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Tomato Box : Any Road
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They explore the far reaches of jazz and improvisation. From the super-modern to the whimsical, Any Road is a feast for the ears. Saxophone, clarinet, marimba, theremin, bass, drums, electronics and unorthodox percussion instruments
Genre: Jazz: Weird Jazz
Release Date: 2004
Any Road Record Label: Rattle Tick Buzz Records
  • Buy CD - $12.97
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Preview Song Name Time Format Price Select
Rockstar 4:27 Album Only
Wreckage 10:02 Album Only
Your Dog Was Just Here 9:38 Album Only
La Diva de L'Empire 2:01 Album Only
Blaze On, Idiot Sun, Blaze On 8:39 Album Only
Petite Ouverture a danser 1:24 Album Only
Rattlesnake 7:25 Album Only
Your Mom Called 4:51 Album Only
Seven Moments 12:43 Album Only
preview all songs

Album Notes

Everything on this record is true. That is what it says on the back of Tomato Box’s latest oeuvre Any Road. And really, there is no way to prove otherwise. Any Road is a journey for ears that are curious. And if you don’t like the weather along the way just wait five minutes and it’ll be something different! But you’ll probably like it. Who’s not intrigued by golf-ball sized hail, or thunder during a snowstorm, or the destructive force of a tornado. You may want to take cover for a minute, while it blows over, but come back out because maybe there’ll be a double rainbow, or the aurora borealis, or regime change. You never know.

But then you must ask: How does this relate to the music contained on this Tomato Box disc, Any Road? A ha! You may hear for yourself by perusing the sound clips contained on this web page. Better yet, order the cd and you can enjoy exploring it in the comfort of your own favorite listening environment. What could be better?

But then you say: Specifics, man, we need specifics! Yes, you do! Tomato Box is a group of jazz players who have exploratory tendencies, from compositional forms to esoteric musical influences: jazz, free jazz, improv, rock, polyrhythmic counterpoint, to the use of extended techniques; it’s all in there. And instruments, do we have instruments for you! Saxophone, clarinet, marimba, theremin, electric glockenspiel, bass, drums, occasional electronics, and cart-loads of unique percussion instruments. And it’s all true!

A review:

Tomato Box is a contemporary jazz band that prompts nods to the fluidity of jazz forms past and present, while at the same time ushering in a vital styling of post-jazz -- one that writhes and wriggles itself a striking and dynamic individuality. Working from traditional jazz-oriented instrumentation (marimba, clarinet, sax, bass, and drum), along with ragged percussion and sampler, this Madison, Wisconsin-based band merges the tenets of structure and improvisation handsomely, in such a way that you're either left reeling and dazed or compelled to dance in your seat.
Opener "Rockstar" sets a somewhat organized and structured melodic tone, one that the album's remainder is more than happy to challenge. Here, Todd Munnik's slithery alto-sax weeps melody, Nate Bakkum's predatory bassline oozes creepiness, and drummer Michael Brenneis (to whom these compositions are credited) forms brilliantly shape-shifting rhythms out of a mutant funk template, in which Geoff Brady's meditative marimba line forms the melodic core. Translated to words, this screams typical jazz wank, but in practice it's a startling, stirring, brilliantly organic voyage of musical adventure.

In "Wreckage", Tomato Box gets down and dirty with improvisation. Not only do they sound like they're having fun while being deeply engaged, but theirs is a refreshingly pleasant take on jazz improv. Three minutes of near-perfect (and downright gripping) meandering, and suddenly a soulful, surging funk-scree takes hold, at which point the band seems to be on fire (albeit a clunky, ragged sort of fire). The nearly ten-minute piece is not a second too long, and nary a note is wasted. "Your Dog Was Just Here", meanwhile -- dig those goofy titles! -- opens on a kinetic buzz of frantic drum, and a loose-limbed marimba line, before finding a demented, light-fingered groove that seems to constantly evolve, unable to sit still even for a millisecond. It's a kinetic, brain-alight soul groove and no mistake. Elsewhere, there are two Erik Satie takes, "La Diva de 'L'Empire'" and "Petite Ouverture a Danser" -- both short, regimented pieces concerned with melody. "Rattlesnake" is a slow-burning atmospheric brood that rests on a sampled crackle of noise, suggesting a deep-flight drift into the coldest reaches of outer space. Though hardly a short-attention-span-grabbing affair, it's mesmerizing.

Like Bitches Brew-era Davis, Any Road is thrilling music -- convergent to the jazz of old, but with its heart set on mutations of the new. It's organic, sweeping, difficult yet challenging, kinetically evolutionary, odd yet familiar -- a venture into areas of discovery for which there are no words, only music. This music right here. Music that lives and breathes a life of its own.
-- Allan Harrison, splendidezine.com

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REVIEWS

Excellent!
author: DD
Powerful, explorative, original music.
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