author: Formerly Umelt,WHO?
What an original sound .Can't wait to hear you fuck up Redstar.
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U-Melt kicks the shiznit's ass
author: Bukaki
CD is smokin' - for crackpots, cracks, and pots. Whatever your preference. Just put it on late at night, spark up, and watch the colors fly. These kids will rock for a few more years, I'm sure.
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Umelts new cd rocks!!
author: ywo in the pink one in the stink
The new cd is full of soulfull groves and great improvisation. This however dosnt fully represent the band as they kick ass live!!
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Enjoy this masterful first outing from a young, hungry band...
author: Mike Pierce
There are two words for U.Melt, the debut album from The Unbelievable Meltdown, a New York City area band that's been playing up and down the East Coast over the last two years: driving groove.
One of the first things you notice when you pop this disc in is just how polished are the sound and tones captured on the disc. The band has been playing out on these tunes for the better part of two years, and it shows in the tight, bright, road-tested feel that has been masterfully recorded in fine fashion for this disc.
U-Melt’s sound isn’t easy to classify; they pull their inspiration from a host of second-generation bands on the scene. Some of the tracks are straight-up progressive rock in the vein of moe. or Umphrey’s McGee. They delve into electronica and dance sounds that evoke shades of The Disco Biscuits or STS9. They touch on many different genres, bringing shades of one mode into another for a sound that’s so varied the only real way to classify it is to recognize that whatever mode the band’s working in, they’re bringing a danceable, brain-melting groove, and they’re bringing it with the thunder.
The first track in particular, Green Amber, a show-closer and tour staple, tends to lodge itself inside your brain and make itself comfortable for a lengthy stay. Guitarist Rob Salzer’s lilting, driving tones play a fine counterpoint with Zac Lasher’s rhythmic keys, while bassist Adam Bendy lays down a dank, solid bass framework for Salzer and Lasher to play with and around, with the varied, spot-on beats from George Miller’s drums keeping the groove in line all the while.
Another track to pay attention to is Schizophrenia, a completely mesmerizing instrumental piece that, when played live, makes the floor shake from pounding feet. Salzer’s guitar work and Miller’s driving drumwork are particularly uplifting in this one as they jam it into next week, and it has proven to be one of their most popular live tunes, often stretching past the twenty-minute mark and allowing no rest for the crowd that’s enjoying the groove. The studio cut comes in at a lean nine minutes, only hinting at the electronic dance-party vibe this one can bring, but that’s why we go see these bands live instead of sitting around the living room with a studio CD, if you can dig that.
After listening to this one several times through I still find myself throwing it in the CD player as often as not, and that says a lot for a guy who hardly ever listens to studio albums. I’d recommend this CD to anyone who enjoys crisp, complicated and evocative tunes that start groovin’ early and just don’t stop ‘till you can’t take no more.
So put the kickstand up, fire the DJ, ‘cause this isn’t some Fabio pretty-boy rock band; once you let your mind get all bendy with this CD, you’ll find yourself checking the band’s website (http://www.umelt.com) to see when U.Melt is coming to a town near you.
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