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Jacque Trussel : Sounds & Sweet Airs
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Internationally renowned tenor, having performed over 80 leading roles with more than 50 Opera companies, presents a stunning collection of some of his finest performances.
Genre: Classical: Traditional
Release Date: 2000
Sounds & Sweet Airs
Jacque Trussel
Record Label: Purchase Records
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Preview Song Name Time Format Price Select
The Tempest : Be Not Afraid (Lee Hoiby) 3:58 Album Only
Die Meistersinger Von Nürnberg : Morgenlich Leuchtend Im Rosige 4:45 Album Only
Die Walküre : Winterstürme (Richard Wagner) 3:18 Album Only
Die Walküre : Siegmund Heiss' Ich Und Siegmund Bin Ich! (rich 3:36 Album Only
Carmen : La Fleur Que Tu M'avais JetÉe (georges Bizet) 4:29 Album Only
L'amore Dei Tre Re : Fiora, Fiora (Italo Montemezzi) 5:32 Album Only
Otello : Dio! Mi Potevi Scagliar (Giuseppe Verdi) 4:18 Album Only
Der Freischütz : Nein! Länger Trag' Ich Nicht Die Qualen'¦ 7:33 Album Only
Fidelio : Gott! Welch' Dunkel Hier! '¦in Des Lebens Frühling 10:32 Album Only
Die Frau Onhe Schatten : Falke, Falke, Du Wiedergefundener (Rich 10:47 Album Only
Antony and Cleopatra : the Breaking of So Great a Thing (Samuel 3:00 Album Only
Hugh the Drover : Horsehoofs, Horsehoofs (Ralph Vaughan Williams 4:33 Album Only
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Album Notes

Winning accolades for both his outstanding vocal gifts and his compelling interpretations, American tenor Jacque Trussel has performed with the foremost opera companies and orchestras throughout North America and Europe. In 1998 Mr. Trussel became Chair of the Voice Area of Study at Purchase College Conservatory of music.

Among the roles for which he is particularly renowned is Peter Grimes, which he has sung at the Maggio Musicale in Florence in a production by Jean-Pierre Ponnelle as well as at the Royal Opera House, Covent garden, in Elijah Moshinsky's staging. He has also performed Sergei in Shostakovich's "Lady Macbeth of Mtsensk" to great success with the San Francisco Opera, Lyric Opera of Chicago, the Grand Theatre de Nante and the English National Opera(televised by the BBC); at the Spoleto festivals of both the United States and Italy; and for his debuts at La Scala and the Bastille Opera. As Hermann in Tchaikovsky's "Queen of Spades" Mr. Trussel has performed for the inaugural season of the Spoleto Festival USA, as well as at the Spoleto in Italy, the Houston Grand Opera and the National Arts Center in Ottawa.

An acclaimed Don Jose in Bizet's "Carmen," he has performed that role with the Canadian Opera Company, the Montreal Opera and the Cincinnati Opera, as well as in a telecast from New York City Opera for "Live from Lincoln Center," and in a CBC national broadcast from the Vancouver Opera. In Great Britain he has sung Don Jose in the celebrated Stephen Pimlott production at Earl's Court in London with Maria Ewing (later repeated in Zurich) and in productions at the Welsh National Opera and the English National Opera.

Mr. Trussel has performed with the Metropolitan Opera as Shuisky in Boris Gudonov, at the Vancouver Opera as Herod in Salome, with the Opera de Nante as Sergei, and the Drum Major is Opera North's production of Wozzeck, Eumete in Los Angeles Opera's Ulysses, and Caliban in Dallas Opera's production of Lee Hoiby's The Tempest. Mr. Trussel's recent work includes performances of Don José with the Los Angeles Music Center Opera, performances of Herod with the Deutsche Oper Berlin and the Cincinnati Summer Opera and the role of Nicholas in the New York City Opera's composer series production of Nicholas and Alexandra.

His other engagements have included appearances at the Metropolitan Opera as Stéva in Janacek's Jenufa (his debut there), Herod in Salome at both the Metropolitan Opera and at Brussels's Theater Royal de la Monnaie, as well as a return to the Monnaie as Golitsin in Khovanchina; the San Francisco Opera as Loge in Das Rheingold; and the Chicago Lyric Opera in Barber's Anthony and Cleopatra, in Philip Glass's Fall of the House of Usher and as Alva in Lulu. He has also sung Lulu in Munich and Florence, and appeared as the Drum Major in a production of Wozzeck in Madrid. Singing the title role of Profokiev's The Gambler he has appeared at the Teatro Communale in Florence and in a concert performance with the Dallas Symphony.

Mr. Trussel has also appeared with many of the world's finest orchestras, including the Chicago Symphony, the Philadelphia Orchestra, the Concertgebouw Orchestra, the San Francisco Symphony, the St. Louis Symphony, and the Boston Symphony, with which he performed Mendelssohn's "Lobgesang" and Beethoven's Symphony No. 9.

Jacque Trussel has championed both contemporary works and rarely performed masterpieces throughout the United States, singing such roles as Edmund in Albert Reimann's "Lear" with the San Francisco Opera; Caliban (at the composer's request) in the world premiere of Lee Hoiby's "The Tempest" with the Des Moines Opera; and Henry VIII with the San Diego Opera and the Houston Grand Opera. He performed the world premieres of Carlisle Floyd's "Bilby's Doll" and of Thomas Pasatieri's "The Seagull," and the American premieres of Ralph Vaughan Williams's "Hugh the Dover" and Kurt Weill's "The Protagonist," all to critical acclaim.

He made his debut directing The Tales of Hoffmann for the Sarasota Opera in 1996 and returned there the following year to produce the opera Königskinder by Humperdinck. Meanwhile he sang in and directed The Merry Widow which won a national prize for best amateur production in the U.S. Mr Trussel was then invited to produce the show in Russia at the International Amateur Theater Competition. He made his European directorial debut in France doing a new production of Salome. A production that achieved great critical acclaim. In the past three years at Purchase College Conservatory he has directed the two one act operas Suor Angelica & Gianni Schicchi, Mozart's Magic Flute and three sold out performances of Strauss' Die Fledemaus.

Mr. Trussel is also the featured tenor soloist on Le Livre de la Jungle by Charles Koechlin, awarded the prestigious Diapason d'Or for 2000, and Macbeth of Ernst Bloch awarded le Prix de l'Académie of Charles Cros. Mr. Trussel also appears on a new DVD release of Carmen (Image Entertainment).

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REVIEWS

Excellent
author: Franklin Renossi
Jacque Trussel's technique is an outstanding display of his mastery of the vocal arts. The CD is an interesting compilation -relaxing and intruiging. A favorite of mine!
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author: CD Baby
Close your eyes and you are instantly transported to an exquisitely ornate opera house of your choice, having the rapturous pleasure of listening to Jacque Trussel, internationally renowned tenor, who has performed over 80 leading roles with more than 50 Opera companies. This album is professionally produced, packed with arresting performances by both Trussel and the orchestra. With a mastery of emotional build and interpretive precision, these exquisite performances will take your breath away.
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Enjoy the right combination of performer, producer and orchestra
author: Peter Bronzi
Let me start with a full disclosure - I am a long-time friend and admirer of Jacque's talent and dedication to his craft. I was also introduced to live opera through Jacque's performances. That said, I feel this CD showcases Jacque's and his wife Bonnie's talents at their finest. From the selection of the music and the rich supporting orchestration to Jacque's passionate performances and the overall quality of the recording, this is a challenging and rewarding listen. Those who already enjoy opera will appreciate the power, range and diversity - those who are still discovering opera will be given an opportunity to enjoy the results of having the right combination of performer, producer and orchestra involved in the creative process. In short, I really enjoyed it!
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A must-have!
author: Mischa Frusztajer
A must-have CD for any collection, opera expert and beginner alike. For the expert, Mr. Trussel displays not only beautiful vocal technique, but also a deep communication of drama and emotion. For opera beginners, the songs and arias chosen are a wonderful combination of some of the standards, along with some less-often performed works.
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