MPH
The Yohawks
© Copyright-The Yohawks
(625989609220)
Record Label: The Yohawks
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Song Name |
Time |
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1. Shoes |
4:49 |
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2. Losin' You |
3:15 |
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3. Never Let Go |
3:49 |
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4. Whose Side Are You On? |
4:52 |
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5. Costa Rica |
2:45 |
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6. Fate |
3:35 |
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7. She's Gone |
4:33 |
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8. Speak To Me |
4:50 |
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9. Borrowed Time |
4:00 |
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10. Nothing Continues To Happen |
4:15 |
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11. Bad For Me |
3:35 |
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12. Popular Man |
3:15 |
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ABOUT US
The story of The Yohawks dates back to the days of the “British Invasion”, just before the Summer of Love, and long before commercial radio became formatted for specific music genres and listener demographics. “Back in the day” in Ottawa, Canada, bands would book four hours of studio time in Montreal (Ottawa didn’t have a professional studio then) and record an A side and a couple of B sides, send the master off to the Smiths Falls RCA pressing plant, and hear themselves on CFRA, CKOY, or CJET two weeks later.
THE PLAYERS
In the late sixties, as part of the Five D, an Ottawa band which enjoyed success throughout eastern Ontario, Dave Poulin, Brian Bradfield, Brad Campbell and Keith Richardson formed a lasting friendship that, forty-two years later, has resulted in their first album of fresh, original songs. While each member went on to other musical endeavors after the Five D, it’s only now that time and technology has allowed the group to explore their collective creativity without any constraints.
THE PROCESS
It was Brian’s suggestion a few years back that the boys get together to jam. As the owner of the recording facility studioNINE, Dave suggested that there be a purpose to these jams and proposed that everyone present their original material to work on as a group. These weekly get-togethers produced over twenty new songs which were finally pared down to the twelve cuts that appear on the album. As the project neared completion, it became apparent that a first class horn section - with world class arrangements, was the final touch needed to finish off this five year labour of love.
The NAME
It was appropriate to find a new identity for this project, as the material in no way resembles the “bubble gum” sound of Ottawa’s first “boy band”. After several attempts at finding a name (some funny, some rude) the band settled on The Yohawks. The name has a special meaning and a history in Ottawa. In the late sixties, a Yohawk was a person who dressed with a certain style; sneakers, desert boots or penny loafers, with a plaid, madras or paisley shirt and tight fitting chinos. On the other side were The Squirrels. With their jet boots, greasy hair and jean jackets they presented a tough façade. This was Ottawa’s version of “Mods” and “Rockers”, and the first recorded gangs in the city.
The NEXT CHAPTER
Upcoming live performances will be announced on our website.
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Congratulations on GrIndie Award
author: RadioIndy.com
RadioIndy is proud to present The Yohawks a GrIndie Award for their CD "MPH." A GrIndie Award is RadioIndy's stamp of approval that this CD is an excellent quality CD. Please join us in congratulating this artist on this accomplishment.
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Classic R & B CD with backing brass section
author: Shaun H. and the RadioIndy reviewer team
“MPH” by The Yohawks is a terrific throwback to the 60’s R&B with a touch of smooth rock. As a band, their sound is extremely tight and features a strong and well balanced brass section, an element very much missing in current bands. In addition to The Yohawks musicianship, their Motown influenced vocal melodies really shine on this disc and add that distinct “Detroit sound” to “MPH.” Stand out songs like “Never Let Go” and “She’s Gone” makes the best connection to that familiar 60’s R&B sound we all know and love. At first listen “Never Let Go” sounds reminiscent of the group Chicago and the horn section compliments the polished and mature vocals quite well. “She’s Gone” is a catchy tune with lyrics that may make you think of a lady you once let get away. Anyone who is a follower of Otis Redding or Chicago will very much enjoy this CD. The sound quality is very professional and evokes those classic tones that we all want to hear back in the mainstream radio days.
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