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Jazz: Jazz Fusion Jazz: Acid Jazz Moods: Type: Instrumental
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VOID

by VOID

One of the hottest young bands to come out of Australia, the group performs high-energy fusion combining influences from Jazz, Hip Hop, R&B, Soul, Funk, and Latin Music
Genre: Jazz: Jazz Fusion
Release Date: 

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1. intro: Say What?!
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3:02 $1.00
2. London
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6:46 $1.00
3. Travel Bug
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7:07 $1.00
4. Conzuela
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7:54 $1.00
5. The Break-In (feat. The Apprentice)
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8:31 $1.00
6. The 80's Cop Show
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5:49 $1.00
7. interlude: The Eclipse
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3:14 $1.00
8. J-Lag
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6:49 $1.00
9. The Homecoming Song
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9:32 $1.00
10. Say When
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2:05 $1.00
11. In the Soul-jive
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8:13 $1.00
12. finale: The Llama
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7:09 $1.00
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ABOUT THIS ALBUM


Album Notes
VOID is, without a doubt one of the hottest groups in contemporary Australian jazz. Their music stems from many sources including fusion, hip-hop and soul. Together they synthesize all these into an extraordinary delivery of speed, virtuosity, melody and seriously-phat groove that will excite your senses yet soothe your soul. Their products include a self titled CD and a live DVD, and VOID launched these at the Villa Celimontana Jazz Festival in Rome in June 2006. Three of the four band members play alongside the fiery James Morrison as part of his “On The Edge” project, which has toured widely – from the Sydney Opera House in Australia to Europe and Russia.


Hailing from the remote location of Perth, West Australia, saxophonist and composer Troy Roberts has received numerous awards including 3 consecutive DownBeat Jazz Soloist Awards and 2 consecutive West Australian Music Industry Awards, a Grammy Nomination medal for his performance on Sammy Figueroa’s “The Magician”, and was the only Australian semi-finalist in the 2008 Thelonious Monk International Jazz Saxophone Competition. Graduating with a Bachelor of Music at the young age of 19, he has toured Europe and the US extensively with artists such as James Morrison, Aretha Franklin, Jeff ‘Tain’ Watts, Nicholas Payton, Lew Soloff, Robin Thicke, Ari Hoenig, Ignacio Berroa and Robby Ameen to name a few, and also completed a Masters Degree at The University of Miami.
In 2012, he shared the stage in an international septet comprised of jazz greats Wayne Shorter, Richard Bona, Vinnie Colaiuta and Zakir Hussein for Herbie Hancock’s launch of the first ever International Jazz Day at NYC’s UN General Assembly Hall. More recently he was also part of Hancock’s 2014 International Jazz Day held at Osaka Castle Park, Japan, sharing the stage with jazz luminaries such as Gregory Porter, Marcus Miller, Roy Hargrove, Esperanza Spaulding, Sheila E, John Scofield and Dee Dee Bridgewater.
Celebrating his 5th record as a leader, Nu-Jive 5, Troy is based in New York City and continues to maintain a busy performance and recording schedule around the globe.
...please visit www.troyroberts.com


Tom O'Halloran has just recorded a Trio album of his own compositions, by way of an Australian Council grant. Green Hills and White Clouds was recorded at Soundmine Studios, Perth, with Pete Jeavons (double-bass) and Daniel Susnjar. It has just been released on the Jazzgroove label, Sydney, and is distributed in Australia through Creative Vibes.

Since living in Sydney, Tom has worked as conductor/pianist for the new musical theatre piece The Hanging of Jean-Lee at the Sydney Opera House, which was recorded by the ABC and Sunday Arts. There he worked with artists such as trumpeter Phil Slater, bassist Cameron Undy, and singers Max Sharam, Geoff Duff, Josh Quong Tart and Hugo Race (Bad Seeds). Tom has also been working with David Campbell (Sony BMG), Mark Sholtez (Verve label), Rick Robertson (DIG), Virna Sanzone, George Washingmachine, Ian Cooper, Jim Pannell, DJ’s Houston and Crucial and John Morrison’s Big Band, and has performed at The Newcastle Jazz Festival and venues such as The Wine Banq. He is, of course, also a seminal member of the group VOID, who recently returned from Rome’s Celimontana festival. He will be travelling to play in New York, Miami and Virginia in January 2007 as guest artist at the International Association of Jazz Educator’s Conference.

Tom has been nationally successful as a jazz pianist He has led his own jazz piano trio since 1994; accompanied many leading national and international artists; and was selected (by the artist herself) to perform his original compositions as support for the American jazz star Natalie Cole, at the Perth Convention Centre in September of 2004.

He has played the music of Salsa, Cuba and Brazil, and has received accolades for his performances. These include the 2003 Freedman Foundation Jazz Fellowship in which Tom was a grand finalist and gave a resounding performance at the Sydney Opera House, with Dane Alderson and Andrew Fisenden to critical acclaim from the Sydney Morning Herald.

Perth based pianist, composer and conductor Tom O’Halloran led his trio in a sparkling set full of rhythmic teamwork, subtle or sudden gear shifts, zipping pace and dancing lyricism that has characterized the jazz piano trio tradition.
- John Clare.

He has appeared as sessional musician on numerous recordings and prior to relocating to Sydney, was a part-time piano tutor in the WA Conservatorium’s Jazz Programme.

Other awards include the ’96 Bob Wylie Family Scholarship and the Perth Jazz Society Encouragement Award of ’95. He has appeared several times at Bennet's Lane in Melbourne, once in Los Angeles, Manifesto in Auckland, and has appeared with players of the calibre of Jim Snidero and Ernie Watts (New York), Dale Barlow (AUS), Jamie Ohlers (AUS), Graeme Lyall and Wilbur Wilde (AUS).

Tom also conducted Liszt’s Les Preludes with the Fremantle Symphony Orchestra in their end of year concert of 2004.

He appeared at the Fremantle International Jazz Festival in 2002 and conducted Graham Wood’s commissioned work, Joan.

In May 2000 he conducted the premier of Australian composer James Ledger’s Between the Flags. The review he received from Neville Cohn from The West Australian newspaper was very encouraging:

…If O’Halloran’s handling of the piece on Saturday is anything to go by, this young musician has a lot going for him. His baton technique, devoid of superfluous gestures, was clear cut and purposeful, obtaining from his forces, which sounded more confident than earlier in the evening, a reading that generated and maintained intensity impressively.
.
He is a member of the internationally noted Michael Pigneguy Sextet, or MPS, as pianist, and performed with them in the USA, after being invited to showcase at the 2000 International Association of Jazz Educators Conference held in New Orleans. They have received extensive media coverage, including an SBS performance and interview segment. They also won “Best Jazz Act” and “Best Jazz Album” from the WA Music Industry Awards in ’98.

In 1998 Tom was accepted into the Australian National Academy of Music's Improvisers program, and worked extensively with Mike Nock, Tony Gould, John Hoffman, David Jones and Shelly Scown. He has also been a part of the group Musica Veritas’ along with the internationally outstanding saxophonist/composer/arranger Graeme Lyall, playing free improvisations


Dane Alderson was introduced to the language of music by his father (a jazz drummer) at an early age.

His first musical love was the drums, but by the age of 13 he had switched his attention to the electric bass.

A fan of rock, blues & jazz music, he began sitting in and performing regularly with local musicians & bands around his hometown of Perth, Western Australia.

In 2001, at the age of 18, backed by James Muller and Scott Lambie, he achieved 3rd place at the National Australian Jazz Bass Awards, held at the Wangaratta Jazz Festival, where he also performed with the hugely popular original Perth jazz/groove band "K".

In 2002, he won the James Morrison Scholarship, and also completed his Bachelor of Music (Jazz Performance) degree at the West Australian Academy of Performing Arts, where he studied with some of Australia's finest jazz musicians including Graeme Lyall and Paul Pooley.

Dane was also a member of the West Australian Youth Jazz Orchestra for two years, under the direction of Graeme Lyall.

He has been a regular performer in the Perth jazz scene for many years, performing at such events as three annual Bass Fests and the Fremantle International Jazz Festival. He toured the Eastern States with "K", and featured on their debut album "New" and the "K Live" album recorded at the Llama Bar.

Together with the Troy and Andy, Dane has recorded and toured with James Morrison as part of the “On The Edge” project, and is also working on his own debut release on the Morrison label.

Dane’s virtuoso bass style and musicality have made him one of the most in-demand session players, and helped to define the unique sound that Void have created together.


Andrew Fisenden is one of the most exciting young drummers in Australia today.

Coming from a musical family, he developed a passion for drumming at three years old and excelled in his musical studies throughout his schooling. He began playing gigs at age twelve.

In 1999, at age 15, Andrew won "Australia's Best Up and Coming Drummer Competition" held by Drumscene Magazine in Melbourne and was exposed to some of his influential teachers including Andrew Gander, David Jones, Gordon Rytmeister, Darryn Farrugia and Terepai Richmond. In the same year, Andrew was offered an exceptional entry the West Australian Conservatorium of Music to study Jazz. While at the Conservatorium, Andrew would hone his skills under guidance by teacher Chris Tarr.

In 2001, Andrew joined nationally acclaimed Nu-Jazz group "K" and would record two albums and tour with the band over the next three years.In 2002, Andrew was a finalist in the "James Morrison Scholarship" held in Mt Gambier and in 2003, won the competition playing with acclaimed artist James Muller on Guitar. Shortly after winning the Competition, Andrew was asked to join James Morrison's new project,
"On The Edge", a fiery jazz/funk group consisting of four of the most talented young musicians from Australia. On the Edge has recorded a live album and DVD at the Sydney Opera House and has
travelled to Europe where the band completed a major tour and appeared on the bill with formidable acts The Mike Stern Band, Take 6 and Roy Hargrove's RH Factor.

In 2004 at age 20, Andrew performed alongside drumming great Steve Smith, upon hearing Andrew he exclaimed, "He is one very bad cat!". He also toured regularly in 2004 with James Morrison and performed two extensive European tours as well as a successful Australian tour. In June 2005, Andrew appeared at the prestigious Australia's Ultimate Drummers Weekend in Melbourne alongside Will Kennedy, Tommy Igoe, Mike Mangini and Virgil Donati, Andrew was the only performer invited from Australia.

In November 2005, he performed with Australian great Kate Ceberano, recording a live CD and DVD under the ABC label whilst completing a national tour. Andrew is currently endorsed by Zildjian Cymbals, Drum Workshop Drums, Vic Firth Drumsticks and Remo Drumheads. Andrew Fisenden is a dynamic player whose dream it is to be among the most influential drummers of his generation.


Reviews


to write a review

Ivan Patiño

Quality at work!
Incredible musicianship, lot's of talent and best of all they do hold a great groove!! This will remaind you of the great jazzfunk era, but a very contemporary feel to it. Loved it.

Greg

verrry good!
That's it! check it out, if you're in about honest music!
peace out

Gil Z

Unique !
One of the unique and best fusion-funk albums.
best rhythm section (amazing Andy and Alderson ! Incredible grooves) a must have !
Andy Fisenden - Drums
Dane Alderson - Bass
Troy Roberts - Saxophone
Tom O'Halloran - Keys

David Mercy

Best jazz album I've ever heard
This album is amazing from the beginning to the end, there are no fillers. My favourite tracks are "The Homecoming song" and "London". Whenever I hear these two tracks it just brightens my day. This album is probably the best jazz album I've ever heard. I really hope that Void goes on tour and come to Canada (and play at the Toronto International Jazz Festival or the Beaches International Jazz Festival).

Jay Alsman

Absolutely sick!!
One of my all-time favorite fusion/funk albums. These guys are amazing...and if you are a drummer like myself,...you are in for a ride unlike you've had in a long time!! Andy Fisenden is what you would get if you threw Will Kennedy, Vinnie Colaiuta, and ?uestlove in a blender... this guy can play his ass off!! and not too mention the other players, everyone does an outstanding job, and the tunes are great. There is a little of everything here, just buy it, you won't be disappointed!