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Robert Urban : Rock Widow
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Progressive Art Rock, at times heavy & electric, at times acoustic, sometimes fusion/techno/jazz
Genre: Rock: Progressive Rock
Release Date: 2003
Rock Widow Record Label: Urban Productions
  • Download Album (MP3) - $9.99
  • Buy CD - $10.99
SPECIAL: 10% discount if you buy more than one copy of it today!
Preview Song Name Time Format Price Select
You Don't Wanna Know 5:06 $0.99
Compulsion 3:35 $0.99
My Silent Friend 4:17 $0.99
No Love in Sight 5:50 $0.99
Ode to Central Park 5:12 $0.99
Waiting for Rome to Fall 6:46 $0.99
The Cage 1:02 $0.99
Don't Ask, Don't Tell 4:28 $0.99
The Burning Heart 4:56 $0.99
Deserted Cities of the Heart 3:12 $0.99
The Boys from Paradise 6:42 $0.99
Serenity 2:26 $0.99
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Album Notes

ROBERT URBAN - vocals, guitars, basses, synths, pianos, organs, drums, percussion, orchestral sounds & sound effects
Recorded & Mixed at URBAN PRODUCTIONS, NYC
Recording Engineer - Robert Urban
Mix Engineer & Tech Guru - Edward Douglas

Mastered at ABSOLUTE AUDIO, NYC
Mastering Engineer - Tom Brick
Mastering Ass't - Bruno Opitz

Graphic Design Layout - David Johansson
Artwork Concept by R. Urban
Photos by Morgan Humphries & R. Urban

Produced by Robert Urban for URBAN PRODUCTIONS, NYC
www.roberturban.com

All songs copyright © 2003
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Additional guest performances by:

ANTHONY DeMARCO (drums) "Compulsion", "My Silent Friend", "The Cage", "The Burning Heart"

YOLANDA (gospel choir vocals) "Waiting for Rome to Fall"

MEGHAN CARY (voiceover) "No Love in Sight"

WOLFGANG BUSCH (sprechstimme rap) "Waiting for Rome to Fall"

PETER FARRELL - (sax) "My Silent Friend", "Burning Heart",
(honky tonk piano) "No Love in Sight" (voiceover) "No Love in Sight"

TOM O'NEILL (synths, programming & fx) "Waiting for Rome to Fall"

MARK VOLLENWEIDER (drums/percussion) "Waiting for Rome to Fall"
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Heartfelt thanks to:
NESTOR - for the love sessions
PETER HODGSON - for the long distance tone talks
ED DOUGLAS - for the patience, courage & charm
SOUNDDOGS - for the sounds
BILL CARTHAGE - for the body work
PAT PADULA - for believing I could do this
JOHN CONLAN & BRIAN McHALE - for leading the way
BURTON HATHEWAY - for saving my life
MORGAN HUMPHRIES - for everything
AUNT SYLVIA, Rock Widow Patron - Rest in Peace!
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This album is dedicated to the Boys in the Bands.
R. I. P.

FIRE FROM HEAVEN:
Peter Farrell, Matt Sullivan, Racine Romaguera, Eric Covington, Mark Patton
(Compulsion & Don't Ask, Don't Tell)

THE TEMPTED:
Anthony Tirado, John Ferigno, Dan Gibson, Paul Bacardi, Anthony DeMarco
(No Love in Sight)

ANGRY MEN:
Neddy Boy Bakelman, Greg Mellett, Patrick Heeney, Ronaldo Cardenetti
(The Boys from Paradise)

NEW ENGLAND:
Tom O'Neill, Mark Vollenweider, Lew Kahn, Rusty Hudson
(Waiting for Rome to Fall)

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ROBERT URBAN

Singer-songwriter, composer, guitarist, multi-instrumentalist Robert Urban was born & raised in Fairfield County, CT. In addition to all else listed below, he has been performing in one rock band or another for every year of his life since age 15.

He received a B.S. degree in Philosophy and Music from the University of Bridgeport, CT.

Moving to Manhattan, Robert began composing scores for an array of professional music, dance, theater and film productions. Also a session guitarist, vocalist & producer, he has contributed to the projects of many other musical artists and theatrical organizations.

Recently, Robert composed the music score for the internationally released film-documentary "Ticket to Freedom: Woodstock", which also featured original songs by Richie Havens. Music from his "godless" album is featured in the indie art film "Paradise Attempted" produced Resolute Pictures, Inc., released in early 2000. The film also includes music by new-age artist Enya. Most recently, Robert composed the instrumental musical score to the new Todd Russell/Alex Dove horror films "Dead Guys" & "DAS HAUSE".

Robert owns & operates his own independent music production facility URBAN PRODUCTIONS, where he records & produces both his and other artists' music.

There are four Robert Urban CDs available - the 1997 critically acclaimed "godless"; the award-winning 2000 Elegies; the 1980s retrospective who i was (also released in 2000); and the new 2003 Rock Widow.

Robert performs everywhere, including various outdoor music festivals, with his own progressive art-rock group - The Robert Urban Band.

Recent Career & Performance Highlights

- "URBAN PRODUCTIONS BOLDLY PRESENTS" - self-produced, ongoing concert series featuring new & established musical artists from all over the U.S.(hosted by Robert Urban)

- Winner - StoneWall Society 2003 "Pride Song of the Year" Award for DON'T ASK, DON'T TELL from the ROCK WIDOW cd, StoneWall Society 2002 "Pride Song of the Year" Award for THE WAITING SONG from the ELEGIES CD.

- Listed as one of ten IMPORTANT VOICES IN MODERN ROCK -Vol. 2, No. 3, March 2001 - THE PROGRESS REPORT

- Winner of Two 2001 OUTMUSIC OMA AWARDS
1. Outstanding Live Performer of the Year
2. Outstanding Recording ("Elegies")

- Nominee - 2001 NY Regional INDEPENDENT MUSIC AWARD presented by The MUSIC RESOURCE GROUP organization and sponsored by THE MUSICIAN'S ATLAS

U.S. Music Festivals - NYC Pride Festival (2001), Connecticut Pride Festival (2001 & 2002), Atlanta Pride Festival (2000), Virginia Pride Festival (1998)

- National Tour (including performances in Atlanta, New York City, Chicago, Boston and Philadelphia) (1996 thru 2000)

- LADYFEST 2002 NYC Festival

- listed in "Award Winning Men" 2002 book.

For more information visit: www.roberturban.com

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REVIEWS

Robert Urban's "Rock Widow" is a terrific contribution to rock!
author: Bob Young, KCLA-FM, American Radio Network, Hollywood, CA
"Makes me feel like grabbing people on the street, shaking them by the lapels and shouting in their faces, "Listen to this man, you fools! This is what rock can still be!" Okay, so here's the problem: How ya gonna top this, Urban? Flat out faves, so far: "Waiting for Rome to Fall" - Most amusing vision of the apocalypse on record, with a really catchy tune. "Don't Ask, Don't Tell" - Best flat out rocker I've heard in a while, especially considering the lyric. Like hell it's confined to the military. Foolishness pervades all levels of society! "Compulsion" - Stunning. All those beautiful, unexpected guitar & drum riffs tied to a brilliant lyric line. Robert Urban's "Rock Widow" is a terrific contribution to rock" - BOB YOUNG, KCLA-FM, American Radio Network, Hollywood, CA
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Rock Widow is a powerful and innovative collection
author: JEREMY BLUE, DreamBorn Productions, Pawling NY
"Robert Urban’s new release, Rock Widow, is a powerful and innovative collection. Weaving in and out of the traditional sounds of rock, it allows for Urban’s intricate mastery of the song as an art form to create an exciting and provocative juice. Full of high-energy performances by Urban himself, and a collection of other first-rate musicians, I listen to the program thankful that rock ‘n roll is far from dead in Urban’s able hands. You wanna rock when you hear this. And yet, with meaningful tracks like “Don’t Ask Don’t Tell”, be prepared to go on some well-crafted, journeys as well. Robert is a musician’s musician who makes music for those willing to think."
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You've got a great sound on this one, nice guitar work
author: RICK RAY, Neurosis Records, Cleveland, OH
WAITING FOR ROME TO FALL - "Sounds like Ziggy Stardust goes AWOL and takes refuge at Eno's house! You've got a great sound on this one, nice guitar work"
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a masterpiece of intricacies, a bouquet of sonic compassion.
author: SCOTT FREE, Leather/Western Records, Chicago, IL
ROBERT URBAN, a leader in today’s burgeoning New York music scene with his "Urban Productions BOLDLY Presents" rock shows & concerts, has released his fourth CD, entitled ‘Rock Widow’. He has, once again, created a masterful melodic epic, but this one is a more painful search for meaning amongst rock & roll’s ruins. The opening track - ‘You Don’t Wanna Know’, a pure pop gem. This seductive song, in fact, could have been called ‘Rock Widow’, with its painfully honest lyrics about a gay rocker in the straight world of rock & roll. But ‘Rock Widow’ also refers to Robert’s view on the state of rock today. This CD is solidly grounded in the progressive rock of the 1970’s, complete with rolling r’s and keyboard arpeggios. It is a grandiose style, yes, and one that is rarely heard today, but its grounded lyrics and careful production make the CD touching, compelling, and human. And, although progressive rock and jazz are its starting points, Robert’s ability to write brilliant pop hooks makes this a timeless CD. Shining moments of brilliance are discovered in segues, bridges, and even song fade-outs. Each song is meticulously crafted, which shows a love and respect for the music. This is a masterpiece of intricacies, a bouquet of sonic compassion. The highlight of the CD is the triumphant ‘Ode to Central Park’, a musical tribute to the anonymous sexual encounters in the core of Manhattan Island that have continued unending for centuries. This gem, soon to be a queer classic, is treated with utmost reverence, a musical homage to desire which crescendos to an emotional climax. One of the most interesting additions to the CD was the inclusion of two songs written by Charles Ives, ‘The Cage’, and ‘Serenity’. Robert’s handling of these two completely unique songs shows the mastery of his art – his ability to bring out the right emotion through careful instrumentation and production. This impeccably produced CD was done in Robert’s own Urban Productions recording studio, where musicians Yolanda, Marshal Zarne, and Rainbow Flava have recorded their music. With radio’s obsession with boy bands and forced rap, you may have forgotten the joys of the power-rock anthem. When done correctly, as ‘Rock Widow’ is, it is thrilling
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