Wolfson/Mars Syndicate | Midnight Latitudes

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Wolfson/Mars Syndicate

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United States - California - SF

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Electronic: Ambient Electronic: Ambient Moods: Mood: Weird
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Midnight Latitudes

by Wolfson/Mars Syndicate

A genre defying album. An open ended story revolving around a character known only as "The Detective" which incorporates elements of spoken word, song and ambient soundscapes.
Genre: Electronic: Ambient
Release Date: 

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  song title
artist name
1. Via Reggio
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0:33 album only
2. Water Rhapsody
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1:29 album only
3. Hearts&Onions
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2:36 album only
4. Sunday Song
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3:56 album only
5. Dirty Flower Duet
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2:09 album only
6. Coco Vespucci
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2:36 album only
7. Reflections of a Pale Kiss
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1:24 album only
8. In Worship of Women
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1:41 album only
9. Linger
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1:47 album only
10. Cinare
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1:21 album only
11. Shangri La
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2:33 album only
12. I Am Three
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4:46 album only
13. Always the Shore
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1:16 album only
14. Yeanne
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3:30 album only
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Album Notes
Mars Syndicate is an evolving multimedia collaboration. Visual mediums include video and live performance art.

Auditory mediums include live instrumentation (from one to twenty musicians), and computer music (samplers and sequencers).

Wayne Wolfson is a California based author.

The album is a concept one. It figures around an anti-hero known only as “The Detective”. A lot of things are kept vague, non-linear story line with certain images and words which are constantly looping back and referencing other events taking place within the world of music and story found here. As an example, the very first track you hear someone running to a car in the rain, the radio is fiddled with, a brief melody is heard, then the first piece is about a man leaving a woman. There is a definite story, but did the man already leave the woman and was running to car in the start of the album or is he now on his way to do so. Another example of the constant looping back, the melody he hears on the radio is then hummed by man and woman as “their song” in next piece. Was it really their song, or did his mind just fill in that space with the brief snatch of song heard on radio. There is a definite story, although it is not traditional narrative taking the audience from points A to Z.

I think some of the best modern poets did the same thing. Cesare Pavese (1908-1950) would often have poems which bordered on being short stories, stories where there was a plot but things were left semi-open, semi-opaque. In France some of the creators of the Anti-Novel (Nathalie Sarraute, A l’Aine Robe Grille) were authors who painted pictures with words but left a certain elasticity to the where and when of what was going on with the characters and their world. This is something I think poetry is moving away from, an image standing for something and yet not being rigidly locked into place. I think too, for any work of art where you want people to be able to go back to it again and again, the lion’s share of the tension should not derive from finding out “what happens next”. Largely, we avoided that in the way the story is told.


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Wow, what a cool idea. Very intriguing...