Back To Artist
Tears In X-Ray Eyes : Wonderfully Made
Log in to add to your wishlist
Bittersweet tales of love and loss from a London bedsit - acoustic guitars, old synths and orchestral percussion create something truly heartfelt
Genre: Pop: with Electronic Production
Release Date: 2004
Wonderfully Made Record Label: Chocolate Hearts
  • Download Album (MP3) - $8.00
  • Buy CD - $8.00
SPECIAL: 10% discount if you buy more than one copy of it today!
Preview Song Name Time Format Price Select
Sleep Like A Dream 3:47 $0.99
In These Arms 3:44 $0.99
The Charge Of The Light Brigade 4:02 $0.99
Wherever You Are (You'll Find Me There) 3:44 $0.99
My Strange Love 3:38 $0.99
Science Fiction 3:37 $0.99
Who's Gonna Hurt You Now? 3:46 $0.99
You'll Know A Good Thing (When It's Gone) 4:49 $0.99
preview all songs

Album Notes

Tears In X-Ray Eyes is the brainchild of singer/songwriter/producer/multi-instrumentalist Tim Closs and succeeds in bringing a much-needed intelligence, compassion and humour back to pop music. With a unique sound which has been described as "hauntingly glamorous... the sort of thing you'd hear round Massive Attack's house on Christmas Day" (playlouder.com) the band continues to carve out a niche somewhere very left of centre.

"Wonderfully Made" is a mini-album collecting all 8 songs from the band's two most recent EPs: "my strange love" (released in the UK in August 2002), and "sleep like a dream", (released in the UK in April 2003). The mini-album is one of the first releases on new US label "Chocolate Hearts".

Conceived in the summer of 2000, first release "Stained Glass / Don't Crush The One You Love" (test tube records, December 2000) made quite an impression for a white-vinyl-only double A-side, with NME's Jim Alexander declaring it "lovelorn lyrical sharpness not heard since Morrissey took a sharp right-turn into irrelevancy". A handful of solo gigs followed and word-of-mouth started to spread. NME made it to London's 12-bar club, calling it "far above the lone, unrequited boy norm... vulnerable, heartfelt and passionate".

"I was pretty surprised by the response", Closs confesses, "I didn't expect NME to start writing about it and coming to gigs so early on. It made me much more confident and determined not to be distracted from the sound I wanted to create". Comparisons ranged from The Smiths to The Flaming Lips. "I was really happy that people already seemed to understand what I was trying to do - write classic pop songs but twist them as far as they would go".

Second double A-side "Open Wide / London's Most Unwanted Child" (test tube records, April 2001) captured the student audience and confirmed Closs as a truly original songwriter ("shield your tender skin/don't rush headlong in/don't read those teenage magazines"). Sessions on college radio followed and it ended up in the top ten of several college radio playlists.

Shutting himself in his North London bedsit studio over the summer, venturing out only to enlist the talents of bass player Cameron Miller and drummer Anthony Christmas, Closs added the finishing touches to a debut album which fulfilled the promise of the two singles. "Half-Life" (test tube records, February 2002) is ten bittersweet songs of melancholic beauty. Those in-the-know raved, with What's On calling it "a work of pure genius... dark without ever being bleak... buy a copy not only for yourself but for everyone you've ever loved", while the band performed live as a 3-piece to a growing number of fans.

Following a session on Radio 1's "Blue Room" show, the band ventured back into the studio, resulting in 2002's enchanting "my strange love e.p". NME wrote "if robots ever fell in love it would sound like this", and the e.p. was played enthusiastically by Xfm, BBC London Live and BBC 6Music.

April 2003 saw the release of a further EP, "sleep like a dream". This was playlisted on London's Xfm for four weeks, and the band played numerous UK gigs and live radio sessions to promote the release.

The band's 2nd album is now complete and awaiting release in mid-2004.

Read more...

REVIEWS

TEARS IN X-RAY EYES! Wonderfully Made!
author: Robert Sharp
YOU GUYS HAVE VERY DIFFERENT SOUND AND COOL DRUMMER TOO!, PLAYING ON THIS ALBUM! HE IS GIVING IT, OWN KIND OF FEELING ON EACH SONG!SPECIFIED BEAT SOUND ON THE MUSIC IT SELF!I LIKE IT SO MUCH AND WILL BUY IT! GREAT MUSIC ! ROBERT SHARP!!
Read more...
a tiny pop empire
author: NME Singles, Jim Wirth
Bedsitland calling. A DIY sneakster from north London, Tears In X-Ray Eyes is but one man - Tim Closs - but with his breezy gift for modest, multi-layered excellence, he's a tiny pop empire. 'Sleep Like A Dream' extols the same blurred pop virtues as the excellent Buffseeds. 'I am indie - hear me roar', it warbles, en route to the all-night garage for some Jaffa cakes.
Read more...
ambitious release
author: Organ Fanzine (UK)
A rather different mix of relaxed electronica and refined acousticness, an unobtrusive lyrically sharp meeting of Lightning Seed craft and Mercury Rev sparkle this time around. They're from London and this is their fifth ambitious release, they're always worth your time.
Read more...
a treasure trove
author: Losing Today
Feature star in the last Singled Out missive, the multi talented Tim Closs returns with four more trembling slabs of tear-provoking passionate pop. Tim is one of those tortured artists who’ve been touched by the sadness stick, like Paddy McAloon before him, he has the ability to tune into the frailty of the human psyche and release the pangs of heartache to a listening audience like a magician armed with a hat full of rabbits, to this he ably applies emotionally sympathetic orchestrations that act as cathodes charging the senses and heightening the tragedy. 'Sleep like a dream' opens the set, initially sounding like the Bunnymen it quickly unfurls to a sweetly intoxicating upbeat pop gem that bears a passing exuberant glance to the Lightning Seeds. 'In these arms' is immersed in a piano-led ballad-esque glow that recalls the more personalised and thoughtful moments from the Queen canon. 'The charge of the light brigade' from its opening sequence would have you swearing it was Thom Yorke providing the vocals, the same cutting melancholia, the melodies swoop and arc with pulsing grandeur, the peeping nature of the string arrangements give it a wintry Christmas appeal, a smouldering gem. 'Wherever you are (you'll find me there)' trickles with a romantic lilting beauty tinged with an underlying sombre and reflective mood. Essential tools for listening, a box of hankies or a heart made of granite. A treasure trove.
Read more...
123