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Rick Vandivier : Spirit of the Room
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A fresh, progressive instrumental jazz sound based on the interweaving of guitar melody, harmonic color and rhythmic interplay.
Genre: Jazz: Free Jazz
Release Date: 2004
Spirit of the Room Record Label: Rick Vandivier
  • Buy CD - $15.00
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Preview Song Name Time Format Price Select
Spirit of the Room 4:25 Album Only
Well You Needn't 3:22 Album Only
Isn't it Romantic 5:06 Album Only
Nardis 4:55 Album Only
In Walked Bud 5:31 Album Only
Blue in Green 5:20 Album Only
Caminos Cruzados 4:41 Album Only
Bemsha Swing 3:50 Album Only
Norton's Revenge 2:04 Album Only
Waltz for Lucy 5:27 Album Only
Wabash III 4:31 Album Only
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Album Notes

What do you get when Rick Vandivier (guitar), John Stowell (guitar), George Marsh (drums) and Bob Johnson (sax), each a leader in his own right, come together to record a CD? A musical experience that's good for what ails you. The Vandivier * Stowell * Marsh * project presents a fresh sound based on the interweaving of guitar melody, harmonic color and rhythmic interplay. We're talking soul food for the world weary in the sheer beauty of the sound of the band. Now add to that the exhilaration of witnessing a composition improvised into existence for the first and only time. Or relish the delight of hearing the works of the American masters, like Monk and Miles, crafted to bring their creations into the 21st century with further innovation and vitality. The heart is likely to beat a little quicker from the emotion, and dare I say, romance imbued in the music. The flash of bright ideas can spark the intellect and enliven the spirit. Give a listen soon. (Possible side effects include residual smiling, sensations of warmth around the heart, and renewed interest in life)

The arrangements on Spirit of the Room illustrate how the modern and the traditional, the concrete and the abstract can be combined to create new and unique musical textures. Rick Vandivier (heard predominately in the left channel) performs on the electric archtop and steel string acoustic guitars. Rick's playing, although steeped in the traditions of jazz and blues, also displays a thoroughly modern aesthetic. He is known for his ability to weave a colorful harmonic fabric from multiple melodic voices and can be recognized by his smooth attack and warm tone. John Stowell uses both the electric nylon string guitar and the electric archtop. His playing (heard in the right channel) is angular in its quickly shifting melodies, use of wide melodic intervals contrasting with close-voiced chords and "Monkish" rhythmic punches. George Marsh coaxes an impressive array of timbres from his minimalistic kit (consisting of snare, hi-hat and ride cymbals,) and Bob Johnson presents a unique voice and intuitive musical sensibility in his tasteful sax playing.

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REVIEWS

Wonderful, creative guitar interplay and good song selection.
author: B. Brogan
This is a wonderful CD that I was interested in because I'm a John Stowell fan. Once again I'm intruduced to great musicians by following Stowell's projects. I find Ricks playing wonderful and non-predictable. There are alot of twists and turns, with each player in complete control of the complex improvising that only the greatest players can pull off. The drums are nice and at times almost unnoticed. The saxiphone is nice and could have been more throughout. I love bass guitar, but I didn't miss it, for these guitarsists are great at comping in bass. This is a wonderful outing which gets better each listen. I gave it four stars becuase it is mucho fun. If it continues to get better over time, I'll up that to five.
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