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Wade Lashley : Someone Take The Wheel
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Arizona based singer-songwriter delivers these 10 memorable Americana songs with a soulful conviction. From driving alt-country tunes to blues tinged rock numbers these songs will be with you for a long time.
Genre: Rock: Americana
Release Date: 2008
Someone Take The Wheel
Wade Lashley
Record Label: Wade Lashley
  • Buy CD - $12.00
  • Download Album (MP3) - $8.99
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Preview Song Name Time Buy
1. Turn Around South Bound 4:25 + MP3 $0.99
2. Fall 4:14 + MP3 $0.99
3. Coffee Tea or Whiskey 4:23 + MP3 $0.99
4. Someone Take the Wheel 4:18 + MP3 $0.99
5. Drift Away 4:00 + MP3 $0.99
6. Waiting On the Rain 3:45 + MP3 $0.99
7. I Won't Let You Down 3:40 + MP3 $0.99
8. Tonight 3:57 + MP3 $0.99
9. River Song 3:20 + MP3 $0.99
10. Rootless Wanderer 4:46 + MP3 $0.99
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Album Notes

Check out a fine review of "Someone Take the Wheel" in the Belgian online magazine Rootstime. If you're by chance in Italy... pick up a copy of the January issue of Italian music magazine "Buscadero". There's a nice review of my album on page 70.

RootsHighway's Nicola Gervasini's review of "Someone Take the Wheel"
{keep in mind this was translated from Italian}

There’s a road, there’s a car going towards the horizon, there’s the American Myth in every line of his songs, there are those sounds covered with Mississippi mud that John Hiatt used to love, there’s a big baritone voice talking with keyboards (only piano and hammond organ, don’t worry about synthesizers), there is that sensation, that catch you since the first time you hear that record, to be at home again under your reassuring covers. Eyes fixed on Wade Lashley, the last of an American songwriters tradition that lives between folk and southern rock, and upon his Someone Take The Wheel. In 2005 this not-so-young Arizona artist had published a solo record (In From The Wilderness), the result of an activity that last since the 90’s, and now he has done his maturity record. Probably Lashley have anything more to say than what Turn Around South Bound (with his Al Kooper-like organ) or Coffee Tea And Whiskey have already said, he only takes on a new life a good tradition without moving anything, and also in the better moments, he seems to have an ordinary pen caught in a right moment. It’s not easy today to make roots-records without falling in repetition and mannerism, but if there’s no much originality here, Lashley has enough personality to manage things in the right way. So it’s fair if we choose Someone Take The Wheel between many others similar records, there is a perfect production (Jeff Lusby, a sound engineer) and there’s no lack moments, except probably some repetitiveness in Drift Away. But songs like Fall or Someone Take The Wheel are part of this superior race of songs that you can put on a car-compilation with your best track-list of the moment, because these are tunes that only ask to be heard on the road. Tonight is the irremissible romantic ballad, River Song the classic texan rural ride as Joe Ely used to do, Waiting On The Rain is a patented folk registered by the americanized Graham Parker, Rootless Wanderer the inevitabile hymn to the hobos that close the record with some epic mood. And Someone Take The Wheel is the record that you already have in your cd’s collection, but you still need again. (Nicola Gervasini)

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REVIEWS

Flag Live review
author: Ryan Heinsius Editor
                            
Wade Lashley Someone Take the Wheel Flagstaff singer-songwriter Wade Lashley has been slogging it out in the local bar circuit for years, honing his country flecked, story heavy folk songs. His debut, In from the Wilderness, released in 2005, displayed a true-to-life, stripped-down version of Lashley and not much more than his acoustic and smooth baritone. The album presented the artist in his barest form, with raw versions of his vintage songcraft. That was ’05. Now in 2008, Lashley still performs in Flagstaff mostly solo after a jaunt fronting the way-too-short-lived band South Bound. But his newest disc, Someone Take the Wheel, is a more fully realized version of Lashley’s songs, leaving the solo framework behind for a more highly produced roots, rock, country and Americana effort. From the opening snare pop of the album’s first track “Turn Around South Bound,” through Someone Take the Wheel’s nine other tracks, the listener is treated to Lashley’s musical comfort food: multilayered, story heavy lyrics about love, loss, weariness, redemption, travel, and home; expert musicality from Lashley’s many Flagstaff friends; and a hearty, big sound that truly does his songs justice with plenty of bark left on the tree. Produced and engineered in Flagstaff by Corvo Radio’s Jeff Lusby at his Radio Dog Studio, Someone Take the Wheel features many of Flag’s best players including longtime Lashley collaborator keyboardist/vocalist Steve Caldwell, who also plays with the Flag country rockers Gravy. Caldwell complements Lashley impeccably, with gentle piano, stirring organ and solid tenor backing vocals. For the album, Lashley also enlisted Flag’s all-around guitar badass Brad Bays who lays down plenty of Nashville-ready chicken-pickin’ Telecaster licks and even banjo on a few songs. On Someone Take the Wheel, Lashley’s vocals convey a deep sensitivity of spirit, with just a tinge of the Midwestern accent he’s carried around since moving from Indiana to Arizona in the early ’90s. After taking an extended break from music, he revisited songwriting and began performing again in 2003. And all Lashley’s life experience has served him well in his songs. “Someone Take the Wheel” (the song) is an ode to burnout, pumping new life into the well-worn road-as-life metaphor, vaguely reminiscent of Dylan’s grave robbing classic “Isis.” The album’s third track, “Coffee Tea or Whiskey,” is a rural tale of welcoming a lover back after an extended absence, and on the ninth track, “River Song,” Lashley and company lay down a solid, up-tempo beat that hints at bluegrass with Bays on banjo. For Lashley, Someone Take the Wheel is a major turning point, representing a talented artist’s jump from the confines of a solo record to the grander scale of lush, diverse soundscapes. Lashley’s newest effort is further undeniable proof of the vibrant signs of life always emanating from the Flagstaff music scene. Well done Wade! see www.wadelashley.com. Wade Lashley Someone Take the Wheel Flagstaff singer-songwriter Wade Lashley has been slogging it out in the local bar circuit for years, honing his country flecked, story heavy folk songs. His debut, In from the Wilderness, released in 2005, displayed a true-to-life, stripped-down version of Lashley and not much more than his acoustic and smooth baritone. The album presented the artist in his barest form, with raw versions of his vintage songcraft. That was ’05. Now in 2008, Lashley still performs in Flagstaff mostly solo after a jaunt fronting the way-too-short-lived band South Bound. But his newest disc, Someone Take the Wheel, is a more fully realized version of Lashley’s songs, leaving the solo framework behind for a more highly produced roots, rock, country and Americana effort. See all print ads Incahoots The Wine Loft The Joint Arizona Music Pro See all print ads From the opening snare pop of the album’s first track “Turn Around South Bound,” through Someone Take the Wheel’s nine other tracks, the listener is treated to Lashley’s musical comfort food: multilayered, story heavy lyrics about love, loss, weariness, redemption, travel, and home; expert musicality from Lashley’s many Flagstaff friends; and a hearty, big sound that truly does his songs justice with plenty of bark left on the tree. Produced and engineered in Flagstaff by Corvo Radio’s Jeff Lusby at his Radio Dog Studio, Someone Take the Wheel features many of Flag’s best players including longtime Lashley collaborator keyboardist/vocalist Steve Caldwell, who also plays with the Flag country rockers Gravy. Caldwell complements Lashley impeccably, with gentle piano, stirring organ and solid tenor backing vocals. For the album, Lashley also enlisted Flag’s all-around guitar badass Brad Bays who lays down plenty of Nashville-ready chicken-pickin’ Telecaster licks and even banjo on a few songs. On Someone Take the Wheel, Lashley’s vocals convey a deep sensitivity of spirit, with just a tinge of the Midwestern accent he’s carried around since moving from Indiana to Arizona in the early ’90s. After taking an extended break from music, he revisited songwriting and began performing again in 2003. And all Lashley’s life experience has served him well in his songs. “Someone Take the Wheel” (the song) is an ode to burnout, pumping new life into the well-worn road-as-life metaphor, vaguely reminiscent of Dylan’s grave robbing classic “Isis.” The album’s third track, “Coffee Tea or Whiskey,” is a rural tale of welcoming a lover back after an extended absence, and on the ninth track, “River Song,” Lashley and company lay down a solid, up-tempo beat that hints at bluegrass with Bays on banjo. For Lashley, Someone Take the Wheel is a major turning point, representing a talented artist’s jump from the confines of a solo record to the grander scale of lush, diverse soundscapes. Lashley’s newest effort is further undeniable proof of the vibrant signs of life always emanating from the Flagstaff music scene. Well done Wade! Catch Lashley live twice this week. He’ll perform solo at Flagstaff Brewing Co., 16 E. Rte. 66 (773-1442), Thu, Dec. 18 at 9 p.m. He’ll also open for Nolan McKelvey and the Civilian Contemplation Corps at the Green Room, 15 N. Agassiz (226-8669), at 9 p.m. For more info on Lashley or to pick up a copy of Someone Take the Wheel, see www.wadelashley.com. Additional photos for this story:
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