Tom Wallace & Bruce Spang | The White Rose: a Musical About Healing and Hate

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More music by Tom Wallace Composer's Website The White Rose Website

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Classical: Musical Theater Classical: Opera Moods: Type: Vocal
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The White Rose: a Musical About Healing and Hate

by Tom Wallace & Bruce Spang

“The White Rose” is based on the true story of the murder of Charlie Howard, who, in the 1980s dared to be out as gay. The story shows Charlie, as a ghost, and one of his teen-aged murderers, haunted by Charlie’s eyes, coming to see their common humanity.
Genre: Classical: Musical Theater
Release Date: 

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1. Prelude Tom Wallace & Bruce Spang
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5:51 $0.99
2. We Do What Is Right / Prejudice Kills Tom Wallace & Bruce Spang
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7:04 $0.99
3. Charged Tom Wallace & Bruce Spang
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2:08 $0.99
4. Psych Tom Wallace & Bruce Spang
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1:56 $0.99
5. Principal Tom Wallace & Bruce Spang
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1:47 $0.99
6. Pastor Ben Dover Tom Wallace & Bruce Spang
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1:12 $0.99
7. Alice Tom Wallace & Bruce Spang
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1:40 $0.99
8. Cause Tom Wallace & Bruce Spang
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1:16 $0.99
9. What Happened to My Boy Tom Wallace & Bruce Spang
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1:40 $0.99
10. Closing Argument Tom Wallace & Bruce Spang
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1:50 $0.99
11. The Verdict Tom Wallace & Bruce Spang
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1:44 $0.99
12. Is It Over Tom Wallace & Bruce Spang
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1:16 $0.99
13. Set Me Free Tom Wallace & Bruce Spang
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3:44 $0.99
14. The Scoop Tom Wallace & Bruce Spang
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1:22 $0.99
15. Fight Scene Tom Wallace & Bruce Spang
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0:50 $0.99
16. They Never Saw Me Tom Wallace & Bruce Spang
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3:30 $0.99
17. Me and My Pencil Tom Wallace & Bruce Spang
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2:25 $0.99
18. Middle Street Tom Wallace & Bruce Spang
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3:08 $0.99
19. It's No Use Tom Wallace & Bruce Spang
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0:47 $0.99
20. The Wall and Me Tom Wallace & Bruce Spang
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4:57 $0.99
21. Prayer Tom Wallace & Bruce Spang
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4:29 $0.99
22. Turn Around Turn Around Tom Wallace & Bruce Spang
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3:52 $0.99
23. They'll Never See Me Tom Wallace & Bruce Spang
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2:08 $0.99
24. A Little Bit Gay Tom Wallace & Bruce Spang
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5:13 $0.99
25. Girl in the Car Tom Wallace & Bruce Spang
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3:32 $0.99
26. Come Along Tom Wallace & Bruce Spang
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2:49 $0.99
27. Dancing in the Dark Tom Wallace & Bruce Spang
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4:52 $0.99
28. No, Not Snow Tom Wallace & Bruce Spang
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2:33 $0.99
29. Rose Petals Tom Wallace & Bruce Spang
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5:18 $0.99
30. The Murder Tom Wallace & Bruce Spang
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0:49 $0.99
31. He Sees Me Tom Wallace & Bruce Spang
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2:25 $0.99
32. Quiet of the Water Tom Wallace & Bruce Spang
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7:48 $0.99
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ABOUT THIS ALBUM


Album Notes
Cast:
Charlie Howard … Elliott Jenks
Rob … Dexter Jenks
Alice … Eliza Lockhart-Jenks
Messenger … Patrice Lockhart/Marge May
Decision … Karl Novak
Opinion … Bill Jenks
Gaia … Patrice Lockhart
Terra … Eliza Lockhart-Jenks
Jay … Tim Bate
Stu … Tom Wallace
Needy … Tim Bate

Note that this is a Demonstration Recording, not a full, polished production. All chorus parts are sung by Art Kenne and composer Tom Wallace, who also engineered the recording. The entire script, photographs of cast members, and copious production notes can be viewed on the website accessible through the link at left. If you are interested in mounting a production of "The White Rose", contact the composer through either of the sites.

The assemblage art photographed for the album artwork is a detail from a piece by Howard Solomon entitled "Postcards Home".

The previews for the tracks designated as "Explicit" contain the entirety of that which might be considered offensive in the tracks.

What follows is a synopsis of the story:
“The White Rose”, is based on the true story of the murder of a young man, Charlie Howard, who, in the 1980s dared to be out as gay. With gay-bashing an accepted norm, especially among teens, Charlie was a clear target and was murdered by three teenagers. In “The White Rose”, one of his murderers, Rob (based on the real-life Jim Baines), seeks to come to terms with what he has done — what drove him to murder a gay man. The teenager made eye contact with Charlie as he tossed him into the river. Charlie’s eyes haunt him. The story shows how he and Charlie, as a ghost, come to see the humanity in the other.

Act 1, “The Mess,” begins with Charlie, a ghost, viewing the trial of his three murderers—all teenagers. In this scene, the atmosphere of the 1980s—Reagan’s era, the first years of AIDS, the unquestioned scorning of gays in public—is recreated along with actual testimony from, and the tempestuous nature of, the trial. Charlie is told by an angel that before he can move on, he must follow and listen to one of the boys, to come to a place of forgiveness. Charlie resists at first, but relents and follows Rob.

Act 2, “Rehabilitation” is set at the Maine Youth Center where Rob denies at first what he has done and then begins to accept responsibility. Charlie watches as Rob struggles to face his incarceration and his crime, while finding opportunities to introduce himself and aspects of his life to the audience. This includes representation of gay life in the 1980s, in Bangor, Maine, when men met secretively on Middle Street, bringing to light the struggle of gay men to find one another.

In Act 3, “ Remembering” Charlie and Rob relive the night of the murder—and, in part, what led up to it. At a community dance, we meet Alice “The girl in the car” who witnessed the murder, and Rob reveals his need to prove that he is a man. The larger forces that conspired to bring Charlie and Rob together are shown in several songs. The super-macho life of young teens is also shown. In the community dance, it is made clear through the use of humor that, straight or gay, social forces can make life difficult. The songs mirror the music of the time as the two countervailing voices play off against one another.

In Act 4, “The Murder” is reenacted with the river playing a major role sealing the fate of Charlie and Rob. In these final moments, the two of them discover, even in the most violent of encounters, they have the capacity to see one another and move beyond hate to forgiveness—an act of grace.


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