The music of Darkroom takes us on a journey through an urban landscape, full of hypnotic beats, danger, and redemption. Its master, rapper Timothy Dark, takes us to the place where faith meets the street. It's never preachy, never apologetic, and completely cool.
The majority of the songs on Darkroom, Timothy Dark's fourth solo CD project, reflect the paradox of living in the world, a life on the street full of danger and desire, but always striving to reach for the spiritual, to find the grace in all of us. At times it's a bit uneven, but the layered rap, (sung) vocals, and driving beats never fail to get you moving, physically and emotionally.
The title track, Darkroom, is a combination of killer dance beats mixed with hypnotic rap. Darkroom is a metaphor for dark times in our lives. It reflects very uncomfortable themes, but offers hope to us by turning to God.
The second track, A Letter 4 the Lord, features Lizh - an incredible female vocalist - along with Timothy Dark's own amazing rap, and compelling lyrics.
The next track, Rock U, features Lizh, again (honestly, I love this lady's voice) along with something I've never heard in hip-hop before, tremendously cool electric guitar work. Even my guitar-player friends were blown away.
The music continues with Krashing Down, a surprisingly fresh mix using older 80's synth sounds. A compelling collage of rhythms and timbres, layered with rap and sung vocals, makes the construction of this piece very cool. I couldn't help it. I had to get up and dance.
Memories of S.A.L.L.I is a trippy song, seemingly about unrequited love. It's almost psychedelic, and purposely over-the-top. The beat is absolutely infectious. As a side note, the S.A.L.L.I. reference in the title made me wonder. S.A.L.L.I. is a workers union for prostitutes and other "sex workers" run out of Finland. I don't know whether Dark knew about this when he wrote it, or not. It made me wonder if it's just about lost love or about the illusion of love that prostitution promises. Either way, this tune hit me right between the eyes.
The closing track, Better Dayz, features Nellie McKay, a hot young talent currently signed with Sony. Possibly the darkest song on the album (what did you expect from an album entitled Darkroom? Cotton candy and daisies?), it's a lament on how things are getting bad due to the influence of drugs, gangs, and violence. Surprisingly, it also addresses how racial/cultural stereotypes affect the very cultures they stereotype. Full of ominous, compelling warnings, it provides the perfect bookend to this amazing CD.
Darkroom is not for everyone. If you don't like hip-hop, you probably won't like this album. If you're craving something fresh and original within the hip-hop scene, though, this album is worth checking out. It is truly original, showing that spiritually themed music doesn't have to be sappy, doesn't have to be apologetic, and never has to compromise its vision. With Darkroom, Timothy Dark has created a work of true urban artistry that will be adorning my CD player for some time to come.
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