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Jason Vitelli : No Photographs
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A soaring tale of woe brought to life with deep lyricism, spirited performances and compelling Rock/Blues/Jazz band arrangements.
Genre: Rock: Hard Rock
Release Date: 2009
No Photographs
Jason Vitelli
Record Label: Roomful of Sky Records
  • Buy CD - $14.99

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Preview Song Name Time Buy
1. The Worst Thing 3:33 Album Only
2. Last Rites 2:32 Album Only
3. Apartment 3:33 Album Only
4. June 4:00 Album Only
5. Tortured Lane (Hobo Song) 3:43 Album Only
6. Locked 2:35 Album Only
7. Morning Sun 3:15 Album Only
8. Zeta Male 3:05 Album Only
9. Broken 3:48 Album Only
10. Announce Myself 2:12 Album Only
11. Long Way 3:38 Album Only
12. Upon the Dead Avenue 2:02 Album Only
13. Stars Align 3:51 Album Only
14. Lower East Sigh 4:00 Album Only
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Album Notes

Jason Vitelli's No Photographs is powerful and rich; an experience that envelops the listener, revealing more of its gorgeous artistry and depth upon every spin.

Jason, the songwriter behind the curtain, sings a soaring tale of woe through his deep lyricism, spirited performances and compelling band arrangements. His vocals are dynamic and gripping from track to track, beginning with the nasty wail of 'The Worst Thing' and closing with the melancholy whisper of 'Lower East Sigh'.

Incorporating the themes of No Photographs are the musical stylings of blues, folk, hard rock, and jazz.

The blues influence is especially apparent in 'June,' the first single. This song is an epic inspired by the films of David Lynch and is masterful in evoking the soulful riffs of Howlin' Wolf and the sing-speak of Lou Reed. Belting out a mojo-filled refrain, Jason paints a sordid tale that travails throughout the underbelly of dank city streets.

Contrasting this unabashed material are lilting tunes with caressingly soft melodies, many of which express both pain and joy through their subtle phrasing. In the piano ballad 'Apartment,' solitary words shine with hope and desperation, while the cello and vocals waltz in counterpoint, neither finding each other's call to company.

'Morning Sun' meanwhile, is a sunbeam in the clouds, a dreamy saxophone-led ode to the ideals for which one can only imagine.

Jason's good friend and occasional collaborator Phil Robinson guests on the track 'Broken,' lending some plaintive harmonica that suggests a touch of wide open plains under the stars at night, standing in stark contrast to the urban setting of the rest of the album.

Some song arrangements are impressions that wholly shift perceptions. In the dirge to the downtrodden, 'Tortured Lane,' distorted electric guitars spit out angular jabs over heavy drums and bass.

Speaking in no words at all, the instrumental 'Upon the Dead Avenue' conjures spirits through a Djembe-led backbeat and droning tonality.

All in all, this album is a story of impassioned self-revelation. It tells of the struggle between mind and body and couples together the night of despair with the hope of a new day.

This album is No Photographs.

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REVIEWS

A tour de force!
author: phil
                            
Jason Vitelli sounds so assured and accomplished on this album, that it's hard to believe its his debut! An intensely personal cycle of songs, No Photographs recalls a time when albums were long-form compositions, drawing the listener in to a richly imagined and vivid world of the artist's creation. Jason's considerable gifts-- in composition, in singing, in playing multiple instruments and in writing lyrics-- enable him to create this genre-blending and deeply intimate portrait of (what seems) to be a very dark and challenging time in his life trying to make it as an uncompromising musician on the often indifferent streets of New York City. In addition, the spectre of a dark and ill-fated love seems to hang over each of these songs as well. Each song is thick with its own individual atmosphere, yet each seems undeniably related to the others as well. Jason lays his heart so bare in this music that by the time I finish listening to the album, I'm partially exhausted-- in a good way-- and feel like I know Jason personally. That's a pretty big accomplishment for an artist-- in any art form. Today so much music seems disposable, and that the unit of art is the ephemeral digital single, without context, here today and gone tomorrow. This album is one for the ages.
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A new rising star
author: Barry Diament
                            
t is not very often that after mastering an album, listening to it over and over again, making changes and listening some more, that when I want to select something to listen to for my own relaxation and listening pleasure, I find myself "Jones-ing" to hear that same album some more. That has been the case with "No Photographs". The longest I've gone without listening to "No Photographs" has been about a week. I just heard it again and wonder why it took me so long to get it back in the player. Jason writes wonderful, complex, catchy melodies, literate lyrics (not so common in pop and rock, from my perspective), he can rock, he's soulful, his songs are full of feeling and he's got a great voice that he uses as another instrument in his arrangements.
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