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Xiang Zou : Honens Laureate Series: Schubert Godowsky
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Schubert's B-flat Sonata is reverent and spiritual in tone, exploring tender human emotions. Godowsky's Passacaglia builds on these tones as an homage to Schubert.
Genre: Classical: Romantic Era
Release Date: 2006
Honens Laureate Series: Schubert Godowsky Record Label: Arktos Recordings Limited
  • Download Album (MP3) - $9.99
  • Buy CD - $12.97
Preview Song Name Time Format Price Select
Sonata in B-flat major D. 960: I. Molto moderato 20:10 $0.99
Sonata in B-flat major D. 960: II. Andante sostenuto 10:04 $0.99
Sonata in B-flat major D. 960: III. Scherzo: Allegro vivace con 3:49 $0.99
Sonata in B-flat major D. 960: IV. Allegro ma non troppo 7:50 $0.99
Passacaglia on the opening of Schubert's Unfinished Symphony 19:36 $0.99
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Album Notes

Xiang Zou was the youngest pianist ever to become First Laureate of the Honens International Piano Competition (2003). He has performed in recital and with orchestras throughout North America, Europe, and his native China. He is an artist of the highest sensitivity, imagination and focus, combining consummate musicality with fiery enthusiasm.

A native of Hunan China, Zou studied at the Shanghai Conservatory of Music at The Juilliard School for his Bachelor and Master of Music degrees, and for his Artist Diploma in Performance. His principal teachers have been Jerome Lowenthal, Robert McDonald and Xiaosheng Zhao, and, in chamber performance, Joseph Kalichstein and Seymour Lipkin.

In 2005, Xiang Zou founded the New Asian Ensemble at Juilliard, an organization dedicated to introducing contemporary Asian music to Western culture, and Western contemporary music to Asian audiences. He now teaches at the Central Conservatory in Beijing.

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REVIEWS

"...performed with sensitivity and gentle beauty."
author: Jamie Parker, The Wholenote
Xiang Zou is an intimate pianist. His Schubert is performed with sensitivity and gentle beauty. Voicing is always clear and controlled, especially in the Scherzo movement where the melody happily bounces around between different registers. There is never harshness in his tone quality. Occasionally, I found myself wanting a more horizontal sense of phrasing, and a freer sense of rubato. It’s great to hear Xiang Zou show his virtuosic side in the Godowsky Passacaglia. An expansive work based on the opening of Schubert’s ‘Unfinished’ Symphony, there are plenty of moments that demand a lot from the performer, and Xiang Zou shows that he’s up for the challenge. No matter how thick the texture gets in the Godowsky, there is always attention to detail, and we always hear melodies singing out clearly.
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