Emmanuel H During & Yengi Yol | Dilnoura

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World: Flamenco Jazz: World Fusion Moods: Mood: Virtuoso
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Dilnoura

by Emmanuel H During & Yengi Yol

Blend of pure Flamenco guitar and traditional music from Central Asia
Genre: World: Flamenco
Release Date: 

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Tracks

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1. Katta Ashula (solo vocal improvisation) Emmanuel H During & Yengi Yol
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2:13 album only
2. Rondeña Emmanuel H During & Yengi Yol
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2:45 album only
3. Rondeña por Buleria Emmanuel H During & Yengi Yol
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3:13 album only
4. Koshtar Emmanuel H During & Yengi Yol
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3:56 album only
5. Granadina Emmanuel H During & Yengi Yol
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3:17 album only
6. Daryo toshqin Emmanuel H During & Yengi Yol
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2:35 album only
7. Buleria Emmanuel H During & Yengi Yol
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5:10 album only
8. Taranta Emmanuel H During & Yengi Yol
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1:30 album only
9. Bir Kelib Ketsun Emmanuel H During & Yengi Yol
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3:11 album only
10. Tangos Emmanuel H During & Yengi Yol
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5:03 album only
11. Qora Ko'z (vocal improvisation) Emmanuel H During & Yengi Yol
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2:59 album only
12. Qora Ko'z Emmanuel H During & Yengi Yol
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4:29 album only
13. Seguiriya Emmanuel H During & Yengi Yol
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4:38 album only
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ABOUT THIS ALBUM


Album Notes
Live performance recorded in July 2003 in Arles, France (Festival Sud à Arles).

This album is dedicated to Dilnura Qodirjonova.

Musicians:
Emmanuel H During: guitar
Dilnura Qodirjonova: vocals
Jamal Avezov: violin
Gozal Muminova: dotar
Rostam Tagaykulov: percussion (dayra)

/// Cover design: fme© ///

"I spent the first five years of my life in Iran, in an exceptional musical environment. And music has been with me ever since, through a diversity of practices, including traditional music of the Middle East and Asia Minor, Jazz, and Flamenco. I have always dreamed of bringing those different musical languages together.
In spring 2000, destiny took me, with my guitar, to Uzbekistan. On the evening of my arrival in Tashkent, I met 4 traditional musicians of my age. The language barrier obliged us to find other common ground and music was the obvious solution. They seemed to be familiar with the flamenco rhythms, and my guitar had no trouble accompanying the singer's vocalizations. Thus, we found ourselves with tangible proof of the existence of a common language, of strong but forgotten bonds between two traditions seven thousand kilometers apart. An experience clearly showing how universal music can be".

Emmanuel H During


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