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Yoko K. : 012906
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Organic Electro Ambient.
Genre: Electronic: Down Tempo
Release Date: 2006
012906 Record Label: Asahra Music
  • Buy CD - $14.95
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Preview Song Name Time Format Price Select
012906 2:02 Album Only
take off 2:28 Album Only
yoake 6:27 Album Only
mimi's heart muted 3:38 Album Only
blues of grande chai 3:22 Album Only
pho 2:43 Album Only
yun ae se po 4:37 Album Only
la complainte d'R2 8:11 Album Only
hello hello 3:08 Album Only
uchu ryokou 7:15 Album Only
searching 4:17 Album Only
attic 2:36 Album Only
take me there 6:26 Album Only
eleventh year 1:39 Album Only
study japanese 3:29 Album Only
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Album Notes

Organic Electro Ambient – written, recorded, programmed, arranged and mixed intimately on her own, Yoko K. presents the hypnotic soundscape that inscribes seemingly contradicting characteristics in harmony: electronic yet organic, serene yet fierce, futuristic yet nostalgic, innocent yet sensual. Yoko K. is an electro music vocalist/composer from Japan, whose first self-produced album 012906 will be released in July 2006 on Asahra Music.

As a recipient of the 2006-7 New Media and Audio Grant from the Washington DC Commission on the Arts and Humanities, Yoko co-founded a creative art group asymmetric affinity d.c. and co-produced innovative audio-visual artworks, including "012906" featured at the Experimental Media Series at Corcoran Gallery of Art. In May 2006, Yoko produced and performed original incidental music for Frank Warren's PostSecret Show at the Old Town Theatre to benefit the 1-800-Suicide help line.

Born in Nagano, Japan, Yoko began the classical study of the piano at the age of three. While living throughout Japan, Yoko studied the clarinet, saxophone, drums, and voice, and eventually started to sing in jazz venues and clubs at the age of sixteen. Her musical influence stems from classical and jazz to electronica and underground house music. After moving to the United States on her own, Yoko has collaborated with producers worldwide such as T-Kolai in the Sudan/US (Asahra Music), Light 4 Lines in Japan (KhaiMar Music), Holmes Ives in the US (Ova Records), and Dalminjo in Norway (Deeplay Music), and performed in venues such as Club Five, Bar Nun, DC9, Del Ray Artisans Gallery and American University.

In February 2005, Yoko faced the sudden loss of an important person in her life. It was this shock, ironically, which seems to have unlocked her innate potential as a composer and a producer. Ever since, she continues to write music everyday. Nicolas Laget, the founder of Asahra Music, once described Yoko as a "healer." "The definition of a healer," Laget says, "is such that – only through healing others, she is able to heal herself."

Yoko is also keen on using her music as a way of promoting cross-cultural understanding and tolerance. Yoko has recently performed for the Peacebuilding and Development Institute at American University, and her ongoing projects include the multi-lingual music project "amahoro.net" which features a narrative of the1994 Rwanda Genocide. Yoko currently lives in Washington DC, USA.

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REVIEWS

Yoko K 012906
author: Tom Tyson
Yoko K's 012906 album is a wonderful mix of smooth, flowing rhythm and sensuous melody. "Take Off" and "Yun Ae Se Po" are alone worth the price of this excellent album; each song takes on renewed meaning with each new playing. There is an accomplished mix of frenetic pace at times accompanied by smooth, flowing rhymthm that permeates this gem of a recording. There is even an artistic hint of counterpoint in "Hello Hello," rarely used as skillfully in this genre. The music actually written and arranged by Yoko K is truly the best part of this body of music. I can't wait to hear more from this artist!
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hovers above her contemporaries in this genre... the work of a visionary.
author: Adam Harrington
Yoko K. will take you to another state of existence. She's a one-woman orchestra of transcendent electronic landscapes, producing wave after wave of trippy, synthesized textures. However, beneath the chilly exterior of her beats is a vibrant human pulse. You get the impression that Yoko is expressing her emotions with these stream-of-consciousness rhythms; in fact, it's almost like a futuristic makeover of classical music as tempos change to reflect a shift in mood. The title cut, for example, gradually picks up steam, creating an increasingly disorienting effect with its trippy electronics. On "Yoake," Yoko injects her own disembodied, dreamy voice to offer a poetic, cinematic narrative about "waiting for the misty sunrise." It's the perfect soundtrack for club goers coming home - or should that be coming down? - after an all-night rave. "Yoake" is a prime example of how Yoko hovers above her contemporaries in this genre. She takes it a step further, putting as much thought and feeling into each track as possible. Yoko steers from predictability as much as possible. In an electronica world rife with cookie-cutter clones, Yoko expresses intoxicating originality, mixing traditional Oriental flavors with ghostly vocals in the mournful "Mimi's Heart Muted" and singing in French on "La Complainte d'R2" with added trumpet and tumbling percussion. This is truly the work of a visionary, a woman that I'm sure we'll be hearing more about soon.
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narcotic transmissions from a different universe... a floaty, alien charm.
author: Kyrby Raine
The otherworldly beats of Yoko K. have a sensual, even relaxing tone. In the icy world of electronic music, that's pretty unique. In this genre, the synthesized rhythms can either pummel your ears with histrionic, repetitive loops or lull you into sleep with a snail-slow downtempo groove. Yoko K. exhibits a little of both but doesn't push too much into either of them; consequently, she has a record that doesn't polarize listeners like much of the genre can do. Some of the material on this CD can even be classified as "pop," at least pop music as defined by extraterrestrials. "Yoake," for instance, features Yoko K.'s angelic, whispered vocals with actual lyrics. She isn't just using her voice as an instrument on this one. Nevertheless, even though its words are completely understandable, "Yoake" sounds like it's from another plane of existence, narcotic transmissions from a different universe. It's a beautiful song with a floaty, alien charm. "Yun Ae Se Po" has pulsating keyboards and great percussive noises that redefine pop. After all, just because it's pop doesn't mean it should be safe and not challenging. To prove that music is the universal language (as the cliche goes), "La Complainte d'R2" is a French kiss that loses none of its catchy qualities even if you cannot understand what Yoko K. is singing. Unlike other artists in the electronic field, you get the sense that Yoko K. is a composer and not just somebody twiddling with the knobs. There is magic in her play; it glows with rainbow colors.
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