalt,” “Gone,“ “Man Up,” and “HouseHeadz Bonus: Soul Mate”.
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Powerful, honest, and progressive---Buy this NOW!!!!
author: michael harrison
When I listened to this CD for the first time, I became hooked. The CD is constantly being played on my IPOD while I walk the streets of Atlanta, or the CD is playing while I drive around. Blakkboy Blue(s) is hip hop. This is the music that needs to be played on mainstream radio. His lyrics are deep, insightful, and honest. I found myself relating to what he was saying as well as being educated about black malehood, black male progression, masculinity, and black manhood. I love Hip Hop and believe this album needs to be on Billboard with the likes of Common and Nas. Tim'm's message of keeping it real, being honest and open resonated with me. The black community still isn't as open, inclusive, and loving as it should be. I have several favorite songs, yet I've narrowed them down to four: Irony, Tears of Grief, Sleepless, and Blakkboy Blues. "Irony" with its proclamations of hip hop ain't dead should make Nas counter his argument that hip hop is dead. I recommend this album to anyone seeking truth, change, and progression.
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